Does anyone here mix 100% in the box with Sonar?

I'm including bundled third party plugins and Pro Channel plugins.  For those who are close what do you find yourself unable to do without when it comes to third party plugs?

Anderton
I still need to go outside SONAR for a vocoder and a really good "maximizer" like the Waves L-series. 

It's funny, reading your tips (and using your videos) has brought me closer to having mixes that are 100% Sonar.  Your Vintage Echo  is my goto delay for "mixtape" like "hype" tracks for a few rappers i mix for.  I agree on the maximizer.  The Nomad one is ok, but does not quite cut it for me.  Never was a fan of Boost 11 although i used it a lot for video for a bit.  i wonder if a Vocoder is in the works

John
Dub are you asking if we use third party plugins? 

LOl.. i guess that is what I am  asking, yet that seems oversimplified somehow   

I used to use Adobe's noise removal, which I think is probably still the best  (haven't ever really tried Ozone, etc), but I try not to need it, by washing my tracks in reverb!  Noise comes right out in the first rinse cycle.

I seldom go outside of SONAR for mixing.  Of course, I have the complete NOMAD stuff which I also use, as well as softube's bundle.  But mostly it is prochannel.
 
I do use Soundforge (both for master editing and mucking up samples) and a couple of Voxengo's mastering effects.
 
@

I rely on PC and what it has but I do use specific third party plugins for things. I have a lot more than I really use.  

I certainly could mix with only what comes with Splat (or Producer before that), especially with the PC and extensive range of other plugins included. I went through a bit of a plugin explosion a few years ago, then realised I actually wasn't using most of them that much, I was better off learning a few than playing around with lots and I was getting swamped by choice. So I weeded out most of them a few years ago.

Apart from what came with Platinum I currently have a few Waves plugs for specific jobs (Reel ADT, Abbey Rd tape, two or three exciters and the one-knob pumper which is dead simple and surprisingly useful). Also the VKFX delay and chorus and BOZ compressor/eq, all of which have something quite distinctive about them. Also a few amp/pedal sims which despite repeated tries to get along with I don't use much.

If I need a vocoder I've a pretty good one in my Waldorf microQ, but I agree with Craig that Sonar really could do with its own vocoder. Also a good panner, though I'm using the Melda free one at the moment, which does the job very well so I can understand Cake not wanting to put much effort into developing their own. A good step/lfo programmable tremolo and on-the-fly vibrato would be nice as well.

Other then the vocoder, the third-party stuff is really for specific colour rather than because I'd be lost without it though. I could mix using Sonar alone and I have done.

Mixing completely in Sonar is getting easier all the time. I do still use my Waves CLA Compressors but, not as much as I used to. I love Sonar's CA2A and the Boz +10db comp (I consider it a part of Sonar because it's a PC module). I've never been fond of the other PC comps.
The Quad Curve EQ is great (Kinda wish it had a couple more bands, though), as is the Boz EQ. I've messed around a bit with the Nomad stuff that came with Sonar and am pretty impressed with what I've found.
Melodyne works super with Sonar.
As far as a final, mix bus limiter, I've been having great lick with the Concrete Limiter. I know, everybody says it's not up to the task but.... I don't know.... I'm pretty impressed with it. I used to use the Sonnox limiter or a Waves L series limiter but, I really prefer the Concrete Limiter.

All you guys saying that Sonar needs a vocoder....  Can it be assumed that the one in Pentagon has been tried?