Your board's tape, monitor and aux outs will be at line level, which risk overdriving the laptop's mic in, but the mixer's phone outs are probably hotter yet.
If forced down this path, I'd start with the board's tape outs, as some of mine have been slightly lower level than standard line level. I'd set all levels, pad, fader, buss, master, Windows mixer mic in and record level, etc., at zero, feed signal to the mic, make meters visible at as many places in the chain as possible, and fade up slowly, at the end of the chain, monitors off, just watching meters, and then work my way back up the chain, noting redline settings at each gain stage. Once thru, you can mentally group the faders into two classes, 'fire' and 'safe within limits'. Then maybe test tradeoffs in quality between your front end and back end at min/max, max/min, and even.
But before I'd do any of that, I'd grab my phone or tablet, and test the various onboard apps with the built-in mic, (I get reasonable audio quality from the vid camera on HDMI recording settings, less so from voice recorder) and see what my import options are with a file (not audio) transfer to the laptop hard drive.
PS...Every computer mic input I've ever seen is mono.
post edited by Jay Tee 4303 - 2014/02/13 13:32:52