freeze tracks don't correctly read midi volumes on clips

Have tried exporting audio, freezing audio, even recording real time to a track and bouncing.
 
The crescendos I've put on my midi clips work fine until I try the above. Any idea how to get them to work when creating audio from the midi?
 
Thanks
 
JJ
 
Using Sonar x1 (not got around to loading up my Platinum yet)

promidi
Maybe try the automating the volume rather than using controller events?

Solid advice right there.
This is the way I do it.

I was about to create a new thread to a similar problem I'm facing when I found this one.
 
I'm trying to bounce/freeze/export a MIDI Clip I recorded with iZotope Iris 2 (Vst3) and am having no success. All MIDI modulation I recorded (mod wheel, Pitch Bend, etc) work fine when I playback, but they simply disappear when I bounce to audio. Sonar (Platinum) just ignores all this performance related MIDI messages when turning to audio. Oddly, in the same project, lots of others virtual instruments bounce as they should.
 
I have tried a bunch of things to bypass this issue without luck (fast bounce, slow bounce, vst2 version, re-recording, manually drawing midi cc, etc). I remember having a similar problem with an Arturia Synth (SEM V) a couple of years ago but, in that case, simply doing a slow bounce did the work. Assuming JJ9 is having an equal like problem (with another softsynth?) maybe this a Sonar kind of bug... Maybe someone has solved it before? Unfortunately Iris 2 is an essential tool in the project I'm working now and I just can't change it for other options. 
 
Any ideas?
 
Thanks,

Sometimes I don't get the results I expect unless I Bounce to Track using the What You Hear preset.

I've seen this phenomenon with a couple synths (and because it's specific synths, I don't blame SONAR for it). The first time I ran into it, the workaround turned out to be a realtime (slow) bounce. After that I got into the habit of using slow bounce for everything. That is, until I encountered a different synth that exhibited the same behavior but only worked correctly with a fast bounce. Nowadays, I use fast bounce by default and only switch to realtime if the synth exhibits a problem.
 
As for automating the bounced audio as a workaround, I routinely do that, too. But I like to get swells and fades working the way I want first, before bouncing. The subsequent audio automation is then simpler and cleaner and just for purposes of mixing. Another limitation is that audio automation doesn't address other programmable parameters such as filters.