Anyone have a good, easy, compressor/limiter recommendation for drums?

Basically I like to use BFD3, but the dynamic range they have is just a little too much. For now, I've been using their built in compressor/limiter at the default 50% soft/hard setting. Works pretty well, but can get a little splatty on real heavy hits. Just wondering if there is anything else I ought to try.

I have everything in Sonar Platinum, of course. I also have Native Instrument's VC-2A, VC-160, VC-76, Vari Comp, and Solid Comp. Then I have Waves' C1, C4, H-Comp and V-Comp. For Limiters I have IK Stealth Limiter, Waves L1, and the Concrete Limiter.
 
I'm not good at this stuff, as I've noted many times, which is why I'm looking for opinions on simple solutions to give a try to.

If you're looking for an absolutely fantastic drum bus (or any bus) compressor, or in fact a utilitarian compressor that works great on just about anything, I'm currently recommending Waves H-Comp. I'd kind of overlooked it a little before but recently it's shot up in my estimation. It's just one of those great sounding, all purpose compressors that you can tweak to sound fantastic on almost anything. But apart from that, it has some really useful features:
 
1) 4 modes of saturation character if you're looking for a little extra grit
2) A "punch" knob which allows you to dial in how much of the transients you want to let through, regardless of the attack setting (drum heaven)
3) A bpm-syncable release dial with which you can set release times to a musical note value. Again, drum and master bus heaven. Of course you don't have to lock it into a note value precisely, but you can use the bpm dial to hone it into a musical value that you're aiming for and then switch it back to ms to tweak it further if the bpm setting doesn't sound quite "there." 
 
Of course if you buy the H-series package you also get H-Delay which is one of the most useful delay plugins out there. 
 
EDIT: I see you already have H-Comp - well, fire it up and give it another try!

I really like to use the Waves V-Comp because I'm lazy and they have a preset for every kit piece. I can quickly set up the kit and then fine tune each track as needed. 

I just make a drum sub and call it NY CMP for New York Compression...I put the IK Multimedia White Compressor on it set to hard compression (it only has two knobs on it) I then boost just the high end and the low end on the EQ.
I send everything drums to that sub while also sending the unaffected drums to the master bus. 
 
I blend the volumes of both compressed and uncompressed signals together until it sounds nice. It's an old technique, but it works pretty well for me. Cymbals in general don't respond to compression well so I will usually bypass them....

The OP has more compressors than VW has diesel emissions. Just pick one and work with it. My biggest downfall is I continually go from comp to comp and never master any of them. Same for pretty much everything in the tool box. Too many options kill my work flow.