Is my topic a poem? No but i guess it could be perceived that way.
I find that very interesting
Robert8 said
Seems a sort of bastardized haiku, but his posts are consistent.
I've seen many posters that have a unique style.
Jimmy, are you by chance, a fan of Picasso?
Not poking fun, a serious question. You seem to be of a similar mindset
.
I dont know what a basterdized haiku is?
but i do know of Picasso
I'll take that as a compliment
These first two replies have have got me what I"m looking for.
perception
I have a one room project studio. I do everything from the writing
to the final mix/master. Its like being in a cave
I'm single live alone. Build and ride custom choppers. I use 7 different
sets of moniters at my mix desk. I'm evtremly critcal of my own work.
I like using mesa boogie amps and my modifide tele's to record
I have one song that has about 25 tracks that I've probably rerecorded
500 times in about 5 years. If you've ever heard of robert conti I studied
with him a few months
Between the akg3340,studio projectsc1, cad dxl220,akg percetion 300
mxl990 and mxl v67 the mxl v67 sounds best on my voice
All condenser mikes with no eq or comp sound pretty much the same
I say "pretty much" so dont get me wrong but when eqed and comped
sound totaly different.
I 've learned so much in my many years in music but most has been
alone at the desk or with my head in a book on something.
My post was to catagoriez subjects and see who respondid on a
given subject i.e room or ears or gear or whatever
I've read some responces from some of you who are very well put
and informitive, factual etc Not just jiber and oppinion. I want to be a
part of that group who does there homework.
Yes I'm starting to see that I do have a style about me and maybe
now i should research piccaso and i will.
Learn grow share what we learn and know in this feild
for example if you say you use a manley compressor then I envy
you for having one. But if you say You use an art pro channel with
a setting of this and that into this and that to get this
it now tells me your expereince
I can tell you a lot about what dont work
Here is one good example about the "room"
My room has wood and carpet. Stats say carpet is a no no. I agree
but i"m stuk with it for the moment. It has a terable bump at about
160hz when i run a sine wave test
Pro music sounds absolutly stunning in it (no problem with the bump)
when I record vocal that bump just totaly anilates the vocal recording
so I say its a bad room to record vocal. Or so I thought
but it aint the room after all. Many years ago I recorded my vocal
outside the house and had the same problem. I've eaten the mike
and sung from two feet away. still didnt get what I want
I came to this forum looking for answers. Well without getting into
physics or oppinions i found this. its two things
its Your ear and how you use it to acompish the goal. What I'm doing now that seems to be working is this. Sing up to the ceiling over the
mike and gradualy fall into it directly at the end of the phrase
It gives the begining of the phrase space and the end presence
All rooms have a bump somewhere so its how one smoothes the
bumps to make a pleasent ride I.E. final mix
thank you both so much for the reply
Robert8
montezuma
jimmy