I gave another shot and a few things came to my realisation:
1) The equipment (instrument, mouthpiece) and playing style I use is HUGELY important in the final product. I switched my second part trombone to a smaller instrument with smaller mouthpiece, and achieved a much brighter sound there.
2) The
recording equipment I use changes everything. Plus, the mic distance. I switched from my Co9 (sort of SM58 clone) to my MXL 990 condensor, and instantly got a much brighter sound. The only part I left alone was first trombone, which needed a little of EQ to make it more of a "lower trumpet" sound.
3) My
arrangment didn't lend itself as well to bright sounds. I decided to re-track everything today, and I recorded trumpet parts first. It was last night that I discovered that the REAL brightness and sharp bite is in the trumpet parts.
4) I had placed a reverb in place BEFORE the instrumental reverb, so the brass sound was already pushed too far back in the mix. I got rid of that and instead ran all the brass through one bus with a little EQ to brighten, then added a send with a heavy compressor, a distortion plugin and a stereo widener to get a little more bite behind (and around) the core sound. Works great!
I'd have to say I learned a lot in the past 12 or 24 hours about recording brass. Thanks for the tips, guys... I probably won't be recording brass with the Co9 very much anymore. Guess I'll also have to re-work my arrangements so that they lean towards the sound I want.
post edited by davdud101 - 2015/06/03 14:04:14