ry1633
Max Output Level: -87 dBFS
- Total Posts : 197
- Joined: 2012/08/30 13:42:09
- Location: Iowa
- Status: offline
leveling and clipping
Hi all, I'm still a newbie to X1 so this might be an easy question. Is there a way to minimize/lower/compress a sound that clipped because of peak overload? I have some takes of vocals and acoustic guitar that I really wanna keep because I like the performances, but they clipped in one or two spots. Is there a way to level them out? -ryan
|
sharke
Max Output Level: 0 dBFS
- Total Posts : 13933
- Joined: 2012/08/03 00:13:00
- Location: NYC
- Status: offline
Re:leveling and clipping
2012/11/16 11:34:13
(permalink)
If they clipped during recording there's not a lot you can do about it. I do believe there are some audio tools out there which purport to smooth digital clipping, but they're expensive (Sony's Noise Reduction 2.0 is around $280 for instance). And you're not likely to get 100% perfect results. Maybe their demo is usable for a quick fix in this case? Absolute best thing you can do is record the take again!
JamesWindows 10, Sonar SPlat (64-bit), Intel i7-4930K, 32GB RAM, RME Babyface, AKAI MPK Mini, Roland A-800 Pro, Focusrite VRM Box, Komplete 10 Ultimate, 2012 American Telecaster!
|
gswitz
Max Output Level: -18.5 dBFS
- Total Posts : 5694
- Joined: 2007/06/16 07:17:14
- Location: Richmond Virginia USA
- Status: offline
Re:leveling and clipping
2012/11/16 12:00:21
(permalink)
clipping continues to be a risk for me. I use a hardware compressorlimiter before my interface. even so, last might during a happy jam, there was a little clipping. I was recording at 24 bit 88.2, and the tracks are still usable. I find with my interface, higher sample rates result in files more usable with a clip or two. that said, I try hard to prevent clipping.
|
Phonic
Max Output Level: -85 dBFS
- Total Posts : 291
- Joined: 2011/04/04 13:13:38
- Status: offline
Re:leveling and clipping
2012/11/16 12:02:08
(permalink)
You may find that a click/pop eliminator will do the job, but you would have to experiment with the settings. Adobe Audition, Izotope Rx etc. have this function and I have managed to salvage some recording that were clipped with some success.
i7 4770k @ 3.5 Ghz 24 GB DDR 3 Windows 7 64 bit Sonar Platinum Foxboro 64 bit MOTU 828 MK3 UAD-2 Quad
|
sharke
Max Output Level: 0 dBFS
- Total Posts : 13933
- Joined: 2012/08/03 00:13:00
- Location: NYC
- Status: offline
Re:leveling and clipping
2012/11/16 12:19:38
(permalink)
I have a problem with my M-Audio Fast Track C400 in that I cannot avoid clipping when I plug my Telecaster into it and play on the bridge pickup. Even with the gain pot turned all the way down to zero, if I really bash the strings (which I'm prone to do without warning) then it clips. Neck pickup? No problem.
JamesWindows 10, Sonar SPlat (64-bit), Intel i7-4930K, 32GB RAM, RME Babyface, AKAI MPK Mini, Roland A-800 Pro, Focusrite VRM Box, Komplete 10 Ultimate, 2012 American Telecaster!
|
gswitz
Max Output Level: -18.5 dBFS
- Total Posts : 5694
- Joined: 2007/06/16 07:17:14
- Location: Richmond Virginia USA
- Status: offline
Re:leveling and clipping
2012/11/16 12:19:40
(permalink)
also, sometimes, I will use a volume envelope to notch out a clip and fill the void with the boosted section from another track.. maybe a vocal Mic that didn't clip.
|
drewfx1
Max Output Level: -9.5 dBFS
- Total Posts : 6585
- Joined: 2008/08/04 16:19:11
- Status: offline
Re:leveling and clipping
2012/11/16 12:50:01
(permalink)
An analog limiter can't "look ahead" like a digital one, so it's hard for it to not let some signal through before it starts compressing, even if it has a really fast attack time. The best way to avoid clipping is to record using 24 bits and leave LOTS of headroom. At least 12dB from the highest peak you get during set up. But if you want to leave 30dB, there is absolutely no downside to that. With 24 bit converters, there is no reason to be anywhere near clipping, as you gain nothing from setting the converter's level too high and you lose nothing unless you set it's level really, really, really low in a really, really quiet room using a really quiet mic and really quiet preamp and try to record something with really, really wide dynamic range. But if you want to use a limiter to add a little safety to avoid really ridiculous overs, you want one set up for: 1. peak detection (not RMS) 2. faster than fast attack time 3. hard knee, unless you want to color your sound as well when you approach the threshold 4. threshold well below clipping (so it starts compressing sooner)
 In order, then, to discover the limit of deepest tones, it is necessary not only to produce very violent agitations in the air but to give these the form of simple pendular vibrations. - Hermann von Helmholtz, predicting the role of the electric bassist in 1877.
|
gswitz
Max Output Level: -18.5 dBFS
- Total Posts : 5694
- Joined: 2007/06/16 07:17:14
- Location: Richmond Virginia USA
- Status: offline
Re:leveling and clipping
2012/11/16 13:28:10
(permalink)
I use a Dbx compressor 162SL. it has something called peakstop. I don't know how it works. It is usually very safe. I use some light compression too.
|
karma1959
Max Output Level: -80 dBFS
- Total Posts : 515
- Joined: 2008/10/31 10:56:29
- Location: Brooklyn, NY
- Status: offline
Re:leveling and clipping
2012/11/16 14:28:26
(permalink)
If you're recording 24 bit, you can record at lower levels to avoid clipping, as you'll have plenty of headroom to increase things afterwards. This is abit more challenging when recording at 16 bit.
Sonar Platinum x64 on Win10 64, Dell T7400 w/ 8 Xeon cores, 8 Gbyte RAM, 3 hard drives, RME Fireface UFX, UAD-1, Mackie Control, Adam A7X
|
John
Forum Host
- Total Posts : 30467
- Joined: 2003/11/06 11:53:17
- Status: offline
Re:leveling and clipping
2012/11/16 15:20:12
(permalink)
gswitz clipping continues to be a risk for me. I use a hardware compressorlimiter before my interface. even so, last might during a happy jam, there was a little clipping. I was recording at 24 bit 88.2, and the tracks are still usable. I find with my interface, higher sample rates result in files more usable with a clip or two. that said, I try hard to prevent clipping. You may want to look into getting a pad for this. Its a way to control the volume of a signal and can be used between your guitar and the audio interface. Its nothing more than a attenuator for volume.
|
JSGlen
Max Output Level: -73 dBFS
- Total Posts : 856
- Joined: 2008/06/01 14:48:02
- Location: Arnold, Ca.
- Status: offline
Re:leveling and clipping
2012/11/16 15:51:19
(permalink)
As others have already stated, when recording at 24 bits there is really no reason you should be clipping, other than you are recording too hot. 24 bit gives you plenty of headroom. So, before recording, rehearse your take to make sure your peaks do not go over the neighborhood of - 10 to -18 db on your input meter. I record through a hardware UA 1176 after my preamp, with the limiter set so my input meters do not go beyond -12 db. If you do not want to use a limiter going in, then just make sure you keep your input levels well under 0db. When recording in 16 bit it was necessary to record fairly hot. But, this is not necessary in 24 bit.
ADK Quad Pro, Intel Core i7 3770 IVB 3.5 Ghz, Windows 7 64 Seagate 500G Sata 600 OS Drive, Seagate 1 TB Sata 600 Audio Drive, 16 gigs of ram, 700 watt Coolermaster Silent Pro power supply. Apollo Quad Interface, Dangerous D-Box, Burl B2 ADC, UAD 2 Duo, Avalon 737, UA LA 610 MK II, UA 1176 LN Hardware, Focal CMS 65 monitors, Avid Artist Control. Sonar X3d Pro Tools 11 & 10 Wavelab 8
|
gswitz
Max Output Level: -18.5 dBFS
- Total Posts : 5694
- Joined: 2007/06/16 07:17:14
- Location: Richmond Virginia USA
- Status: offline
Re:leveling and clipping
2012/11/16 21:45:19
(permalink)
so, I'm trying, people. smiles. I will record a group for hours. someone starts using a vocal Mic for a violin or sax. these things happen. I'm not clipping because I'm intentionally pushing head room. sometimes mics get moved. sometimes musicians take you bysurprise. it happens to all of us, I'm sure. and once a new song is begun, I hesitate to redial the level before I know I must. I much prefer to make level changes between songs.
|
scook
Forum Host
- Total Posts : 24146
- Joined: 2005/07/27 13:43:57
- Location: TX
- Status: offline
Re:leveling and clipping
2012/11/16 21:58:11
(permalink)
Back to the OP If it is not too bad you can zoom in and cut the clipped bits out of the track, then either delete the hole made by the edit or fill it in with a small piece of the adjacent clip. Some prefer to use dedicated editors for this function. Dedicated editors have automated tools to assist in the process.
|
JSGlen
Max Output Level: -73 dBFS
- Total Posts : 856
- Joined: 2008/06/01 14:48:02
- Location: Arnold, Ca.
- Status: offline
Re:leveling and clipping
2012/11/16 23:39:59
(permalink)
gswitz so, I'm trying, people. smiles. I will record a group for hours. someone starts using a vocal Mic for a violin or sax. these things happen. I'm not clipping because I'm intentionally pushing head room. sometimes mics get moved. sometimes musicians take you bysurprise. it happens to all of us, I'm sure. and once a new song is begun, I hesitate to redial the level before I know I must. I much prefer to make level changes between songs. I hear what you are saying. It can be a challenge when recording a group of musicians. When I had my commercial studio, often while setting levels the band kind of held back while playing. Then, when the record button was pushed they played more aggressively. It just takes time to dial all the levels each time you begin a new song, especially if new instruments are introduced, or new mics added. Some groups/bands are easier than others. May I ask what you are using as a "front end" (preamps, compressors, limiters) for each mic?
ADK Quad Pro, Intel Core i7 3770 IVB 3.5 Ghz, Windows 7 64 Seagate 500G Sata 600 OS Drive, Seagate 1 TB Sata 600 Audio Drive, 16 gigs of ram, 700 watt Coolermaster Silent Pro power supply. Apollo Quad Interface, Dangerous D-Box, Burl B2 ADC, UAD 2 Duo, Avalon 737, UA LA 610 MK II, UA 1176 LN Hardware, Focal CMS 65 monitors, Avid Artist Control. Sonar X3d Pro Tools 11 & 10 Wavelab 8
|
drewfx1
Max Output Level: -9.5 dBFS
- Total Posts : 6585
- Joined: 2008/08/04 16:19:11
- Status: offline
Re:leveling and clipping
2012/11/17 10:59:11
(permalink)
gswitz so, I'm trying, people. smiles. I will record a group for hours. someone starts using a vocal Mic for a violin or sax. these things happen. I'm not clipping because I'm intentionally pushing head room. sometimes mics get moved. sometimes musicians take you bysurprise. it happens to all of us, I'm sure. and once a new song is begun, I hesitate to redial the level before I know I must. I much prefer to make level changes between songs. Are you recording in 24 bit? There is really no downside to starting with 30dB or more of headroom when using 24 bit. So if you're clipping in 24 bit, you almost certainly are pushing the headroom. The rule when recording using 24 bits is: Don't even try to "optimize" things - the optimal recording level is anywhere: 1. You aren't clipping. 2. The quantization error level is below the level of analog and environmental noise. In most real world recording situations, 24 bits will allow you 60-80dB of headroom (or more). So the point is - it's not even worth worrying about #2.
 In order, then, to discover the limit of deepest tones, it is necessary not only to produce very violent agitations in the air but to give these the form of simple pendular vibrations. - Hermann von Helmholtz, predicting the role of the electric bassist in 1877.
|
gswitz
Max Output Level: -18.5 dBFS
- Total Posts : 5694
- Joined: 2007/06/16 07:17:14
- Location: Richmond Virginia USA
- Status: offline
Re:leveling and clipping
2012/11/17 14:16:07
(permalink)
I'm using a RME Quad Mic Pre. Two of those channels go straight to the Fast Track Ultra using 2 ring quarter inch cables. Two go to my DBX 162 SL and from there into the Fast Track Ultra. The quad mic pre has a green light which lights up when you have a useful line level, but for some instruments it almost never lights when you are recording below clipping (like a banjo which has lots of loud spikes and a relatively low line level otherwise). The DBX has a 'stop level' setting that uses 'peak stop plus' to limit. This works very well and I set this at 0 DB - the lowest available setting. After the compression steps and before the peak stop, there is a gain nob, which I usually try to leave around 0. I've just looked at the compressor and the thresholds are around -20 and the compression ratio is 1.5:1 (less than 2:1). Usually people monitor through headphones direct through the Fast Track and I record with all FX bypassed so the computer runs as quietly as possible (almost 0 processing used in the recording). So, based on the comments here, I'm still recording too hot if I'm safe down to an -80 DB peak. That's really quiet. I just tried to zoom to -80DB on the recordings from the other night, and Sonar doesn't even allow you to zoom to that precision. -57 is the closest I can get (96 zoom factor). At that level of zoom, room silence is above -80 DB. Most of my levels were below -12 DB. Right now, for some reason, I can't change 3 of the tracks off of showing percentage rather than DB as the scale for the wave form. Not sure why. And the other night, there was one song, where I joined in. I moved one of the vocal mics in front of me and played and sang into the vocal mic. I was happy and played hard (no one was watching the levels) and there were a couple of clips. If I record everything quieter, I guess gain staging could come into play... so... like, I would run from the Pre Amp into the compressor with a reasonably strong signal, and then I would roll down the gain on the compressor to -12 or more. Then, I would get a max input around -24 with the loudest and limited moments being at -12. I guess that's what I'm being told is best. Yes, I'm recording at 24 bit 88.2. Yes, I've recorded at 24 bit since I stopped using my akai dps12 around 2003 or so. Yes, I've made a lot of recordings with very low levels, but I have also found that in some cases the levels were too low (even using 24 bit). it is possible if you are me to mess this up. I have found that using the pre amp I can usually get more level safely (especially if I have 2 gain nobs giving me gain staging control so that I can fine tune the level pretty well). Anyway, thanks to everyone for the guidance. I'll back off the levels some more. I think one of the people who turned me up a little again was the guitarists guide to sonar which pointed out that tracks recorded at 88.2 might come out of the Amp Simulators sounding a little better. I tried and agreed.
|
Jeff Evans
Max Output Level: -24 dBFS
- Total Posts : 5139
- Joined: 2009/04/13 18:20:16
- Location: Ballarat, Australia
- Status: offline
Re:leveling and clipping
2012/11/17 14:48:29
(permalink)
Here are some steps towards getting great consistent recording levels: 1 Add a VU display system or device to your set-up and calibrate. This can be a plug-in. A real VU is a little nicer. It will show the rms level component of the signal. 2 Choose a ref level. A good place to start is K system metering and that ref level can be -12, -14 or -20 dB FS. Calibrate so a tone at the ref level shows 0 dB VU on the meter. 3 Recording levels do not have to be ' anywhere' they can be very somewhere! Most instruments will easily allow you to adjust for a 0 dB VU level during record level set-up. The built in headroom takes care of peaks. Very transient percussive instruments are best set using the normal peak metering available. 4 16 or 24 bit does not matter only that 24 is better as the digital noise floor lowers so the -20 dB ref level can be easily used. For 16 Bit I tend to do a lot of work at the -14 dB ref level. Most DAW's do not show VU or rms components very well. We only had VU before with analog and used it very very well. Now it has been removed. Dumb. It should be put back and used. You will never have problems with all the right levels being on your tracks prior to mixing. You will never have to add gain here or there because everything is already correct. When you work this way you are keeping all your rms levels consistent and letting peaks end up where they do. You will never clip a plug-in again going in and out. The VU meter can tell you more about your music than peak metering ever will. It is a powerful tool. Buses levels also add nicely and average around the ref level as does the master buss. Mastering is a dream from a well set-up K system using VU metering options. K system also involves a consistent sound pressure level in your studio. This system I have described is the best and only way to get your recording levels all correct and make for the easiest adjustment as well during recording. Even if you get a level from an artist during testing and they get louder in the recording, the headroom that is built in to the -20 dB ref level specially will easily take care of most situations like that.
post edited by Jeff Evans - 2012/11/17 15:00:58
Specs i5-2500K 3.5 Ghz - 8 Gb RAM - Win 7 64 bit - ATI Radeon HD6900 Series - RME PCI HDSP9632 - Steinberg Midex 8 Midi interface - Faderport 8- Studio One V4 - iMac 2.5Ghz Core i5 - Sierra 10.12.6 - Focusrite Clarett thunderbolt interface Poor minds talk about people, average minds talk about events, great minds talk about ideas -Eleanor Roosevelt
|
SuperG
Max Output Level: -63 dBFS
- Total Posts : 1371
- Joined: 2012/10/19 16:09:18
- Location: Edgewood, NM
- Status: offline
Re:leveling and clipping
2012/11/17 15:57:41
(permalink)
Jeff Evans Here are some steps towards getting great consistent recording levels: Good advice. Step one is to meter the levels at the track input!
|
Jeff Evans
Max Output Level: -24 dBFS
- Total Posts : 5139
- Joined: 2009/04/13 18:20:16
- Location: Ballarat, Australia
- Status: offline
Re:leveling and clipping
2012/11/18 06:38:54
(permalink)
Step one is to meter the levels at the track input! .......This is important and for a virtual VU meter it is the first plug-in that is line in your effects bin. You need the input monitoring enabled in order to see it. And looking at the OP's avatar, voice and guitar and two great contenders for VU input level setting. The VU meter works very well with vocals. The VU meter I think was designed originally for monitoring voice levels. If you connect your input sources to a mixer first then a real VU can be situated on the main stereo outs. You do have to calibrate the level being sent from the mixer to the DAW so that it matches the VU you are reading. With digital mixers this is taken care of automatically. It is difficult to go wrong setting levels. Just get the performers to do their thing as close as possible to the energy that is going to be used in the actual recording and set the input gain so the VU is just reading 0 dB VU on the loudest parts of the signal. Your done. Most instruments work this way. Very fast sounds or short transients may not make the VU move enough or at all so your peak meters come into their own. It is really then you should be reading them but the rest of the time the VU is king. You get so used to working with them that you forget about peak metering and don't look at it hardly at all. But you don't see any red clip lights either.
Specs i5-2500K 3.5 Ghz - 8 Gb RAM - Win 7 64 bit - ATI Radeon HD6900 Series - RME PCI HDSP9632 - Steinberg Midex 8 Midi interface - Faderport 8- Studio One V4 - iMac 2.5Ghz Core i5 - Sierra 10.12.6 - Focusrite Clarett thunderbolt interface Poor minds talk about people, average minds talk about events, great minds talk about ideas -Eleanor Roosevelt
|
gswitz
Max Output Level: -18.5 dBFS
- Total Posts : 5694
- Joined: 2007/06/16 07:17:14
- Location: Richmond Virginia USA
- Status: offline
Re:leveling and clipping
2012/11/18 07:41:20
(permalink)
|