Firstly, it is important to understand that it is a send effect. This means the results are meant to be mixed with a clean signal. So when you hit the A/B button it should mute. That is by design.
Next, you can open each effect in the effect chain (thanks Craig) and see what values change when you adjust the controls. Control clicking the effects allows you to open more than one at a time.
Set the controls for the heart of the sun and you are good to go.
I have experimented some with the effect and learned some things along the way. I would take an example where I had to make an edit after trying it in a different listening environment and try to replicate the problem. For example hearing the mix 150 feet from the speakers, or in a car, or in a crowded room...
I found I often needed more EQ adjustments than Craig built into the effect. I believe you can customize the chain and make copies that suit your needs, right Craig? Then you can have those copies on the shelf for when you have to do hurried work.
Largely, the effect makes it easy to mix in a slightly delayed version which has a little of the inverted phase left channel in the right ear and vice versa. This is an attempt at hearing what different room reflections might do to your mix.
I can't remember, is there a verb too? Maybe it's a delay? Might be. The EQ is largely a low pass filter.
I want to add that I love this effect chain not because Craig made it perfectly. I love it because he has shown us all what to do. This isn't small. It is huge. From this vista, we can see where we need to go and how to get there. There is no perfect when it comes to environment emulators for headphone mixes. You have to choose where you want it to sound awesome... MP3 players, bars, department stores, elevators, movies, on-hold music, ring tones, living rooms... Then mix for that, and balance for the others.
post edited by gswitz - 2016/01/18 08:57:57