jonesresidence
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synkrotron
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Re: Mixing & Mastering Assessment
2015/06/20 00:59:33
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Hi Aaron, that's a nice song. Was it written by you? Well, I'm still learning myself really, but this sounds okay to me. Everything is in the right place and has its own space. Levels good. Nice backing vocals. If I had to be critical... Are the rhythm guitars panned hard L/R? I can never tell. Personally I go for around 80% rather than full L/R. That's just me though. cheers andy
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TomHelvey
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Re: Mixing & Mastering Assessment
2015/06/20 02:42:18
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Overall, the mix is missing brightness and definition. Vocals are missing air and sibilance. Buildup in bass and lower midrange (160-500 Hz). Rhythm guitars need mid cut, hi and bass boost, you hear the fundamentals but no harmonics so no depth. Production wise, you might consider adding bass and drum parts. Needs spatial depth, a mix is front to back as well as right to left, maybe add reverb or delay. If you're going for early 70's AM (Eric Carmen), it's ok, but you can do better. :) Good first start.
post edited by TomHelvey - 2015/06/20 03:20:32
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Amine Belkhouche
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Re: Mixing & Mastering Assessment
2015/06/20 04:18:57
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Hey, I think the arrangement is interesting. Are you mixing through saturation? The console or tape emulator? Or maybe the TL-64 Tube Leveler? I think the whole mix could benefit from the treatment that kind of saturation provides. You should start mixing through saturation early. Also, I think some elements could use some high-passing. I think removing some the sub and bass energy from most elements, aside from the bass of course, could help bring some clarity and definition TomHelvey was talking about to the forefront. I think the vocal could benefit from a bit more overall compression and some more fine-tune control over the sibilance. The fricatives are popping out a bit too much at times, you could always adjust that with level automation, dipping the level of the S's and the T's. I think some of those moves would definitely help the mix out.
post edited by Amine Belkhouche - 2015/06/20 11:15:07
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synkrotron
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Re: Mixing & Mastering Assessment
2015/06/20 05:32:31
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Two great reviews there, and they show how much I have still yet to learn This is why I always keep an eye on all the songs I listen to here, instead of just posting a comment and never coming back... I learn something new every time I also listen to the songs again, with each comment that gives clear opinion and advice, and try to hear what the reviewer is referring to. I struggle with that sometimes, but at others I think, "yeah, of course..." @ Tom, Please forgive me... I'm not having a go here, I'm just trying, as always, to expand my knowledge and understanding TomHelvey Overall, the mix is missing brightness and definition.
I honestly didn't pick up on this, and on my fifth or so listen later, I still don't. This could be for a number of reasons, besides lacking experience. I listen on my headphones, so I usually struggle picking up bass. And I can no longer hear anything above 14kHz. But I still feel that at certain parts in this song I can hear a reasonable amount of brightness. TomHelvey Vocals are missing air and sibilance.
I'm still not sure what "air" means, even though I have heard the expression before. On my first listen, I was going to comment on the amount of sibilance "almost" needing slight attention but decided that it was okay. TomHelvey Buildup in bass and lower midrange (160-500 Hz).
I am still working to understand this area, having see a few videos and tutorials on it in the past month or so. I personally wish that peeps using SoundCloud would make tracks available for download because I could then drag them into Sonar and use SPAN. I'm afraid, again, because I use headphones, I have to trust to SPAN a lot of the time. TomHelvey Production wise, you might consider adding bass and drum parts.
I actually prefer this song with no drums. There is a bass part in there, but it is quite understated and only pops through the mix at certain points. Amine Belkhouche I think some elements could use some high-passing.
Yeah, I agree and I've started sticking EQ on pretty much all of my tracks in order to remove both low and high frequencies from elements that do not benefit from them. This is one area that I "think" I do understand Amine Belkhouche The fricatives are popping out a bit too much at times
I had to google "fricatives," so thanks for that haha! I am a man with quite a small vocabulary I'm afraid Apologies again, for commenting on the comments... I hope you all don't mind cheers andy
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Amine Belkhouche
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Re: Mixing & Mastering Assessment
2015/06/20 06:39:31
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Haha, of course not synkotron. I'm here to learn just as much as anyone else.
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Wookiee
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Re: Mixing & Mastering Assessment
2015/06/20 10:51:26
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☄ Helpfulby ohgrant 2015/06/21 09:59:31
First mastering is a contextual thing and should not be considered until it becomes relevant. Mastering is something that was applied when the disk was being prepared for cutting either for the optimum groove/stylus performance or for the collective balance of a collection of tunes. In the main what is these days called mastering is all about loudness and not about balance. The things to do is get the source recorded to the best of your ability then get the mix right. The comments above are giving good overall advice. My mix observation is that the vocal is a little to upfront and in my face. As noted above the tune could do with some width. Welcome to the songs forum and thanks for sharing.
post edited by Wookiee - 2015/06/21 05:06:05
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TomHelvey
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Re: Mixing & Mastering Assessment
2015/06/20 12:05:00
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synkrotron I listen on my headphones...
Unless you're using K701's, you should probably get some good monitors. Without decent monitors, you're only hearing half the mix. :)
System: i7-6900, 64Gb, AMI X99 Carbon Pro Gaming, AMD Radeon HD 7700, Win 10 Pro PCIe: UAD Octo USB: MOTU midi express 128, OB-6 Module, Akai MPK-249, Moog SUB 37, Antelope Orion 32 HD, Softube Console 1, iLok, eLicenser DAW: Cubase Pro, Ableton Live, Sonar Platinum Plugins: Waves, UAD, Xfer, Lennar Digital, u-he, Reveal Sound, Spectrasonics, SoundToys, VPS, Blue Cat, iZotope, NI, Valhalla, Lexicon, etc. https://soundcloud.com/thomas-helvey
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synkrotron
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Re: Mixing & Mastering Assessment
2015/06/20 13:52:47
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Hi Tom, I'm on a budget that doesn't include a new pair of nearfield monitors I'm afraid... I've already got some Tannoy Reveal and I made a big mistake getting them to be honest... Plus, I don't have a dedicated "studio" any more so headphones are the only real option right now. I am currently looking at some open back headphones though, so I'll have a look at those AKG 'phones. cheers andy
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Lynn
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Re: Mixing & Mastering Assessment
2015/06/20 15:51:00
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Aaron, welcome to the forum. This song has a really nice melody, and you brought it out very well. I like the BG vocals and the way you arranged them. The guitar, while not overly bright, sounds warm and natural, and that can be a plus depending on what kind of playback system the listener has. Tom has a good point about a low-mid cut, because in many cases that is where the mud lies. Sometimes that cut, alone, will make everything else sound brighter. As for adding other elements to the song, I say, season to taste. It's your song. @Andy- If you're only able to use headphones, check out the VRM box from Focusrite. It's not too expensive, but it can give good results.
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Grizzlylip
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Re: Mixing & Mastering Assessment
2015/06/20 17:37:35
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Thanks for posting Aaron! I felt you captured a fitting tone with the acoustic rhythm. It complimented the song well. The advice given above is sound so I don't have much to add. But, I did hear a "bong?" at about 2:49 that seemed out of place and maybe even a mistake?
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TomHelvey
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Re: Mixing & Mastering Assessment
2015/06/21 05:09:05
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My apologies if I've offended anyone with my analysis of the OP's mix. When I post a mix here, I don't want to get smoke blown up my a** about how great the song is, I want to know what I can do to improve the sound. I took that approach in my comments. I hope it was useful for the OP. Best, --Tom
System: i7-6900, 64Gb, AMI X99 Carbon Pro Gaming, AMD Radeon HD 7700, Win 10 Pro PCIe: UAD Octo USB: MOTU midi express 128, OB-6 Module, Akai MPK-249, Moog SUB 37, Antelope Orion 32 HD, Softube Console 1, iLok, eLicenser DAW: Cubase Pro, Ableton Live, Sonar Platinum Plugins: Waves, UAD, Xfer, Lennar Digital, u-he, Reveal Sound, Spectrasonics, SoundToys, VPS, Blue Cat, iZotope, NI, Valhalla, Lexicon, etc. https://soundcloud.com/thomas-helvey
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synkrotron
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Re: Mixing & Mastering Assessment
2015/06/21 06:00:29
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TomHelvey When I post a mix here, I don't want to get smoke blown up my a** about how great the song is, I want to know what I can do to improve the sound.
I agree... And I, for one, was not offended. If anything, I was disappointed in myself and the fact that it shown up my lack of skills...
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ohgrant
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Re: Mixing & Mastering Assessment
2015/06/21 10:01:03
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A good song, nicely performed. To be honest, my ear is not so trained to fully notice those things pointed out by some of the more experienced here. I defer to their judgment on that.
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bapu
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Re: Mixing & Mastering Assessment
2015/06/21 10:36:23
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The vocal, although a good performance, seems a little to high (level) in respect to the rest of the track. JMO.
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gswitz
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Re: Mixing & Mastering Assessment
2015/06/21 12:37:06
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I listened and thought it was nice. I did notice that the S's and T's kinda 5K range seemed consistently loud and compressed. It sounded like you boosted the highs before the compressor then compressed pretty hard. Maybe? something like that. It's an interesting effect but not natural. Maybe I'm all wrong. Maybe it's just a bunch of exciter? Not sure.
StudioCat > I use Windows 10 and Sonar Platinum. I have a touch screen. I make some videos. This one shows how to do a physical loopback on the RME UCX to get many more equalizer nodes.
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jonesresidence
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Re: Mixing & Mastering Assessment
2015/06/21 20:22:26
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TomHelvey My apologies if I've offended anyone with my analysis of the OP's mix. When I post a mix here, I don't want to get smoke blown up my a** about how great the song is, I want to know what I can do to improve the sound. I took that approach in my comments. I hope it was useful for the OP. Best, --Tom
Not at all offended by your review, I'm looking for honesty and constructive feedback, and that's what you did, so I thank you!
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jonesresidence
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Re: Mixing & Mastering Assessment
2015/06/21 20:31:14
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gswitz I listened and thought it was nice. I did notice that the S's and T's kinda 5K range seemed consistently loud and compressed. It sounded like you boosted the highs before the compressor then compressed pretty hard. Maybe? something like that. It's an interesting effect but not natural. Maybe I'm all wrong. Maybe it's just a bunch of exciter? Not sure.
Yeah, I'm trying to open up the mix and make it more bright by upping the highs. If a compressor and an EQ is on a single track, for example let's say the vocals, doesn't the signal hit the compressor and the EQ at the same time? How do I control the order in which the signal hits certain processors/plugins on a single track?
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Larry Jones
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Re: Mixing & Mastering Assessment
2015/06/21 21:08:48
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Very pretty song. The vocal is muddy. I would try to brighten that up a bit. As far as arrangement, and I mean this in the nicest way, it's too long. I get INTRO VERSE VERSE CHORUS VERSE VERSE BRIDGE CHORUS INSTRUMENTAL CHORUS. Don't know if these are the names you gives the sections, but I would get rid of a verse after the first chorus, and the instrumental. Make the chorus after the bridge the last part of the song. That should get it down to 3:40 or so. If you're in love with the instrumental (which is lovely, by the way), put it after the first chorus and then go straight into the bridge, chorus and out. Good job!
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gswitz
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Re: Mixing & Mastering Assessment
2015/06/21 21:18:24
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VSTs are almost always in order, happening in sequence on a signal chain. The can be implemented in parallel but that involves using sends to buses or single VSTs that support parallel signal chains. You can drag the FX up and down in the signal chain. Try the EQ after the Compressor for example and see if you maybe you like that more.
post edited by gswitz - 2015/06/21 21:59:16
StudioCat > I use Windows 10 and Sonar Platinum. I have a touch screen. I make some videos. This one shows how to do a physical loopback on the RME UCX to get many more equalizer nodes.
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jonesresidence
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Re: Mixing & Mastering Assessment
2015/06/21 21:54:00
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synkrotron Hi Aaron, that's a nice song. Was it written by you? Well, I'm still learning myself really, but this sounds okay to me. Everything is in the right place and has its own space. Levels good. Nice backing vocals. If I had to be critical... Are the rhythm guitars panned hard L/R? I can never tell. Personally I go for around 80% rather than full L/R. That's just me though. cheers andy
I do tend to like the guitars panned hard left and hard right, really gives it a much wider sound. I did not write that song, I recorded it for a friend. I wrote the strings and lead guitar parts but thats it. My friend did rhythm guitars and vocals. Thanks for your feedback and kind words!
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emeraldsoul
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Re: Mixing & Mastering Assessment
2015/06/21 23:50:38
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Nice tune. I like the background vocals. I think you could cut a few db's of that bass around 100 K, and the vocals are sibilant in some spots so I'd compress less and eq off just a bit of the highs on your vocal. The rest seems nice! Your main vocal has an earnest quality that works very well here. Richard Marx's "Right Here Waiting" is an interesting comparison - your song is different enough but if you want to hear how this type of song might be mixed, you might listen to that one for some tips. good effort, welcome to the forum! cheers, -Tom
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dcumpian
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Re: Mixing & Mastering Assessment
2015/06/27 08:12:00
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The vocal is muddy and sibilant at the same time. Sounds like a better microphone should have been used. The instrumentation and BGV are really well done. I'd say you're off to a really good start. Regards, Dan
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