Damn you Frank

ORIGINAL: andypand

You can´t seem to stress clip gain envelopes enough.I then decided to try to work that way myself and now I can´t not use them.
You messed with my workflow you bastard
But seriously though, it´s working great and I can highly recommend it.

Yeah.. I'm all about precision and total control, I'll spend an hour on one vocal track with that thing. I was like that in the midi days also. In cakewalk 5 for DOS I used to humanize my drums by editing each event in event view till it was perfect. In Sound Forge I often zoom in to the sample level to de-glitch a clip or restore an LP. It's that fine low level control that makes a DAW seem powerfull to me, adding a plugin, tweaking a few controls, and hopeing that works for the whole track just doesn't seem like enough for me, I want it perfect and I want it to stay that way till I decide to change it.

ORIGINAL: ohhey
Yeah.. I'm all about precision and total control, I'll spend an hour on one vocal track with that thing. I was like that in the midi days also. In cakewalk 5 for DOS I used to humanize my drums by editing each event in event view till it was perfect.

before i could really play the guitar, i used to edit guitar midi so the guitar would actually be strummed in finale 3.52. i actually didn't humanize the drums but eventually figured out a macro for the guitar "strumming" which meant i only had to specify whether each individual strum was up or down. =)

Lately I've been finding it too easy to just do it all in V-Vocal. On vocals I'm usually in there anyway, and end up just clicking on the Dynamics function, which is basically another amplitude envelope. Of course, if you bounce the V-Vocal clip the edits aren't accessible, but again, any further tweaks are then just incremental from the last editing session.