Choosing audio interface and other gear for studio makeover

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Re:Choosing audio interface and other gear for studio makeover 2012/12/07 11:46:24 (permalink)
Trying to keep up with this thread (like a Christmas wish list) is rough.  But here is some more opinions.

Lynx are great.  The FW drivers aren't supposed to be any good, but the USB are fine.  Using the Pcie interface is the way they were designed to work, so no problems there.  The quality is great.  Goldfrapp bought them a year or two back for their studio.  They aren't a folk band, of course, but have sold more units than you can shake a virtual stick at.  I've got colleages who use(d) it, including the artist/producer I mentioned above to upgraded to Burls.  He also used the UAD 2196 in conjunction w/ them, but don't let anybody tell you they ain't up to snuff, unless they sold a million units.  Unless you are planning on recording drums you could probably get the 8 in/out unit and AES interface and a 2196 for not  much more than the 16 lynx.  As I said above, the 2196/Burls give a transformer/analog sound to conversion.

The Gefells (good choice!) are the kind of mics you hope your daughter brings home to introduce to you.  Solid, workman like.  I've never heard anything bad about them.  Gefell, of course, is the Newman of East Germany and was the orginal factory for Newman.  Same M7 capsule, etc. etc.  For a different, tube flavor you seem stuck on the Blue mics.  I think the Cactus is supposed to be the most colorful one, but it is a little more expensive.  Front End audio (or maybe Zen) had some "used" (demo) Bottle IIs for half price, which is something to think about.  You can get different capsules for them.  But I would think your color/tube mic would be a more personal decision.  Take the time to get it right w/ the voice/instrument you will be using it with.  Not a lot of difference (heresy, but true) - the Gefells should work just as well on most everything.  hit some local studios and pay them for an hour to try out their locker.  You might find something that works for a lot less money.

As far as the comps - just about anything Rupert Neve designed is going to be superb.  If he makes it (RND), it is icing on the cake.  The Portico dual comp is great.  It does vintage as well as modern, adds some vintage Neve transformer thickening w/o being oppressive and just works.  Going in, going out, strapped on a channel or the master buss.  Like the Geffel, it is something you can use everywhere.  I have the Portico II channel, and it works on everything.  If you are in the market for a verstile channel strip, I highly recommend it.  Or get two for the ultimate and flexible stereo in/out setup.  What sets it apart from other high-end channel strips is the saturation control.  Red and blue flavors with variable settings.  A lot of money, but they cover just about all sonic territory.

The most important thing is to take your time to figure out what works for you.  And find a good dealer that will work w/ you -  let you try something out and return it for another unit.  

happy hunting.


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Re:Choosing audio interface and other gear for studio makeover 2012/12/07 21:47:51 (permalink)
Thanks AT. Which Lynx aurora 8 and which aes are you referring to? There are a couple of different units. I can't find a aes 8, only aes 16's. 

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#32
liv4ree
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Re:Choosing audio interface and other gear for studio makeover 2012/12/07 21:55:39 (permalink)
AT. I also can't find a universal audio 2196, I found a 2192. Are you saying to use the 2192 in conjunction with the lynx 8? Not sure I understand. Thanks

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Re:Choosing audio interface and other gear for studio makeover 2012/12/07 22:15:49 (permalink)
I think I'm getting close...

Rackmount PC : Studiocat
UAD flexi
Sonar X1
Neumann U 87 Ai Set Z 
Lynx Aurora 8 
 Lynx AES16e 
Gefell M950 stereo pair 
Pearlman tm1 
Portico 5012 preamp 
Rupert Neve Designs Portico II Channel 
LA2A comp 
1176 comp 
API The Channel Strip pre/comp/eq 
Shure sm7 
sE Electronics Reflexion Filter 
Kemper profiling amp 
YAMAHA MSP7 STUDIO MONITOR 



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Re:Choosing audio interface and other gear for studio makeover 2012/12/08 01:50:27 (permalink)
http://www.lynxstudio.com/product_detail.asp?i=2

There is the 8 channel lynx.  The AES card has 16 in/outs - you'll use only 8 of them and can put any other AES equiped units (like the 2192) on channel 9/10.  It looks like Lynx is including the (good) USB slot card for free w/ the Aurora 8.  So AEs out from the Aurora into the PCIe card in your computer and PCIe outs to the lynx AES ins.  USB as a backup system or w/ a lap top etc. etc.  The PCIe card and the Aurora units can take the slot cards for FW, USB, Protools, ADAT.

And yea, it is the discontinued 2192.  Sorry, but damn it Jim, I'm just a synth player, and my memory ain't what it used to be for numbers.  You'll have to buy the unit used, but they are around.

I see you've added the RND channel strip.  I bet you'll be happy w/ it.  every engineer I've taken mine to likes it and starts thinking of getting one.

And I bet you have fun - once you get everything sorted out.  Don't forget to budget cables and cords and patchbay.  Those always cost more than one thinks - esp. if you forget to include them in your budget. ;-)

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there came forth little children out of the city, and mocked him, and said unto him, Go up, thou bald head; go up, thou bald head.
24 And he turned back, and looked on them, and cursed them in the name of the Lord. And there came forth two she bears out of the wood, and tare forty and two children of them.
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Re:Choosing audio interface and other gear for studio makeover 2012/12/08 02:34:24 (permalink)
Your signature definitely suggests an area for you to focus your budget on.
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Re:Choosing audio interface and other gear for studio makeover 2012/12/09 06:20:49 (permalink)
mleghorn: Live Free or Die... 

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