Eric Whitacre's Virtual Choir
Nutshell description: composer Eric Whitacre invited the public to submit YouTube videos of themselves singing a part for a choral piece, then put all the submissions together. The result sounds pretty good.
Keep in mind as you're listening to this that most of the submissions were done with laptop microphones. Here's the first version:
http://www.youtube.com/watch?v=D7o7BrlbaDs The first experiment turned out so well that he did it again, and this time had over 2,000 participants from 58 countries. Just try to imagine a 2,000-track mix! (It was mixed on a Pyramix system.)
Here's Virtual Choir 2.0:
http://www.youtube.com/watch?v=6WhWDCw3Mng Here's the story from
Eric's blog.
Here's an interview by Dave Chick on his
Inside Home Recording podcast with the engineer who supervised the mix project, Steve Long of Floating Earth Studios, a studio/post/remote audio service in London.
He said there was little processing (how
could you with that many tracks?). Although the end result is remarkable given the sources, I'd be curious to know how (or why) they let so much sibilance through the process. Maybe it's a YouTube artifact? Maybe they didn't have SpitFish?
On a regular basis, folks ask for advice here on beefing up their vocals, such as today's thread on this forum posted by Serenarules. And every time the same advice is offered: double-tracking. Well, if you ever doubted the magic of overdubbing the same part, Eric's virtual choir should dramatically underscore the concept.
Next time somebody says, oh you've got to have a $2000 preamp and a $4000 microphone, and by golly
then it'll sound
phat - just remember that this choir was mostly recorded with
laptop microphones.