A very much more available short drama

You are very much influenced by the idea of modulating diametric motifs, particularly whilst combined with a highly poly-timbral approach to parts. You have embraced novelties as a strongly-neo-Romantic alternative to established forms of unified player-composers, which has made your work Romantically diametric.  All composers should sense a variety of phenomena, and (if this dismisses modernistic works), proceed to layer tonally until the best result is achieved.  As a highly integral composer, you have explored the connection between tetrachords and chord-structures and have discovered new ways to 'write the process'. This piece layers, premieres and non-linearly influences a massive variety of musical ensemble-imitations while avoiding a cliched 12-tone sound.

What an interesting piece of music to listen to. I'm sure Jonas hit the nail on the head, but I hear music as flavors, and I like the flavor of this. It is layered and subtle, and may take a listen or two the get the full effect. Nice job.

jsaras


You are very much influenced by the idea of modulating diametric motifs, particularly whilst combined with a highly poly-timbral approach to parts. You have embraced novelties as a strongly-neo-Romantic alternative to established forms of unified player-composers, which has made your work Romantically diametric.  All composers should sense a variety of phenomena, and (if this dismisses modernistic works), proceed to layer tonally until the best result is achieved.  As a highly integral composer, you have explored the connection between tetrachords and chord-structures and have discovered new ways to 'write the process'. This piece layers, premieres and non-linearly influences a massive variety of musical ensemble-imitations while avoiding a cliched 12-tone sound.

what he said... maybe... maybe not... how would I know?
(grin;-)
This piece is very impressive, but maybe not as impressive as the above paragraph... 

notnat

jsaras


You are very much influenced by the idea of modulating diametric motifs, particularly whilst combined with a highly poly-timbral approach to parts. You have embraced novelties as a strongly-neo-Romantic alternative to established forms of unified player-composers, which has made your work Romantically diametric.  All composers should sense a variety of phenomena, and (if this dismisses modernistic works), proceed to layer tonally until the best result is achieved.  As a highly integral composer, you have explored the connection between tetrachords and chord-structures and have discovered new ways to 'write the process'. This piece layers, premieres and non-linearly influences a massive variety of musical ensemble-imitations while avoiding a cliched 12-tone sound.

what he said... maybe... maybe not... how would I know?
(grin;-)
This piece is very impressive, but maybe not as impressive as the above paragraph... 

Hi Frank,
 
Thanks for taking the time to listen and thank you for your comments.
 
I think the above mentioned paragraph will ultimately rate pretty near the top of the fog index.   Perhaps even a bigamist. :)
 
Regards,
 
GT

  The strings here need a little more clarity IMO.    A good arrangement!

OK, it reminds me of the outro when the credits are running for a movie.  Kinda cool, waiting for some more instruments?  I don't know.