Band's first live studio session.... and I've got some questions!!!

You got your first live session in the studio, so... I don't follow. You're in someone else's studio? Or do you mean you guys are going to record yourself.

Logic Pro X Explained^®
https://www.groove3.com/tutorials/Logic-Pro-X-Explained
 
56 Videos | Length: 5hr 38min 32sec
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Learn Logic Pro X with Apple Logic Certified Pro Eli Krantzberg in this comprehensive Logic Pro X tutorial video collection. At over 5 hours, Eli can take you from a beginner Logic Pro X user to power user status. Logic Pro X Explained provides a deep understanding of Apple's flagship DAW and can help both new users and experienced users looking to get a more solid foundation. If you're ready to master Logic Pro X features and functions, this is the best way to learn.
Eli starts with an introduction covering some important basics and then jumps right in, showing you how to create your first project. Interface overviews, navigation and more are all covered in the "Exploring the Interface" chapter. Next, Eli shows you how to work with Apple Loops, create and manage tracks, the Inspector, Quantizing, channel strips, using plug-ins, zooming and so much more.
Recording is up next and Eli examines the Drummer Track, setting up clicks and count offs, MIDI, AutoPunch, Loop Recording, using Take Folders and a loads more stuff! Editing in LPX is then covered, and Eli goes deep into working in the Tracks Area, Region Editing, the different Editors, MIDI Draw, Score Editor, Flex Pitch, using the Groove Track and more.
Eli wraps up your Logic Pro X journey with a whole chapter on Mixing. Working with Fades, Markers, Screen Sets, Smart Controls and MIDI FX are just some of the topics covered. Eli even shows you how to process each Drum Designer drum piece individually with audio effects, how to use automation to control parameters over time for cool and useful effects, and how to share your final mix with the world!
Wether you're making Logic Pro X your main DAW, upgrading from an older version of Logic, or just want to use Logic Pro X along side other software, this is your definitive resource! Invest in the best... Get "Logic Pro X Explained" today.

ooblecaboodle
 
EDIT: also, this isn't a Logic forum.

Chill, bro!  This ain't the 'Sonar Techniques' forum either. 

I think the quality of Udemy courses is pretty high quality in general, if you can find what you need.  Plus the course developers seem to keep up to date with the latest versions of programs.  I have registered for several free and paid courses there and the ones they have are quite good, and once on the mailing list they periodically will run $10 specials to enroll, with like a 90% discount or so.  
 
The only downside with Udemy is that they carry more general subject matter, not so much in music software specifically, but it's definitely worth a look!  Lots of coverage for music theory, songwriting, and production.
 
I also use Groove3, as they do specialize in music software, but I have noticed that they seem to have a lot of older content, and are not always current with the latest versions.  They do seem to produce short overviews of what's new in the latest version of popular programs, but don't seem to redevelop the entire course curriculum often.  But you can watch an older course, and then play catch up with the new features.

davdud101

Is it okay for my monitors to be directed AT (~1.5 - 2ft AWAY from) a wall? If not, what about if the BACK are about 0.5 - to 1ft away from a wall?

The close the back is to a wall the more bass ramping you get, which may well not be a good thing. I can not imagine why you might want to point monitors at a wall 2ft away.

davdud101

The walls are built to be acoustically insulated, but is it okay to just "slap" the foam pads directly to the wall? That doesn't seem like it gives a tight, dry, versatile result - especially not for louder instruments like drums that cause a lot of their own reverb inside the room. 

Most/many acoustic tiles on the market aren’t very good at creating a “tight, dry” result. Or at least they may do so at higher frequencies but low mids and bass require a serious weight of very high-density foam or rockwool to begin to lower their reflected volumes. And the acoustic treatment often needs to be a distance away from the wall as well so the sound passes through it twice.

davdud101

My drums are in a corner for space concerns. I might be able to center them against a wall- but center of the room is out of the question. What is the best placement between these two options.

Neither is good, but the corner is worst. Probably much worse.

davdud101

In line with the previous, I'm also not against any info about proper drum micing (although I wrote about it a short while ago here too). This time the sound was pretty bad... the kit is very poorly tuned, but the stereo overheads were also picking up a lot of reverb from the back corner.

davdud101

There we have Logic Pro - I have SONAR at the home studio... what can I do to learn LP without paying $600? Switch my key bindings in SONAR to LP? Perhaps try a demo for my MacBook?

If you have a decent Intel MacBook Logic Pro costs a lot less than $600 doesn’t it? UK price is £200, US $200 if I remember right. There’s no Logic Pro X demo as far as I’m aware.

On the audio side it’s not so different from Sonar or any other DAW. Off the top of my head the main things I found to be awkward learning the audio side of Logic is that it handles track folders differently, mono tracks can’t be panned, they have to be run into a stereo bus to allow panning, the effects on average maybe aren’t as good as the ones with Platinum (though the recent update to Logic has improved things a bit there) and the mixer view can be a bit confusing till you understand how the different view options work.

The MIDI side has some substantial differences both in minor workflow ways and major ones, some things are better, others worse.

Logic’s manuals are free and pretty good, except where the MIDI Environment is concerned.

If the recording has to be done in Logic then it’s pretty much the same as recording in Sonar. Create tracks with the required inputs, record enable them and record. Input echo works as you’d expect if needed, just Command-click (aka right click on mouse, two finger tap on trackpad) the track to pull up the track contents menu if the button with an “I” in it is missing. If you want to mix in Sonar later just export each track as a broadcast wave file so Sonar puts it in the right place along the time-line automatically.

ooblecaboodle

abacab

ooblecaboodle
 
EDIT: also, this isn't a Logic forum.

Chill, bro!  This ain't the 'Sonar Techniques' forum either. 

What I'm getting at is that it might be just slightly more useful, to ask on a Logic users' group. FFS.

His questions #1-4 were about the room.  Only #5 was about Logic.
 
If you took the time to read the post, and respond, why not give some appropriate advice.
 

ooblecaboodle
 
You have a room, that you aren't sure about how to set up for recording, aren't very versed about how to record. 
That's not "getting your first live session in the studio", that's just "mucking about". Which is fine.
 
I suggest you look up the various individual topics, rather than just asking the all-encompassing "how do I best record myself and my band".
This stuff has been covered here, and elsewhere, in great detail.
 

 
FFS. This dude is a volunteer in a church musical group, not someone pretending to walk into a pro recording studio and get paid for a gig.  He also mentioned that they have 'human resource' issues.  So probably no engineer on church staff either.  The OP probably got 'volunteered' for the task because he has a home studio and used Cakewalk.
 
Telling him to look elsewhere when he probably assumed that there was some collective knowledge here is not that helpful.
 
If you consider his post a waste of your precious time, why did you bother?

Maybe you should take your own advice!