What factors or parameters control 'presence'?

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revnice1
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2007/11/22 14:51:43 (permalink)

What factors or parameters control 'presence'?

Dudes:

I've been using reverb to set things back but it doesn't always work.

Thanks - rev
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    ...wicked
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    RE: What factors or parameters control 'presence'? 2007/11/22 15:04:20 (permalink)
    EQ should be your next stop. Try losing some top end and see if it helps.

    You can also experiment with a little delay... very short times to start with though, otherwise it becomes too overt.

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    droddey
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    RE: What factors or parameters control 'presence'? 2007/11/22 15:08:14 (permalink)
    There's a lot things that do it. A strong attack makes it more present. For guitars, that 2700 to 2900Hz range makes it more present and 'hard'. Dryness as you mention, which can be lack of either reverb or room sound. Being panned further to sides sometimes has this effect, since something further away, because of geometry, tends to be closer to the center point of your hearing field for a given distance left or right of it. And lots of crisp high end, as mentioned.

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    bitflipper
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    RE: What factors or parameters control 'presence'? 2007/11/22 15:12:46 (permalink)
    "Presence" is usually an EQ term, referring to the band between about 4KHz to 6KHz, where vocal consonants (including "essiness") and plucked string attacks are most prominent. For spoken word, it's the band most responsible for comprehension of what's being said. For electric guitars, it's where the "bite" lives.

    Reverb, on the other hand, is used to position a sound's imaginary position front to back. In the real world, we hear more reverb from sounds that are further away, less reverb from sounds up close. Consequently, our brains associate reverb with distance, so you can make parts sound further back in the mix with reverb.

    I you're trying to get vocals (or any lead part) to move up front in the mix, use less reverb, not more.

    If you want a thick, lush effect on a lead vocal but reverb makes it too mushy, try using short delays instead of reverb. Using two different delays for left and right channels can make a rock vocal sound really big.


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    #4
    The Maillard Reaction
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    RE: What factors or parameters control 'presence'? 2007/11/22 15:47:31 (permalink)
    I agree with BitFlipper,

    The term is also associated with negative feedback in the driver circuit of an amp which may enhance 2nd order harmonics.
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