Atmosphere

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Chadtindale
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2013/03/12 11:04:50 (permalink)

Atmosphere

Here's one with a lot of dynamics. I often get bored musically. This emerged from that. In a way, it was an insult to my music teacher who said you should never change keys mid chorus... several times per chorus. But I don't like rules and I think do something really creative musically, you've got to break rules. I wouldn't call this revolutionary, but it hopefully avoids cliches. https://soundcloud.com/chad-tindale/atmosphere
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    Lynn
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    Re:Atmosphere 2013/03/12 14:16:07 (permalink)
    Very well done.  I would have fired that teacher on the spot.  I was actually left with wanting more.

    All the best,
    Lynn

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    mcourter
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    Re:Atmosphere 2013/03/12 14:34:02 (permalink)
     You kept that rhyme scheme going for a long time! Funny song. I hope your teacher is looking for work...elsewhere. EQwise, I thought it could use some more highs, but that could well be my ears. Good job. Mark

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    Wookiee
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    Re:Atmosphere 2013/03/12 17:11:42 (permalink)
    The nice thing about learning the rules of music is the fun you can have breaking them.

    Nice effort.

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    blipp
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    Re:Atmosphere 2013/03/12 18:32:26 (permalink)
    Liked this. Fun track with some good vocals.

    I did'nt know that music had rules.

    maybe that's where i'm going wrong? :-)
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    foxwolfen
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    Re:Atmosphere 2013/03/12 19:50:33 (permalink)
    Wild... it has a sort of late sixties sound at times (I am having a hard time pinning it down). Great transitions. I would suggest your music teacher is quite wrong. This is brilliant.

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    #6
    Chadtindale
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    Re:Atmosphere 2013/03/12 23:00:15 (permalink)
    Thanks... well he certainly wasn't "strict" by the rules. He just suggested that there were guidelines to get you to basic songs. And typically they're right, but when you know what standard is, you can learn to deviate in an educated fashion. i wrote a paper for his class on the Key change in the "Birdhouse in your soul" chorus and how the transition defies logic but sounds good. I also argued that given the right set of surrounding phrases one could really make any transition acceptable. I was listening to a lot of Bowie when I first started working on this. And I'm listening to a lot of Bowie when I finished it. Appropriate I suppose. It's short because when I got to the end of writing this, I realized I had nothing else to say, so I stopped. 2:14 is pretty short, but any longer would've just been padding, and I don't go for that.
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