removing noise between chords

good morning everyone, this is what I got. I have a song where the intro has 3 chords, nothing else. it's recorded loud however when a chord starts to fade there is loads of noise, general electric guitar crap. what I want to do is hear the chord with reverb without the noise. what it sounds like (for you who are old enough) is a loud ass song on a turn table. think of the following, the beginning Emaj chords in "good times bad times" on zeppelins first record or the beginning of "whole lotta love" the chords are separated with very little static. now I know I can go in and re-record it at a civilized level. that's not going to happen. i'm quite sure that whatshisname who was the guitar player in the aforementioned band had his noisy little supro or fender delux cranked.
any ideas?
thanks
oh yes, I am moving from LA to Chicago in april, can someone turn me on to any musicians who play straight up rock and roll? if their is you may contact me here for now.   

This might work?.....  if you have Melodyne Editor..... save a copy of everything the way it is..... split the clips in between the chords..............edit the track to  remove the obnoxious stuff from the tails of each split clip....open an ARA Melodyne window for each of those clips and stretch the audio out as far as you need it to ring..... bounce that audio back to SONAR and apply a volume envelope to taper off the chord sustain as needed.

 
I'm assuming power chords and don't really know the context of your song but just had this thought....Might be worth a try?

+1 for bad chords.

Part of the noisy guitar issue is evident in his avatar.. That's right a Strat.. probably stock PU's. AKA not Humbuckers, I think? Mr Page used Humbuckers... 

joey90405
...when a chord starts to fade there is loads of noise, general electric guitar crap. what I want to do is hear the chord with reverb without the noise...

This is what I might try (although without hearing it I don't know whether it would work).  I would split the clip along each of the crappy-sounding sections into smaller clips.  Use clip fade on all them and shrink them all by a suitable amount.  Use a short multiple delay to fill out the silent sections.  Add a reverb to the delayed signal but not to the main track.  Duck the delayed signal under the main power chord hits.

chuckebaby
I second the 60 cycle hum that strats omit.
they need to be moved around just right to hit the silent zone at times.
 keep in mind, Hendrix, Clapton, Beck weren't recording in front of a CPU monitor ;-)
IMO that's what really lites it up.
only an opinion but also something to think about

Charlie, you make a good point about the CPU monitor.  I had problems with my Strat when I used a CPU monitor, but flatscreen LCD's have solved that problem year ago.   Strats aren't that problematical anymore, especially with virtual amps and modern single coil pickups.  Sloppy engineering is (not to imply that the OP is a sloppy engineer).  And, I believe that guitar player's name is Page, who used a Les Paul.

The point is that single coil PU are noisy when around electronics. I knew I would not get the guitar or player right. I never do, so thanks for the correction. Looks like the OP has wandered off anyhow. 

Bad chords is still my favorite suggestion so far.

+1 to the gate, but as stated above this may cut into the reverb you are trying to achieve, so play with attack/release times and see if you can get an optimal setting.
 
On a Strat, if near electronics, putting the PU select to bridge/mid will give some humbucking - not as good as a humbucker, but pretty decent.