how to use compressor gate?

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sirenadelmar
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2013/12/11 13:23:49 (permalink)

how to use compressor gate?

I was advised by a friend to use compressor gate when recording voice, so that I don't get the scratching sounds when I record my high and voluminous voice.  I clicked on effects>compressor/gate and a little machine popped up.  it has several knobs.  what are the important knobs to use, and which ones could be left alone.  I just want to make my voice as natural as possible without the occasional scratchiness that creeps up. 
 
I never used a real (actual) compressor gate machine before.
 
Thanks.
 
sirena del mar
post edited by sirenadelmar - 2013/12/11 13:26:15


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    Leadfoot
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    Re: how to use compressor gate? 2013/12/11 14:20:51 (permalink)
    When you say scratchiness, do you mean distortion because your voice is so loud? If so, you should either back off the microphone, or turn down whatever you're using for a preamp to go into your audio interface, or the interface itself, if you're plugging directly into that.
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    scook
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    Re: how to use compressor gate? 2013/12/11 15:36:07 (permalink)
    The software effects are not going to help you if you are overloading the input during recording.  Software effects do nothing to the signal as it is being recorded. As Leadfoot indicated, you may need to address the problem before the signal gets to the DAW.
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    Guitarhacker
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    Re: how to use compressor gate? 2013/12/12 07:48:25 (permalink)
    A mild compression going in on a voice is OK but proper mic technique makes that unnecessary.
     
    Use proper mic techniques and a pop filter and let the mic record everything it hears.
     
    Do you have examples that you could post so we all know what you are trying to solve?

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    mettelus
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    Re: how to use compressor gate? 2013/12/12 09:52:47 (permalink)
    I agree with the above. When recording with a microphone it is important to understand how the distance from the microphone will affect you. As you get to higher volumes, you want to adjust the distance you are from that microphone to reduce the volume the microphone sees but still get the natural performance of your voice. Conversely, when singing lower volumes, you can get closer so that the microphone picks up your performance at a nice volume. It is good to spend time learning how these affect you, and monitor performance as you sing (often best through headphones, since using speakers with a microphone can create a feedback loop - the speakers are being picked up by the microphone).
     
    That said, when recording, you want to have your "loudest" performance not to exceed -6 db levels when you sing, and can adjust these with input gains on your equipment. Practice high volume parts of a piece before recording to see that you are not driving the signal above -6db (into the red). If you are, learn the distance of the microphone or adjust the input gains to keep the level below the red. Typically, the input gain will be set to one value, and the rest you do with your distance from the microphone, which is where monitoring and understanding how to use distance from it is important.
     
    Back to your original question. Typically in a digital environment you would not use these to record since you want the original recording to be the "real performance." If you record an adjusted signal, they cannot be undone if what you recorded was that adjustment. As for what they do:
     
       A gate is a threshold which removes all signals below a certain level. They are useful for removing low level background noise, but setting the threshold too high will cut off the beginning of each note you want to hear and can sound unnatural.
     
       A compressor "squashes" a signal to make the volume output be more consistent even when the recorded values are not. Digitally, this is more used for the "mixing" stage, where you adjust the recorded levels to fit the piece you are doing. This link has a simple overview of the typical use (http://www.soundonsound.com/sos/oct09/articles/qa1009_2.htm). But again, your best control of this when recording is to understand how your distance/angle to the microphone affect you, setting input gains properly, and monitoring your performance as you sing. As you understand these better, you can use these techniques to improve your performance.

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