Cakewalk's Gain Knob: It's acting like my guitar's vol. pot (i.e. not just a level adjuster) - is that normal?

I've been reading up on gain vs volume and I have a somewhat decent grasp on the difference between the two, but I'm confused now as to what exactly that per track Gian knob is doing particularly when I have an amp sim on said track. On a track where I have a metal guitar tone going using Kazrog or BIAS, when I turn down Cakewalk's gain knob it does exactly what my guitar's vol pot does and decreases the distortion and "cleans up" the guitar's distorted tone just like the guitar's vol pot. Is this per track gain knob supposed to do that?

I guess I was under the impression--and what I've read--that that gain knob lets you fine tune a track to get it in that digital audio sweet spot typically w/ the faders @ zero so as to take advantage of the fader resolution you get around zero. But here that gain knob is not merely reducing level, but in the case w/ the amp sim on the track it is messing w/ the tonality of the sound itself and not just simply the level. This means that, in this case anyway w/ the amp sim on a track, I can't use that gain knob to merely adjust the level, at least not live on input.

This in turn had me concerned though that if I'm adjusting that gain knob on any other track, say a violin, that maybe that gain knob is messing w/ the tonality and strength of the signal, not just the level?

I suspect that gain knob may behave differently on that amp sim track if I were to bounce down that amp sim track w/ all the FX/sim down to an audio file so it'd then be just an audio clip and no live amp sim going - then maybe the Gian knob would function on that track like a level adjuster and nothing more?
Incidentally, what if I have a relatively loud track, is it OK to turn the gain knob on that track way down (past 9:00 if I had to), or should we try to minimize how much we turn the gain down (like we do w/ faders)? Please help me to understand what is going on w/ that Gain knob. Thanks so much.

Thanks man yeah I get that, but it's the way the gain knob is behaving in this particular instance that's got me confused. I know the gain knob is not *supposed* to affect/adjust an incoming signal, but in this case it appears to be doing just that. Thanks

I use the output on the tube channel strip control to make minor global level adjustments.

It's totally working the way it is supposed to.

Keni
Gain is pre fx
Volume is post fx...

+, the mathematic is exactly the same, the only difference is the place in the signal chain.
 
But it is different from guitar pot and audio interface gain. They work in analog domain, prior digitization. Will all related consequences. Software "gain", as "volume", is working in digital domain. It is calculated with semi-infinite resolution, so you can set f.e. +18dB gain and then -18dB volume without consequences (try to do the same with pre-amp gain...).

One thing the gain control does not do that a guitar volume pot does is affect tone. Rolling off the guitar volume will reduce the treble coming from the guitar a little. Unless the guitar has active pickups and an onboard preamp, that is.

The capacitor+resistor “treble bleed ” circuit some guitars have across the volume pot to let some high frequencies pass unaffected by the volume pot can reduce this a bit but it still happens (and can be useful).

The DAW gain control right at the “front” of the virtual channel is mostly for setting up the gain so the audio is at the desired level when it hits the first plugin/eq. If you’re working in 24bit+ (and who isn’t?) the track faders are fine for mixing purposes without quality loss.

Thanks everyone, I learned a lot hearing how each of you uses the gain knob and that's a great idea Dave76 Thanks for the tip.