...wicked
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Warez and mainstreaming
I humbly intro this topic because I think it's hard to bring up and have a discussion without sounding like it's advocating, but if it might help troubleshoot some probz for the kids I think it might help. Long long ago when I first started working with music I bought myself a copy of Cake Pro Audio 5. When VSTs came out I didn't have the scratch and did what most sassy teens did: I downloaded a crap-ton of cracked software. Now, a billion years later, I've "gone legit" and purchased all my software. Eventually I found not only did it help me ethically as I grew up, but as I depended on my rig for projects and gigs it was simply worth the investment to have the cleanest and most fully functioning (and tech support eligible) software. Except, older projects I've been dragging along for some time used some versions of certain plugs that didn't seem to appreciate transferring over. As a result, I've had a few versions of Komplete sitting around my studio (the most recent for me was v9) that I've never installed because of the delicate DAW ecosystem I have that is currently fully functional. I've seen similar setups with folks who didn't want to use iLok. They would buy Waves bundles and then install the cracked versions to avoid the mishaps with iLok technology (which seems to have righted itself over the years). Anyhow, now I'm trying to figure out the best scenario for gutting the older cracked copies and installing my legally purchased copies (because, lets face it, I need to get my greedy little hands on all those new Kontakt sounds!!). But, I don't want to bring my DAW down and have to rollback to a backup image or any of that crap. This is one of the many reasons why I've always been feature requesting better asset mgmt tools. Imagine being able to tell SONAR to save all the patch ID info, and when using Replace Synth have a checkbox that tries to push that info out in case the replaced synth is a more recent version of the same synth (for example). But I figured I'd throw this out there in case anyone else has had this experience and anything to share about it.
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Kylotan
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Re: Warez and mainstreaming
2015/03/23 16:14:56
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It's not clear exactly what your problem is. "plugs that didn't seem to appreciate transferring over" is pretty vague. My initial suggestion would simply be to remove the contraband and install the legit software. If the VST IDs match, they should replace the synths and effects in-place with no further intervention necessary. If they don't match, I guess that is where you have a problem, because you want to migrate settings over between 2 plugins which - to Sonar - appear to be completely unrelated. This is relevant for more than just replacing cracked software - eg. I've had Dimension LE patches that I wanted to be loaded in Dimension Pro - but I don't think there is a way of achieving this. If there is no official way to transfer settings then I'm sure there is some technical way of forcing it - eg. by hacking the VST IDs in the project file - but that's likely to risk corrupting your project.
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dubdisciple
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Re: Warez and mainstreaming
2015/03/23 17:54:45
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+1 on removing all contraband. At one point I dabbled in warez and if anything I learned that the method of cracking software varied from tricking computer to thinking a dongle is present to simply figuring out the serial algorithm. Who knows what oddities are still lurking in your registry and hidden files. A clean start i much easier to navigate and if any old project files don't work, tracing the problem involves less variables.
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Anderton
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Re: Warez and mainstreaming
2015/03/23 19:36:59
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You don't know what the cracks have done to your system, or what they'll leave behind...I doubt they have clean uninstall routines but I don't know for sure. I would think the safest option would be a clean system drive install. You have Windows 7 so if you want to move on to Windows 8 or 10 you're going to have to do it anyway. You might consider waiting until 10 appears and move to that.
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mixmkr
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Re: Warez and mainstreaming
2015/03/23 20:17:42
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...wicked Except, older projects I've been dragging along for some time used some versions of certain plugs that didn't seem to appreciate transferring over. As a result, I've had a few versions of Komplete sitting around my studio (the most recent for me was v9) that I've never installed because of the delicate DAW ecosystem I have that is currently fully functional. >>>>>>> I've seen similar setups with folks who didn't want to use iLok. They would buy Waves bundles and then install the cracked versions to avoid the mishaps with iLok technology (which seems to have righted itself over the years). >>>>>>> Anyhow, now I'm trying to figure out the best scenario for gutting the older cracked copies and installing my legally purchased copies (because, lets face it, I need to get my greedy little hands on all those new Kontakt sounds!!). But, I don't want to bring my DAW down and have to rollback to a backup image or any of that crap.
If you ask me, you abandon ANY old project, especially if it contains "versions of certain plugs...." and MOVE FORWARD. No time like the present to have a clean, up to date system and software and working on NEW material. If the older stuff was produced using "version of certain plugs....."... why would you want to continue on. That stuff imo had a "bad" start anyway. Start a fresh slate and call it a day. BTW, like Craig mentioned, I'd wipe the drive and start fresh as well. Get that "stuff" out of your drives. Better yet, let StudioCat build you a new system and treat yourself for starting fresh. Good luck.
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tlw
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Re: Warez and mainstreaming
2015/03/23 23:36:20
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☄ Helpfulby dubdisciple 2015/03/24 00:11:56
The approach I use to cover my back if I need to open an old project that used plugins I may no longer have installed or that changed drastically as new versions came out is to bounce every track down to a new audio track and add those tracks into the project along with the original tracks with plugins.
That way even if a plug used on a track isn't there anymore at least I have audio processed by it should I ever want to do some remixing or re-use some of an old project.
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...wicked
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Re: Warez and mainstreaming
2015/03/24 00:52:50
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Hey thanks for the replies folks! I guess relevant info from what I've read is: Yups, I plan on a new DAW build with a nice hardware upgrade when Win10 comes out. I'm thinking it's time for an i7 and some more RAM, I think this time I'm even gonna get a new case! This beige rectangle I've been looking at for years is a little grody. Anyhow, a "fresh start" on all things and a full move to 64bit for my main stuff going forward is a given...already started actually (hence this topic). The last DAW rebuild, which was a bit of a fiasco, I culled a LOT of VSTs, both old cracked junk and freebies that I never use. It was a massive change in the "fueng shui" of my DAW world. Light and clean. Except of course as I went through old projects that would only work (caveat: I didn't test this terribly thoroughly) with the version of the crack that it was made with I installed those from archives. The NI stuff is the only remaining suite that I've bought but haven't installed. As for the old projects, a while back I went through most of them and bounced audio down in case I ever wanted to pick them back up. I have an ongoing history of partial projects that just have riffs or partials I often go back to in order "crate dig" for cool things to build. There are hundreds of these, which is why without some kind of bulk utility I'm not really into the idea of manually updating each one. I just wonder if anyone else who might have a similar story handled their projects OR whether they learned anything in the uninstall/install process that was worth noting.
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OldTimerNewComer
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Re: Warez and mainstreaming
2015/03/24 01:18:50
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Get rid of the warez. If those old projects are truly beloved, convert 'em to midi files and start hacking the forest. I've never used 'em but I extend the above offered advice to "free vst's" as well with a few RARE exceptions; esp. if they aren't 64 bit. SONAR already has more than enough to do quality work. I've always been too paranoid to even have my DAW "connected" unless I just had to(e.g. the CCC) Grrrr... As for Ilok... God, I just hate challenge response software but I "deal" with it. Hell, Windows XP would force you to "RE-AUTHORIZE" it on every major hardware change("Hey! You didn't tell me you got a new motherboard...DENIED!"). jm2c MEL
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...wicked
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Re: Warez and mainstreaming
2015/03/24 02:01:04
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OldTimerNewComer Get rid of the warez.
I think that was kind of stated in the original post. What I'm interested in is the process for doing so. Or, perhaps more importantly, the consequences for projects.
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robert_e_bone
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Re: Warez and mainstreaming
2015/03/24 11:31:17
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I think the bounce idea to get all of the older audio generated from any projects that may contain cracked components makes a lot of sense - to at least preserve the sound those components created. That way, you would at least have that as a starting point, if anything didn't convert to the legitimate copies. I would add a suggestion to the above - I would first make note of effects and their presets/settings for any track that uses a cracked synth, and then first bounce with those effects present, so that you have your 'reference track', and then I would remove all effects from the original track and bounce again, so that you could still save the cracked synth's generated sound, AND be able to change things for mixing after the fact. (only bouncing with the effects present would lock you into the effects settings at that time with no way to really tweak them). Just some thoughts - good luck, glad you went legit, as well. Bob Bone
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swamptooth
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Re: Warez and mainstreaming
2015/03/24 12:17:51
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...wicked
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Re: Warez and mainstreaming
2015/03/24 13:25:00
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Yeah, but for EVERY project? We're talking about a LOT of work. I wish there was a utility that would scan projects and auto-generate preset files...or like I said earlier, an option when using Replace Synth that tries to push out the patch info saved for a track, which we know SONAR does since it can auto load patches on any given synth.
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swamptooth
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Re: Warez and mainstreaming
2015/03/24 13:57:46
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Honestly with a crap ton of pirated software I'd say you're getting off pretty easy. Road to hell... Good intentions. ;)
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Bristol_Jonesey
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Re: Warez and mainstreaming
2015/03/24 17:48:55
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Whichever route you take it's going to be a big job. I think the idea of bouncing all midi to audio is a good start. What you could do then is after saving each project, open it in Safe mode and choose not to load any plugins you have the slightest doubt about, then re-save it somewhere else, to a "Cleaned up" folder
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dubdisciple
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Re: Warez and mainstreaming
2015/03/24 18:04:22
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Not only do you sleep better at night after going legit, but your work improves. One of the horrible thing about warez is it typically is accompanied by the dreaded Gear Acquisition Syndrome. G.A.S. sufferers often have so many plugins that they never get proficient with any of them. Being limited to what you have purchased forces you to get the most out of what you have and has the added benefit of giving you a better idea of what third party plugs you need. I find with Sonar (and any DAW) comes with enough to do most ( and for some, all) of what one needs. I could mix and master a song with just Sonitus plugs. Yes I have other preferences but I now choose other plugs forreasons other than simply wanting to throw in the new toy.
How many unfinished songs do you actually have? It sucks to have to bounce them all, but small price to pay considering.
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sven450
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Re: Warez and mainstreaming
2015/03/24 19:04:27
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Bounce, then bounce, then bounce some more, then never look back. I was there several years ago. It is a giant pain in the ass, but a great way to get a fresh, legit start.
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Splat
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Re: Warez and mainstreaming
2015/03/25 02:36:00
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Looks like ye need to spit shine up 'n start bouncin' tracks me hearty
Alas! Looks like a lot of toil
Arrrr....
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matt fresha
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Re: Warez and mainstreaming
2015/03/25 10:08:02
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Me and an old friend had a debate years ago on how you actually pronounce warez: Is it pronounced "wears"? Or is it pronounced "war-ez"?
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Splat
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Re: Warez and mainstreaming
2015/03/25 10:15:07
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2nd if you'd be a pirate me hearty... Arrr...
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AT
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Re: Warez and mainstreaming
2015/03/25 10:59:07
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I've always heard it pronounced war-ez. Like the Mexican city. Actually, you should bounce all midi to audio. Just look at Alchemy, one of the sure bits of software (I thought). I use it on every project, just about. It looks like it will continue to open, but only on old PC OS's. If you want a project to be valid, every synth (even externals) needs to be converted to audio. Otherwise, there is no guarantee you can open a synth in the future. If you can't open the audio, you have even bigger problems. @
https://soundcloud.com/a-pleasure-dome http://www.bnoir-film.com/ there came forth little children out of the city, and mocked him, and said unto him, Go up, thou bald head; go up, thou bald head. 24 And he turned back, and looked on them, and cursed them in the name of the Lord. And there came forth two she bears out of the wood, and tare forty and two children of them.
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...wicked
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Re: Warez and mainstreaming
2015/03/25 18:42:44
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Yeah, that's another legit thing that happens, you use a random (or not) VST and it goes belly up and then it doesn't work a few OS hops later. I think Phatmatik was like that for me once upon a time. Seriously though, everyone on here bounces ALL their softsynths in every little project they do? I can certainly adopt that method going forward but sheesh what a giant nightmare if you've been making music with sequencers for...well crap I guess it's been about twenty years I've been using Cakewalk products? holy crap I'm old! I'm surprised more people aren't currently in or have been in this situation though, hauling older projects now and again kicking, screaming, and crashing into the present. Okee, I'll spend some time in the archives trying to future proof things and get ready for another big DAW build. Can't wait to get access to all those dang Kontakt libraries..I'm sick of looking at the box with all the pretty pictures! :-)
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mixmkr
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Re: Warez and mainstreaming
2015/03/25 20:03:51
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...wicked I'm surprised more people aren't currently in or have been in this situation though, hauling older projects now and again kicking, screaming, and crashing into the present.
I won't say I don't have older projects for sure. Even a closet full of 1/2 master tapes as well. But the multitrack tapes have long gone. I just signed off on them. The reason is I feel my music is getting better and better and stuff like Toontrack, Addictive Drums, Perfect Space, Pro Channel stuff...Z3ta2, etc, etc... and the other VSTi help things so much better than using old Oberheim drums or even old Roland keyboard drums...as good as they might have been back then. I like to think my abilities are much better too, and not just chocking things up to better equipment, recording devices and instruments. But having SPlat nowadays totally outweighs my Cool Edit Pro of years ago. There's no comparison. Therefore I listen to the "old" stuff to remember, but if anything I'll DEFINITELY re-record a song, should I want to keep it "current". I've done that a couple times and the newer versions totally smoke my old ones. BTW, I'm over 60, so I understand the "older" projects. Move forward Mr. Wicked. Keep it fresh and look to the future. Otherwise, the youngsters will pass us by. Now as it is...., they have to "catch up" HA! :-D
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dubdisciple
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Re: Warez and mainstreaming
2015/03/26 00:27:33
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☄ Helpfulby mettelus 2015/03/26 11:33:17
I have a policy now that if a song is more than 3 years old it is either done, not getting done or i will simply start from scratch if i decide to remake.
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Bristol_Jonesey
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Re: Warez and mainstreaming
2015/03/26 06:59:17
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dubdisciple I have a policy now that if a song is more than 3 years old it is either done, not getting done or i will simply start from scratch if i decide to remake.
Case in point. I intended to re-visit an old project last night. I located several version so naturally I chose the newest one. The project opens ok but sounded terrible, probably because a handful of plugins - notably some T-Racks modules - weren't in the location expected by Sonar. This project as last saved at the back end of 2011 so I'm guessing it was an 8.5 project. Guess I'll have to rebuild it now, as 8.5 is long gone from my system. Edit: I do still have my old DAW kicking around somewhere - I might fire it up (if it still works) and see what I can see.
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Kylotan
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Re: Warez and mainstreaming
2015/03/26 09:22:18
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...wicked I'm surprised more people aren't currently in or have been in this situation though, hauling older projects now and again kicking, screaming, and crashing into the present.
You're still being a bit vague about what your actual problems are, though. :) I have been using Sonar - and before it, Cakewalk Pro Audio, or whatever it was called - for something like 15 years, maybe longer if we go back to the MIDI only versions. And migrating projects is not something that ever really required much thought. - Open project in new version of Sonar.
- Note every plugin that it reports as missing. Think about how important that plugin is, and decide either to:
- obtain and install that plugin, then go back to (1)
- or, replace it with a different plugin.
- Note any missing samples, libraries or patches that your plugins report. Decide whether to:
- relocate samples/libs/patches that have moved
- obtain and install missing samples/libs/patches
- replace missing samples/libs/patches
- Work with the project
There's not much more to it than that - either you have the data it needs, or you don't, and if you don't, you can either find it, or replace it.
Sonar Platinum (Newburyport) / Win 8.1 64bit / Focusrite Scarlett 6i6 / Absynth / Kontakt / Play / Superior Drummer 2 / ESP LTD guitar / etc Twilight's Embrace - gothic/death metal | Other works - instrumental/soundtracks
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