Do you find Audiosnap/Transients more stable in X1 vs. X2?

Had to put my attention toward other meatworld demands for the past couple days but I'm about to jump back into my great audiosnap experiment. Just wondering if any of you who use audiosnap or the Transients filter setting more stable in X1 than X2. I want to use X2 for this due to some of the new zooming features but it's been finicky. If X1d is less glitchy for this type of work then I'll probably use that for this phase. If not I'll just keep trying to get X2 to do what I want.
 
Thanks.

Thanks, fooman. I wasn't looking forward to bumbling around X1 again. I found it much harder to use than X2 but thought maybe because it had been patched so many times this aspect might work better. Guess not. One thing... are you able to save/reopen your projects if you have been working with transients but stopped before rendering? I got halfway through what I was doing, saved, shut down and then the next day the project was completely unusable. It was... frustrating. Cheers.

Yeah, from now on I just won't be closing the projects until the render is done. It seemed to be going along okay until I closed and shut down (aside from the usual annoying graphical glitches with transients). What I'm doing though is very time consuming so I could easily see a track taking a day or so to get through and I do not like leaving my system on in case of power failures or electrical storms during the night. Oh well. Gotta do what I gotta do. I may end up cutting everything up into sections but I was trying to avoid that.
 
Thanks.

Sorry. What I'm doing is inserting my own transients for audio stretching to time correct and tighten things up. I don't mean stopping during the render process (well the offline render anyway). I mean I inserted transients up to halfway through the project and had to shut down for the night. So I wasn't done setting up my markers and had not yet done any stretching so I was no where close to the offline rendering stage. I was hoping I could just reopen the project and continue from where I had stopped. When I reopened the project all my user defined markers were disappearing if I zoomed in to any workable resolution, I could no longer select the transients or insert new ones, my transient threshold had reset itself to 88% when I had originally had set to 100% to get rid of all the auto detected transients, if I resized the track pane or other stuff it caused really bad glitches like work areas spilling over the divider lines and freezing up, I was getting some weird errors and IIRC I actually got a minor crash after messing around trying to get things to work. Basically it just totally munched the project so I have to start over.
 
I'm just not sure if maybe it's just not designed to stop in the middle of this type of work or if maybe my computer set up is causing issues (I think I may have my drives set up in a non standard way but it hasn't caused problems before AFAIK). Seems more likely that audiosnap is just a finicky feature. It is pretty complex and I've seen a LOT of people talk about its bizarre behavior.
 
Whatever it is though I just need to solidify a procedure that is less likely to fail. I'm totally new to audiosnap so I have fleshed out its quirks yet.
 
Cheers.

Thanks for confirming. It'll save me from trying workarounds that are unlikely to work. In light of how long this process takes it's not one of those things where I can just muck around with different methods quickly so it is appreciated. Cheers.

Gary,
My secret weapon is to actually use a piece of triggering software before I apply the transient markers.  For this I use Slate Audio Trigger.  I bought it because I thought it would be the end-all be-all for drum replacing.  I haven't had a ton of luck with it.
 
I often use my own samples, and it's much easier to use session drummer than create whatever I need to create for my triggering software with my own samples.
 
I do, however, use Trigger a lot for room sounds because my room isn't that big.
 
Anyways, here's my process:
1. Apply Trigger and make sure everything's triggering correctly.
2. Freeze the track.
3. Copy the new frozen clip to a new track (otherwise copied transients in step 5 will also include the ones of the original track.  Lame.
4.  Enable Audiosnap.  Go over the entire track and make sure everything is triggered properly. (no false, early, un-triggered flams, etc).
5.  Copy n paste to session drummer.
 
Somewhat long process, but it works for using my own samples the way I want... so I do it.