Happy to have made a small contribution to this topic that may have made a difference
File managment is a topic that I'm surprised doesn't seem to get much attention on the forum as a valid workflow enhancement . Who knows it may be possible that many folks have already sorted it out for themselves , or it could be that maybe some of the fellas and gals around here haven't hit the brick walls that I have hit .
I know , I volunteered , nobody forced me A while back when I was still new here , a lot of SONAR users had me guest on their songs as a Guitarist or as a Bass player …
The common rule of thumb for trading files in this type of collab scenario was to have a file sent as an MP3 or a wave file w the correct tempo data listed . This file was somewhat close to the intended mix and it usually had the current song arrangement so I could dial up a part that could be dropped into the parent project as I sent it.
A few guys would add EQ's and plugs after the fact , yet most of the time they were pretty happy with what i sent them ..
What started happening in some of these collabs was the new musical ideas would start taking on a life of their own.
Some folks would actually feel a renewed energy infused on the song that was being worked on because now they had new parts to their songs being contributed on an instrument they were trying to mimic via a synth or they just wanted a different flavor and sound on an instrument they may have even played themselves ….
What was once " hey K …can you do a lead for me "? Then went to " hey check this out , what you sent me fits nice and I came up with some new ideas , what do you think "?
A song Idea that may have only been 60 bars has been turned into a song that now has 120 bars with a brand spanking new arrangement
At the time it made a lot of sense to keep track of the song and create a compatible project environment so I could stay in the loop and contribute ….in some cases I would mute the older version of the song and just add the new revisions to the "step parent project " …
More often than not , I would create a brand new project of the revised song in SONAR to have a clean uncluttered slate to work from …
Do you get where I'm going with this ?
Now all of a sudden I have all sorts of song projects of the same song in various sonic environmental settings and a bunch of totally different arrangements going on over here ….all this going on Just in SONAR
To complicate matters even further , I have always used Samplitude as my audio editor .
What that means is , now I have to create a mix of the original project in Samplitude to be able to edit my guitar / musical contributions that I had played in SONAR . By doing it this way I will have them in that other musical environment .
My reason for doing it that way is simple . I happen to prefer an object orientated workflow that I can control in real time while listening …The mix is there just to have a reference to listen to and make it easy for me to work ….
The musical parts that I am contributing are always on their own tracks for export once the edits are done to my satisfaction …
I may leave a section of the song in the beginning where I'm not playing so the collab mate can line things up if they need too.
FWIW, I have done this plenty of times in SONAR, it is just not my preferred work flow ….
To deviate for a moment ,
I know a lot of guys use Sound Forge as an Audio editor and from what I understand SONAR can host that program as an Audio editor ….at some point in the future I may have the bread to go there ….
right now I'm OK with using Pro X 2 exactly the way I use it
Now what does all this mean anyway ? In the short term , it means a file management nightmare that I need to put in check because this type of workflow also involves other musical programs placing files all over the place
The goal for getting all this file management type of Jazz under control means , I need a sensible way of including all the assets and rendered files I will want to keep . This is so I can be able to have my work archived in a sensible logical manner….
Thats how I wound up going here in the first place and getting this issue "somewhat" together …
For anybody that thinks this way of doing things is a cluster bump , be thankful I didn't go into the file management issues I have to deal with when I collab on a song w myself using 2 different OS's which includes a number of different DAW's on each OS that bring unique strengths of their own to the table ….
I'm starting to build up a nice little collection of external Hard drives to keep all this stuff on
Kenny
post edited by kennywtelejazz - 2015/10/04 17:01:32