Paul G
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Audio Exports at Higher Level
When I try to export individual tracks, (audio clips), they render at +3dB louder than the original. I don't remember ever having this problem before but I must be doing something wrong. Here's what I'm doing: Solo track > select audio clip > File > Export > Audio > Tracks > deselect all the options except "Fast Bounce" > Select 'Mono' > Name file > Export. When I bring the clip back into the project and compare it against the original, it's +3dB louder. Some of the tracks I exported were as much as +6dB louder! Now here's where it gets interesting. I exported a stereo piano track and it was fine, same level as the original. The next two mono tracks I exported were also fine. Then, back to +3dB louder. Rebooted, rolled back, nada. I've got to be doing something wrong. Any help would be greatly appreciated. TIA Paul
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Slenderhead
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Re: Audio Exports at Higher Level
2017/02/05 11:45:02
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Same for me, would love to know what exactly am doing wrong.
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gcolbert
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Re: Audio Exports at Higher Level
2017/02/05 12:23:25
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What stereo panning law have you chosen (Preferences->Driver Settings)? Glen
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Paul G
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Re: Audio Exports at Higher Level
2017/02/05 14:26:37
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gcolbert What stereo panning law have you chosen (Preferences->Driver Settings)? Glen
I tried all of the Sine/Co-Sine options and the 0dB option and it made no difference. Very confusing. Any help with this would be greatly appreciated. TIA
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Bristol_Jonesey
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Re: Audio Exports at Higher Level
2017/02/05 15:27:38
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Can you post a screenshot of your Export Dialog box?
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Paul G
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Re: Audio Exports at Higher Level
2017/02/05 22:45:56
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As best as I can remember, here's what I did to finally get the project exported. I changed the "Pan Law Compatibility Mode" to <1> and used the default Stereo Panning Law, 0dB center, sin/cos taper, constant power. I don't know if this made a difference or not.
[wave]
PanLawCompatMode=1 Stereo tracks appeared to export normally. Don't ask me why.
Mono tracks that were panned either right or left, (not necessarily hard right or left), seemed to work using this formula fairly consistently, (although not always):
Copy the audio clip to another lane, (I did this to preserve my original clip), highlight it and then add a clip automation-gain envelope to it, (set at +0dB). Bounce that envelope to the clip and then export normally.
Mono tracks panned up the middle were all over the place and I couldn't find a formula that worked consistently. No rhyme or reason to it that I could see. Sometimes they would export at a lower level, sometimes at a higher level, anywhere from 1dB to 6dB. Sometimes by adding a clip gain envelope and raising the level, the resulting export would be lower in level and sometimes, the opposite. By trial and error, and sometimes using a combination of steps, I finally got them exported fairly close to the original levels but not exact.
I set the Export Audio DB as follows:
Source = Tracks Channel Format = Stereo or Mono (as applicable) Sample Rate = 44100 Bit depth = 24 Dithering = Pow-r 3 Mix Enables= All off except Fast Bounce and 64-bit Engine I enabled the Clip Automation as needed Something that is very interesting is that other strange things periodically cropped up. For example, the Clip Envelope Editing tools would just stop working. A reboot fixed it. I was also getting some strange behavior with the Smart Tool. Occasionally, when I'd move the mouse from the Clips Pane left into the Tracks Pane, I was still getting smart tool pointers. Very strange. If no one else but Slenderhead is seeing this behavior,there's got to be something wrong with my system. This is a brand new computer build and all fresh installs. I did have to go to a Focusrite Scarlett 6i6 USB interface as my old PCI Delta 66 was too noisy to use, (PCI bridging issues). Any ideas on what I may have screwed up? Thanks for any ideas. Paul
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Paul G
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Re: Audio Exports at Higher Level
2017/02/05 22:53:22
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Bristol_Jonesey Can you post a screenshot of your Export Dialog box?
Thanks Colin. I used several variations of settings both last night and this afternoon. See my post above for the settings that finally worked. Way too convoluted of a work around. Paul
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Unknowen
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Re: Audio Exports at Higher Level
2017/02/06 22:34:13
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set your primary output 3dBs lower... last slider on the right in the console view.
Hay look, Somethings are not locked in stone... lol 3/18/2019
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Bristol_Jonesey
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Re: Audio Exports at Higher Level
2017/02/07 03:56:11
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11Dreams set your primary output 3dBs lower... last slider on the right in the console view.
That doesn't solve his problem Paul, under Source Category, try selecting your Main Outs (might be called Hardware Outputs). Solo the track and export again
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Unknowen
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Re: Audio Exports at Higher Level
2017/02/07 07:08:23
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Bristol_Jonesey
11Dreams set your primary output 3dBs lower... last slider on the right in the console view.
That doesn't solve his problem Paul, under Source Category, try selecting your Main Outs (might be called Hardware Outputs). Solo the track and export again
Good to know :) Thank you! I setup an export with all options. Track was same as Track, Bus was the same as bus, the rest went though out through the audio interface.
Hay look, Somethings are not locked in stone... lol 3/18/2019
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Bristol_Jonesey
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Re: Audio Exports at Higher Level
2017/02/07 08:44:39
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☄ Helpfulby stevesweat 2017/02/07 09:21:22
One other point which has caught many people out is if you have more than 1 pair of outputs assigned via your interface (e.g. to feed a headphone mix) If you then select "Entire Mix" as your export source, you'll get an increase in level of 3dB for every pair assigned. For this reason among others, I ALWAYS use Main Outs for my exports.
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Bristol_Jonesey
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Re: Audio Exports at Higher Level
2017/02/07 08:44:42
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John
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Re: Audio Exports at Higher Level
2017/02/07 08:59:17
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I always use the Master Buss for output. I do not use entire mix ever. Obviously all audio that should be in the mix must be assigned to the master buss for this to work. Because I use sub buses that are for instruments, vocals, solos, and drums I can also exports stems if I need to by selecting the sub buses only.
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Paul G
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Re: Audio Exports at Higher Level
2017/02/07 10:08:46
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Bristol_Jonesey
11Dreams set your primary output 3dBs lower... last slider on the right in the console view.
That doesn't solve his problem Paul, under Source Category, try selecting your Main Outs (might be called Hardware Outputs). Solo the track and export again
I'm trying to just copy the raw audio from my tracks. If I use any output other than "Tracks", the audio will be effected by whatever is in the path, right? I'm going to try this approach. Main outs, solo track / clip and shut off everything. Thanks. Paul
post edited by Paul G - 2017/02/07 10:32:36
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karma1959
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Re: Audio Exports at Higher Level
2017/02/07 10:14:54
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Was the track routing to a bus? I've had challenges when exporting when using any other output than hardware outputs. For example, if using 'entire mix' , bus levels would be summed, making the export a different level than when listening. I'd second Bristol Jonesy's approach of always using hardware output during your exports, and muting all other tracks you don't want included in the export to keep levels consistent.
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Paul G
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Re: Audio Exports at Higher Level
2017/02/07 10:21:52
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Bristol_Jonesey One other point which has caught many people out is if you have more than 1 pair of outputs assigned via your interface (e.g. to feed a headphone mix) If you then select "Entire Mix" as your export source, you'll get an increase in level of 3dB for every pair assigned. For this reason among others, I ALWAYS use Main Outs for my exports.
Colin. If I'm exporting just raw audio from a track, it shouldn't go through the interface, right? It's just math inside Sonar. I just started using a new interface, a Focusrite Scarlett 6i6. I haven't got it entirely figured out yet, so it's possible that it might be the culprit but looking at how random and unpredictable the exported levels seem to be, (some +3 to +6dB, some -3 to -6dB), I don't see how this is possible. Paul
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Paul G
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Re: Audio Exports at Higher Level
2017/02/07 10:26:26
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John I always use the Master Buss for output. I do not use entire mix ever. Obviously all audio that should be in the mix must be assigned to the master buss for this to work. Because I use sub buses that are for instruments, vocals, solos, and drums I can also exports stems if I need to by selecting the sub buses only.
Thanks John. When mixing down, that's what I do. Right now, I'm just trying to export the raw tracks. Paul
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Paul G
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Re: Audio Exports at Higher Level
2017/02/07 10:28:06
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karma1959 Was the track routing to a bus? I've had challenges when exporting when using any other output than hardware outputs. For example, if using 'entire mix' , bus levels would be summed, making the export a different level than when listening. I'd second Bristol Jonesy's approach of always using hardware output during your exports, and muting all other tracks you don't want included in the export to keep levels consistent.
Thanks Russ, but I just want raw tracks. I'm going to try it. Paul
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Bristol_Jonesey
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Re: Audio Exports at Higher Level
2017/02/07 11:43:49
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Paul G
Bristol_Jonesey One other point which has caught many people out is if you have more than 1 pair of outputs assigned via your interface (e.g. to feed a headphone mix) If you then select "Entire Mix" as your export source, you'll get an increase in level of 3dB for every pair assigned. For this reason among others, I ALWAYS use Main Outs for my exports.
Colin. If I'm exporting just raw audio from a track, it shouldn't go through the interface, right? It's just math inside Sonar.**** I just started using a new interface, a Focusrite Scarlett 6i6. I haven't got it entirely figured out yet, so it's possible that it might be the culprit but looking at how random and unpredictable the exported levels seem to be, (some +3 to +6dB, some -3 to -6dB), I don't see how this is possible. Paul
*** Correct. If all you want is the raw track with no Fx, just hit 'e' to globally bypass all Fx, solo the track & Export Even easier, if your track is one long clip, just drag it to your desktop If it's not, bounce to clip then drag to desktop
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Paul G
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Re: Audio Exports at Higher Level
2017/02/07 17:58:17
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Bristol_Jonesey
Paul G
Bristol_Jonesey One other point which has caught many people out is if you have more than 1 pair of outputs assigned via your interface (e.g. to feed a headphone mix) If you then select "Entire Mix" as your export source, you'll get an increase in level of 3dB for every pair assigned. For this reason among others, I ALWAYS use Main Outs for my exports.
Colin. If I'm exporting just raw audio from a track, it shouldn't go through the interface, right? It's just math inside Sonar.**** I just started using a new interface, a Focusrite Scarlett 6i6. I haven't got it entirely figured out yet, so it's possible that it might be the culprit but looking at how random and unpredictable the exported levels seem to be, (some +3 to +6dB, some -3 to -6dB), I don't see how this is possible. Paul
*** Correct. If all you want is the raw track with no Fx, just hit 'e' to globally bypass all Fx, solo the track & Export Even easier, if your track is one long clip, just drag it to your desktop If it's not, bounce to clip then drag to desktop
Thanks Colin. I've done that as well and I still get exported audio that's either louder or softer than the original clip. I also noticed that sometimes, for no apparent reason, the global FX would just turn back on by itself. Definitely some goblins in my system. Paul
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John
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Re: Audio Exports at Higher Level
2017/02/07 18:31:33
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If you select Tracks in the export dialog that is what you get. You do need to select the tracks you want in the TV first. Do not use select all. If they are all contiguous then run your mouse over the numbers all the tracks you want. This will select them and export them with a name you add to the track name. If you need non contiguous tracks just hold control and click the ones you want.
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