Tracks to busses solo's - this is a major oversight.

I like it the way it is and would not support a change to soloing busses when you enable a Track solo.
 
If you want to hear whatever feeds into the buss, just solo the buss by itself.

It works the way most of us would expect it to work - this is a major undersight! 

We used to be paid by the hour to press all those buttons, that's the only change I see happening. I am happy that the software works pretty close to the way a large mixing desk and a room full of tape machines worked. Just the musicians are all in little icons now instead of breathing down your neck bumming smokes....

Brundley, The tracks are outputted to busses - In this case either guitar or harmony busses. If the busses are not soloed along with the track and send busses, there is nothing to hear.

I really don't think anyone has read the posts. How can there be something wrong with my system when you guys say it works exactly as you like it. It does not work as you think it does. Solo a track and the send busses go silent along with the output busses the track is assigned to. That's it.

Ten to one  you guys are using the Sonar master for output to whatever you output to, if at all as it seems most people today are probably exporting. We DO NOT. We send stems to the 16 channel Lynx Aurora. Most projects have very high track counts. A short routing example,
 
Outboard console stereo channels 1&2 -  All drum tracks are always summed to these channels BUT are fed first into a Sonar DRUM buss. The individual drum tracks have sends fed to a convolution reverb DRUM VERB BUSS which in turn is also outputted to the DRUMS buss in Sonar. We do this because a great old compressor lives on these mixing console channels AND it give us the chance to do final eq touchup using the console.
 
Outboard console stereo channels 3&4 - All guitar tracks are always BUSSED to a GUITAR BUSS in Sonar. That BUSS feeds directly into Lynx channels 3&4. This  BUSS will also usually have other GUITAR EFFECTS BUSSES fed from the Sonar GUITAR tracks auxes feeding into it.
 
Lead vocal always is on track 5 and is fed to Lynx channel 5 which is in turn fed to mixing console channel 5.
 
And so on. We do a variation on mixing in the box and get the best of both worlds by using stems.
If you run the system as outlined above you might find Sonar works differently than you think.
 
FWIW, we never use the Sonar master buss, that is, the default buss that Sonar inserts for anything and consider it totally useless when using a outboard mixing console and large number of convertor channels available. The 2 channels on the Sonar default master won't do the job for us.
 

That's what I was thinking Kev. 
 
Please don't talk about the cricket. 

The subject of sport should be excluded from forums under the same umbrella as religion and politics.

All very friendly from this end.  But one thing is you never really know. The Brits could turn it all around. Stranger things have happened. We are on a bit of a roll at the moment and lets hope we keep on doing what we seem to be doing. I don't normally watch the cricket but I am enjoying these tests right now for sure.

Isn't the difference the OP is talking about is sends to busses coming from a tracks main (first) sub group don't get included in track solo.
Aux sends to busses from the track its self of course do.
I suppose it could be nice to have it both ways, and it makes for one of those up and downsides' situations to where you chain things but in general, to choose that as the SOP.. Definitely not.