Well said
John. Kurzweil simply has the sound and it is superior to all the others, Kronos included. It does not matter how many engines it has, Kurzweil has a few engines too but in the end it comes down to the sound that comes out regardless of the number of engines involved.
I have a friend who works in a shop
(where they specialise and sell Korg products) and he owns a Kronos and was all over it. Until one day I visited him in the shop and took him to the Kurzweil website and he watched the vids there and became quite interested. Then I think he borrowed one and tested it againist his Kronos. He also told me his Kronos froze up the other day as well meaning there are possible OS issues. The Kurz has never frozen for me or done anything wrong.
The other day I went in there to buy a lead and had a chat to him. He said to me very quietly don't tell anybody but I have got my Kronos up for sale now and going to buy a Kurz instead. This guy was all over the Kronos like I said but now he has seriously changed his tune and selling it. I have had both side by side in my studio and done some serious testing. Kronos is nice but the Kurz can match it in every way and better it in most cases.
The new Kurzweil Artis stage piano is also very cool. And it is loaded with PC3 sounds too. It includes one of the finest acoustic pianos ever including any VST out there.
http://www.innovativemusic.com.au/artis.html Steve is a very nice guy and a great player too.
The Kurz just sits in a complex mix too in a way the others don't. You don't need any procesing on the Kurz tracks, just push the fader up and it is there bang in your mix and very much so. The other synths require a lot of processing to just make them heard in a dense mix and they never seem to sit right even with that. Once you hear it for a long time as well the others almost sound tinny compared to it, Yamaha included.
Their slogan is
'It's the Sound' and in a way it is true. I know this is advertising hype but interesting that Andrew Lloyd Webber people going out and performing his musicals tried every synth out there to use live instead of taking out full orchestras and they chose the Kurzweil over everything else and I mean everything. I can sort of understand it. The orchestral sounds are simply breathtaking.
I do like Roland stuff though and I have an old JD800 here and I must admit it sounds huge too. But then again that was a rare synth and it might be a special case. I think the Jupiter 80 would be something to try though. I have heard it sounds great too. Haven't had the opportunity to get it here and compare but if I do I will post some info about it for sure.
post edited by Jeff Evans - 2013/10/30 16:35:43