Accents in Sequencing

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AIElectro
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2011/11/22 17:06:42 (permalink)

Accents in Sequencing

Hey guys, thanks for taking the time to read my question.

So I was wondering, if I wanted to to add accents to the musical parts that I was sequencing(i.e. not a MIDI controller performance), how could I do that? Would it just be a question of manipulating MIDI note velocity on the PRV? For example, if I wanted to accent the the first beat of every measure, would I just increase the velocities of the notes that fall on the first beat of every measure? Thanks in advance.
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    bitflipper
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    Re:Accents in Sequencing 2011/11/22 20:14:05 (permalink)
    Yeh, that's the quick-n-dirty method. Ctl-click on each downbeat and drag them all up together.

    Of course, what you'll end up with will still sound artificial and boring, but it's a start. Try to mix it up a little as you go.

    You don't say what kind of a performance it is, but one way to add interest to a sequenced part is to apply aggressive note thinning at the start and let it get busier as the song progresses. For a bass part, for example, remove some of the short notes and stretch the others. Same trick works for kick drums and ride cymbals. This way, you can start with a simple repetitive sequence that doesn't sound so repetitive over the course of the song.

    Keep in mind that increasing velocity usually affects tone as well as volume. Another trick is to lower the velocities across the board for the first verses and then raise them all during the chorus. This will make the part both louder and brighter during the chorus, enhancing song dynamics and making it all less boring.


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    dmbaer
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    Re:Accents in Sequencing 2011/11/23 13:33:12 (permalink)
    I assume by accent you mean louder.  If so, most synth patches tie loudness to note-on velocity.  But not all do and many patches tie other things to velocity.  For example, filter cutoff is frequently modulated by velocity so that notes played "hard" are brighter.  Sometimes envelopes are modulated by velocity, so that notes played "hard" have a faster attack.
     
    And sometimes velocity is used as a layering device to control the relative levels of two component sounds with loudness not necessarily affected.  It all depends on the patch.  If you know how to tweak your synth, you can alter the velocity modulation any way you care to.
     
    Another trick for giving weight to a downbeat is to make the first note slightly longer than the rest.  This is especially useful to harpsichordists ... harpsichord notes are uniformly loud no matter how fast the keys are depressed.  You'd do this in the tempo view.  It's tedious but tremendously effective when you get the hang of it.
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    AIElectro
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    Re:Accents in Sequencing 2011/11/23 14:45:36 (permalink)
    Hey thanks for your response bitflipper, you've been very helpful with every question I have asked so far, so many thanks. I still have a couple of things I would like cleared up. When you talk about note thinning, do you mean alter the durations of the MIDI notes or just the velocities? I now understand that velocity also affects tone, is this something to be considered from a mixing point of view and an arranging point of view? Does increasing the volume on the audio track have the same effect on tone? Thanks in advance, and if I haven't made myself clear or if I am not making any sense, let's say I am inexperienced yet eager to learn.
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    dmbaer
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    Re:Accents in Sequencing 2011/11/23 17:58:15 (permalink)
    AIElectro


    I now understand that velocity also affects tone, is this something to be considered from a mixing point of view and an arranging point of view? Does increasing the volume on the audio track have the same effect on tone?
     
     
    I'm not clear on what you're asking.  Velocity may or may not affect tone (timbre) depending on how a patch is programed.  If velocity modulates only the amplitude (common but by no means universal), different velocities only change the loudness.  In such a case, controlling the audio track volume vs controlling loudness via velocity changes should be a six-of-one/half-dozen-of-the-other situation.


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