The Maillard Reaction
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∞
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post edited by Bash von Gitfiddle - 2018/08/31 00:10:12
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bapu
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Re: ∞
2018/08/22 13:38:31
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☄ Helpfulby Mesh 2018/08/22 13:39:42
Obtuse as usual.
I'll come back in a hour (or a day) and erase my post, so you'll feel at home, mmmmkaaayyyyyyyyy?
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Mesh
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Re: ∞
2018/08/22 14:04:21
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☄ Helpfulby Kamikaze 2018/08/22 15:10:12
∞
post edited by dj squarewave - Aug 22, 18 10:03AM
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Starise
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Is that a pair of ant goggles?
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Mesh
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Why yes it is....ad nauseam infintum
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Starise
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I guess the ants need to see well too. Must be tough making those lenses progressive.
For a minute there I thought it was a mini-kini but it was too large. Definitely not my size.
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Mesh
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Re: ∞
2018/08/22 15:51:03
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☄ Helpfulby Starise 2018/08/22 17:18:19
You've some imagination there Mr. Starise.....would've never looked at it like that (mini-kini  ) and now I have to acid wash my brain.
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Starise
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I know how to stop that....just pick any one of us and imagine them wearing a mini-kini. I'll bet you five chocolate iced donuts it works 
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Mesh
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Starise
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Ok I'll go for two chocolate iced donuts then....
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drewfx1
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Starise
Is that a pair of ant goggles?
Actually, I think it's the mathematical symbol for infintile. 
 In order, then, to discover the limit of deepest tones, it is necessary not only to produce very violent agitations in the air but to give these the form of simple pendular vibrations. - Hermann von Helmholtz, predicting the role of the electric bassist in 1877.
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drewfx1
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Bash von Gitfiddle
19:4 to the floor
I think he's been taking whatever Micky Hart did.
In order, then, to discover the limit of deepest tones, it is necessary not only to produce very violent agitations in the air but to give these the form of simple pendular vibrations. - Hermann von Helmholtz, predicting the role of the electric bassist in 1877.
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The Maillard Reaction
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post edited by Bash von Gitfiddle - 2018/08/31 00:10:35
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jamesg1213
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Bash von Gitfiddle
I found Mr. Copeland's varied thoughts to seem remarkably lucid, and his observations to seem especially pragmatic.
Perhaps he was acting.
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The Maillard Reaction
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post edited by Bash von Gitfiddle - 2018/08/31 00:10:47
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drewfx1
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Bash von Gitfiddle
I found Mr. Copeland's varied thoughts to seem remarkably lucid, and his observations to seem especially pragmatic.
The presentation seems refreshingly dissimilar to Mr. Hart's romanticized portrayal of music as a mystical experience.
Just in case...
Mr. Copeland's first words: "Hunter gatherers would just sense that a certain place has a feeling of divine power." And the Gods live in his studio. And he seems to believe vintage gear has mystical properties because "they have sung" and have "mojo" and "voodoo". Oh, you're right - no, mysticism there. Never mind.  When Copeland was talking about four on the floor and no back beat when he was exploring African music, it reminded me of something from (I believe) one of Mickey's books, where he described Indian master percussionist Zakir Hussain's decision to leave the Indian traditional music he was playing with his father and come to America and join one of Mickey's early world music ensembles - because he heard and felt something inside that he didn't recognize in the music he was playing with his father and didn't know where it came from - the back beat. And "everything is miked up" is the exact technique Micky used for the Apocalypse now sessions. 
In order, then, to discover the limit of deepest tones, it is necessary not only to produce very violent agitations in the air but to give these the form of simple pendular vibrations. - Hermann von Helmholtz, predicting the role of the electric bassist in 1877.
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bayoubill
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The Maillard Reaction
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post edited by Bash von Gitfiddle - 2018/08/31 00:11:01
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The Maillard Reaction
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post edited by Bash von Gitfiddle - 2018/08/31 00:11:11
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drewfx1
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I forget - didn't he also say that particular drum was "organic" or something like that?
Anyway, I suspect we all notice certain things that connect (or disconnect) to our own viewpoints and experiences. I happen to see connections to another musician even though Mr. Copeland does not come across as a 4th-degree black belt space cadet.
In order, then, to discover the limit of deepest tones, it is necessary not only to produce very violent agitations in the air but to give these the form of simple pendular vibrations. - Hermann von Helmholtz, predicting the role of the electric bassist in 1877.
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Ham N Egz
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TL;DR..
aka: dont give a black dogs arse
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The Maillard Reaction
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∞
2018/08/23 21:56:48
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☄ Helpfulby drewfx1 2018/08/23 22:14:09
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post edited by Bash von Gitfiddle - 2018/08/31 00:11:28
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Kamikaze
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Re: ∞
2018/08/24 10:38:38
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☄ Helpfulby Mesh 2018/08/27 12:34:58
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