dlogan
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Guitar vs. Piano chord question
I'm a bass player who pretends to be a guitar player sometimes and have a question... if you're playing guitar along with a piano part that is playing an A2 chord, do you play an Asus or an A major on guitar? Is one of them "technically" more correct? Is an A2 chord on piano really a sus2 chord?? Thanks.
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MurMan
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Re:Guitar vs. Piano chord question
2010/01/26 14:59:56
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dlogan Is an A2 chord on piano really a sus2 chord?? Yep, just different ways of describing the same chord. You can either play A2 or an A power chord (no third) with it. An A major will suck with it.
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Beagle
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Re:Guitar vs. Piano chord question
2010/01/26 16:12:07
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exactly what Murray said.
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dlogan
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Re:Guitar vs. Piano chord question
2010/01/26 16:25:48
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timidi
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Re:Guitar vs. Piano chord question
2010/01/26 19:38:20
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I think an A2 chord is an add 9 chord. But, I'd probly just play an F#m for grins.
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jamesyoyo
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Re:Guitar vs. Piano chord question
2010/01/26 19:40:42
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Play a B major chord, just to add color!
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dlogan
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Re:Guitar vs. Piano chord question
2010/01/27 09:00:54
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jamesyoyo Play a B major chord, just to add color! Well last night at practice I played several wrong chords to add "color"! But it is still odd to me the chord charts our keyboard player gives us will have a chord chart that has a chord progression of A2, Bsus, C#m7... if a 2 chord and a sus chord are the same??? Also on another song, there is a chord of D2/F# (bass note playing the F# which is the third...). I guess rules are meant to be broken... Anyway... I went ahead and played sus chords on guitar whenever there was a 2 or a sus chord on piano and it worked fine.
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Bristol_Jonesey
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Re:Guitar vs. Piano chord question
2010/01/27 09:34:50
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A sus chord might be interpreted as a '4' chord - E4, C4 etc. Try that. Either way, a power chord will work in any instance.
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Beagle
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Re:Guitar vs. Piano chord question
2010/01/27 09:36:25
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typically when it's written Xsus then it's understood to be sus4, tho, and X2 is a sus2 chord. Also on another song, there is a chord of D2/F# (bass note playing the F# which is the third...). I guess rules are meant to be broken...
Not sure I'm following what you mean here. D2 = DEA F# for bass would be F# so the F# is not the 3rd of the D2 chord. or did I misunderstand what you meant? Anyway... I went ahead and played sus chords on guitar whenever there was a 2 or a sus chord on piano and it worked fine.
I think you may be confusing sus2 and sus4.
post edited by Beagle - 2010/01/27 09:58:48
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dlogan
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Re:Guitar vs. Piano chord question
2010/01/27 09:46:53
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Beagle typically when it's written Xsus then it's understood to be sus4 See that's different than on guitar. At least according to my chord chart book. When it shows a Dsus, the chord includes the E instead of an F#. So when I see a Xsus chord, I assume it's a sus2. Not sure I'm following what you mean here. D2 = DEA F# for bass would be F# so the F# is not the 3rd of the D2 chord. or did I misunderstand what you meant? Yeah when I say "third", I meant in the third of the scale (major) not the chord.
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Beagle
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Re:Guitar vs. Piano chord question
2010/01/27 09:55:56
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I think maybe your chord chart book is incorrect. sus4 - A sus4 chord replaces the 1+3+5 pattern with 1+4+5, meaning the third note is replaced by the fourth. For example the tab says you need to play a Dsus4 chord, instead of playing D+F#+A (=1+3+5) you raise the middle note or the third note by a half step. So a Dsus4 chord is D+G+A (=1+4+5). Here are some commonly used sus4 chords for guitar. sus2 - The sus2 chord follows the pattern 1 (root) + 2 + 5, so if in a sus4 chord you play the root, fourth and fifth notes, for a sus2 chord you play the root, second anf fifth notes. In other words from a sus4 chord you lower the middle note three half steps. For example a Dsus2 chord is D+E+A. Here are some commonly used sus2 chords for guitar. D2 = Dsus2 Dsus = Dsus4
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Beagle
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Re:Guitar vs. Piano chord question
2010/01/27 09:58:05
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Yeah when I say "third", I meant in the third of the scale (major) not the chord. I see - but I don't follow what you mean about the rules being broken then for the D2/F#.
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dlogan
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Re:Guitar vs. Piano chord question
2010/01/27 10:10:28
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Thanks Reece. My understanding of a sus2 chord and a sus4 chord are the same as yours. I love to hear some guitar players weigh in on when you see a "sus" chord (not specifying a sus2 or a sus4) are you assuming it's a sus4 chord as well?? As far as what a 2 chord is, I've looked other places online that give different answers. Some say a 2 chord and a sus2 are not the same - that a 2 chord is really an "add 9" chord. I guess I'll just ask our piano player what she's playing when the chord chart shows a 2 or a sus chord. I guess what I'm saying about the bass playing the F# under a D2 chord is the sus chord is raising the 3rd, but the bass note is still playind the 3rd. You and Murray said don't play a major chord over a sus chord because it will sound bad (I was presuming because of the inclusion of the 3rd in the major chord). So it seemed like playing the 3rd on bass under a sus chord would be the same issue. Maybe not...
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Beagle
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Re:Guitar vs. Piano chord question
2010/01/27 10:29:09
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As far as what a 2 chord is, I've looked other places online that give different answers. Some say a 2 chord and a sus2 are not the same - that a 2 chord is really an "add 9" chord. that's what timidi said above, too. this is sort of the same thing. D2/F# is the same thing as D add9 since Dadd9 = DEF#A D2/F# = DEA with F# in the bass I don't play guitar, but maybe Dadd9 is easier to play than Dsus2? I guess what I'm saying about the bass playing the F# under a D2 chord is the sus chord is raising the 3rd, but the bass note is still playind the 3rd. You and Murray said don't play a major chord over a sus chord because it will sound bad (I was presuming because of the inclusion of the 3rd in the major chord). So it seemed like playing the 3rd on bass under a sus chord would be the same issue. Maybe not... I think I covered this above talking about Dadd9. when you add the 9 to the major chord it's the same as playing the 3rd in the bass with a sus2 chord.
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dlogan
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Re:Guitar vs. Piano chord question
2010/01/27 10:41:38
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See this is why I stick with the one-note-at-a-time instrument!!  And even playing guitar on my own stuff I don't really care what the chord is called. But having to play guitar with other musicians I need to make sure I'm playing the same thing they are (or at least something that works with it). Thank again...
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spacey
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Re:Guitar vs. Piano chord question
2010/01/27 11:01:10
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Chord construction...tricky? Extension chords- naming them is like setting priority on the notes. - can be confusing views between a pianist and guitarist because of physical differences - guitarist has less capability so notes will be left out. (one reason) An example; A 4 and an 11th are the same. No they are not. A 6 and a 13th are the same. No they are not. Take for instance A9. Most guitarist will include the 7th (G) when they play it. What would it be without the 7th? Answer Aadd9- Confusion could be avoided if we called the A9, A7add 9. But we "shorthand" assuming it's known, I guess. To name a chord is like putting priorities on notes. The problem is chord construction rules aren't consistant. Physical differences between a pianist and a guitarist may be considered. Example: A pianist may play an A11 as 1-3-5-b7-9-11 A guitarist would probably leave out the "3" = 1-5-b7-9-11 When one leaves notes out it will change the name of the chord. The "rule" is every note UP to the extension is in the chord. So the rule is inconsistant. If one can't play all the notes or some of the notes are eliminated because of harmony issues with other notes are two reasons notes can be left out. Like leaving the 11th out of a 13th. Just doesn't sound good. The highest number/note in the chord is the number you use in naming the chord as long as the notes/numbers preceding it are also included! So Asus2 is NOT A9. My heads numb..and there's sure more to chord construction...heck we're talking about stacked 3rds and haven't even looked at stacked 4th's !..hope this little bit helps you Dave. Oh one other thing....one can call an extension chord such Dsus2 / F# - nothing wrong correctly naming the chord and the correct bass note should it be needed to note.
post edited by spacey - 2010/01/27 11:05:06
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mgh
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Re:Guitar vs. Piano chord question
2010/01/27 12:10:25
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some interesting debate here. some weird things Take for instance A9. Most guitarist will include the 7th (G) when they play it. What would it be without the 7th? Answer Aadd9- Confusion could be avoided if we called the A9, A7add 9. But we "shorthand" assuming it's known, I guess. err why would most guitarists play the 7th? i'd play x-0-2-2-0-0 or x-0-7-6-0-0 if i wanted the third in there. adding a (minor) seventh changes the chord character totally. unless this is why i can never play 'jazz'?! if i just saw Asus as a chord i would assume Asus4 cos the 'suspension' comes from the fact it's neither major or minor and can resolve to either. Of course, Asus2 is technically the same as Esus4, so maybe that's why the 'sus2' bit occurs...aw sheesh, let's just carry on...
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spacey
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Re:Guitar vs. Piano chord question
2010/01/27 12:30:02
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mgh some interesting debate here. some weird things Take for instance A9. Most guitarist will include the 7th (G) when they play it. What would it be without the 7th? Answer Aadd9- Confusion could be avoided if we called the A9, A7add 9. But we "shorthand" assuming it's known, I guess.
err why would most guitarists play the 7th? i'd play x-0-2-2-0-0 or x-0-7-6-0-0 if i wanted the third in there. adding a (minor) seventh changes the chord character totally. unless this is why i can never play 'jazz'?! if i just saw Asus as a chord i would assume Asus4 cos the 'suspension' comes from the fact it's neither major or minor and can resolve to either. Of course, Asus2 is technically the same as Esus4, so maybe that's why the 'sus2' bit occurs...aw sheesh, let's just carry on... Sorry I don't understand your question. You seem to be questioning my comment on the A9 construction including the seventh but your chord diagram's are not an A9 . Commond 9th form for guitarist's is X-12-11-12-12-X - = 3 string being the 7th(G) second string being the 9th (B). I think you're combining thoughts of A9 and Asus, not sure why. I'll note that most guitarist know the correct naming when they play the "Hendrix" chord as say..E7#9 but when it's not a sharp 9 the naming goes back to E9 for example. "correct" isn't really right the right word.. I'm pointing out how there's is confusion in naming chords...if one called an A9, A7add9 that may help. Kinda like when you say a C chord. Most everyone seems to understand it as a triad Cmajor..without having to add "major". Now I'm confused.
post edited by spacey - 2010/01/27 12:38:11
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dlogan
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Re:Guitar vs. Piano chord question
2010/01/27 12:38:28
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Okay check this out... http://www.praisecharts.com/preview/chordchart/3025.pdf (page 2 of the PDF - key of A). Their guitar chord diagram for the A2 is an Asus2 chord. However, their chord diagram on the same song for a D2 chord is Root-5-7-9. (???) Also, look at page 4 when they transpose it to the key of C. Their C2 chord does include the 3rd (E). I would have called this a C9 personally. Still confused...
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mgh
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Re:Guitar vs. Piano chord question
2010/01/27 12:38:40
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well i dunno, for me x-12-11-12-12-x would be A7add9. but hey, i'm prob wrong! hey yeah you added to your post after i read the original. maybe it's because i was taught on piano first, all that music theory stuff. if you said 'c' chord then yeah, if i was on guitar i'd play c major, or if written in a guitar chord book as 'C', then yeah we know it's a major. but if i was sat at the piano i'd prob wanna know major or minor...
post edited by mgh - 2010/01/27 12:41:34
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spacey
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Re:Guitar vs. Piano chord question
2010/01/27 12:49:57
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Dave you found their mistake on the D2 chord. I would call their C2 chord, C add9. Easy to get confused. As I noted the reasons why it can be for guitarist. If we're givin a "rule" to name that says; "every note up to the extension is included" and then "but's" like well the 11th is missing but it's still a 13th. "By the rules" a 13th should be 1-3-5-b7-9-11-13 ...a keyboardist may play all of those..I don't know. But guitarist playing a six string guitar won't. Of course, what do I know? Just trying to help. I can't see my mistakes until I post...weird.
post edited by spacey - 2010/01/27 12:51:06
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spacey
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Re:Guitar vs. Piano chord question
2010/01/27 12:54:42
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mgh well i dunno, for me x-12-11-12-12-x would be A7add9. but hey, i'm prob wrong! hey yeah you added to your post after i read the original. maybe it's because i was taught on piano first, all that music theory stuff. if you said 'c' chord then yeah, if i was on guitar i'd play c major, or if written in a guitar chord book as 'C', then yeah we know it's a major. but if i was sat at the piano i'd prob wanna know major or minor... Yes, I added the last statement in that post. No changes were made.
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dlogan
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Re:Guitar vs. Piano chord question
2010/01/27 13:06:26
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Well this definitely helps me not feel so bad for being confused!! It does appear I have been wrong for some time in thinking a sus chord is normally a sus2. It seems from the posts here and from others I've found that "normally" a chord that just indicates *sus would be a sus4, so I'm glad I've fixed my misunderstanding on that.
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spacey
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Re:Guitar vs. Piano chord question
2010/01/27 13:09:00
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spacey Dave you found their mistake on the D2 chord. I would call their C2 chord, C add9. Easy to get confused. As I noted the reasons why it can be for guitarist. If we're givin a "rule" to name that says; "every note up to the extension is included" and then "but's" like well the 11th is missing but it's still a 13th. "By the rules" a 13th should be 1-3-5-b7-9-11-13 ...a keyboardist may play all of those..I don't know. But guitarist playing a six string guitar won't. Of course, what do I know? Just trying to help. I can't see my mistakes until I post...weird. Sorry Dave, when I wrote that I would call it a C add9 I didn't mention why. Since the "rule" somebody came up with says "all notes up to..." their diagram had 1-3-5-9....there was no 7th. Well if a note is removed the common thing is to say "add" ..which I did. Cadd9 because there was no 7th. This is crazy, me a guitarist talking...we need a keyboardist for this stuff. Gives all the notes and we'll play what we can..lol
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wst3
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Re:Guitar vs. Piano chord question
2010/01/27 13:30:28
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Chord Construction/Definition is a bear, there are rules, but there are lots of them and many conflict with each other! The good news is that what really matters is what sounds cool and what sounds, well, not-so-cool! Here's the short version of what I teach my students: Major Chord 1 - 3 - 5 Minor Chord 1 - b3 - 5 OK, pretty simple so far... that leads us to suspended chords. A suspended chord, by my definition, is a chord that replaces the third with either the second or the fourth step in the scale. It is called suspended because it creates a great deal of tension, it wants to resolve back to the third. That does not mean that a chord that includes both the 3rd and either the 2nd or 4th can't be cool, it can. And that leads to the real challenge for guitar players! If I am playing piano it is a simple matter for me to distinguish between a sus2 and an add 9. For a guitar player there may not be a physically simple way to keep the 9 an octave up, so it might end up scrunched in there with the root and the third. As soon as you go past that you are in deep trouble! The seventh chords are probably the most frustrating for most students: Dominant Seventh 1 - 3 - 5 - b7 Major Seventh 1 - 3 - 5 - 7 Minor Seventh 1 - b3 - 5 - b7 Minor with Maj 7 1 - b3 - 5 - 7 Augmented 1 - #3 - #5 Diminished 1 - b3 - b5 - bb7 Half Dim or Dim7 1 - b3 - b5 - b7 (I prefer to see this called 7-b5) And then it starts to get really ugly (as if it isn't bad enough already?) A Major 6 chord - is that a major chord with the 6th step added? And if it is, is a Minor 6 chord a minor triad with the 6 added, or the flatted 6 added? And is a 9 chord 1 - 3 - 5 - 7 - 9 or 1 - 3 - 5 - b7 - 9 of maybe 1 - 3 - 5 - 9? What I explain to my students is that if they are writing something they need to be as descriptive as possible, if they want a third in the bass they should write it out that way, if they want a added note they should write it out that way! And if they end up with a book that does not spell the chords out in standard notation (more and more common I'm afraid) then the only way you'll ever really know is to study the whole score. Anyway, that's the 5 cent version... music theory is cool, it's important to understand, and it will help most people be better players. BUT, in the end it's how it sounds that really matters!
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Beagle
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Re:Guitar vs. Piano chord question
2010/01/27 13:47:23
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Anyway, that's the 5 cent version... music theory is cool, it's important to understand, and it will help most people be better players. BUT, in the end it's how it sounds that really matters! this is the crux of the matter. going back to dave's original questions: if you're playing guitar along with a piano part that is playing an A2 chord, do you play an Asus or an A major on guitar? answer: neither, you should play an Asus2 (Asus implies Asus4) Is one of them "technically" more correct? Technically both Asus(4) and Amaj are both incorrect uses for A2 Is an A2 chord on piano really a sus2 chord?? YES!
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drewfx1
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Re:Guitar vs. Piano chord question
2010/01/27 14:03:48
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I think another difficulty is that sometimes different musical genres use different conventions when naming a chord. And what you can play on guitar when a keyboard is playing a particular chord also depends on what range each is played in - you can play the 3rd if the other instrument is playing the 2nd an octave or two higher (even if it's a 2, not a 9, from the piano player's perspective). Ultimately the chord is defined by all the instuments in combination - if a guitar player plays Cmaj and you play your low A on bass, he's really playing Amin7 (whether he knows it or not). What we're really talking about here is arranging - not just "what chord is it?" but "who plays what notes from a complex chord". And a good arranger will almost never have every instrument play every note in a complex chord. drewfx
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MurMan
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Re:Guitar vs. Piano chord question
2010/01/27 18:07:47
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Wow. Never thought this thread would go on like this. All good advice though. Especially this: drewfx1 Ultimately the chord is defined by all the instuments in combination ... What we're really talking about here is arranging - not just "what chord is it?" but "who plays what notes from a complex chord". And a good arranger will almost never have every instrument play every note in a complex chord. To me, chart notation gets me in the ballpark on a song. The fun part is voicing what I play to work with the band and the vocals. Oh, there's also the part about 'compensating'  for errors in the charts. Depending on the source, you'll see lots of those!
Sonar 8PE & VS, Presonus Firestudio, VS-100, AlphaTrack, Nord Stage Compact, Roland Sonic Cell, Axiom 49, dbx 386, Event TR-8's, Kawai 650, ...
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spacey
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Re:Guitar vs. Piano chord question
2010/01/27 18:50:34
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MurMan Wow. Never thought this thread would go on like this. All good advice though. Especially this: drewfx1 Ultimately the chord is defined by all the instuments in combination ... What we're really talking about here is arranging - not just "what chord is it?" but "who plays what notes from a complex chord". And a good arranger will almost never have every instrument play every note in a complex chord. To me, chart notation gets me in the ballpark on a song. The fun part is voicing what I play to work with the band and the vocals. Oh, there's also the part about 'compensating' for errors in the charts. Depending on the source, you'll see lots of those! "What we're really talking about here is arranging - not just "what chord is it?" but "who plays what notes from a complex chord"." -drewfx1 Yes arranging and composing are music construction functions. But to say it's "really what we're talking about" is not entirely true in my opinion. I believe this post to be one of issues a guitarist faces in trying to understand theoritical chord construction and the naming of. Not composing or arranging. Please read on as I explain my position on this. Chord construction and naming the chord can be confusing for a guitarist because of the inconsistancies of the "rules". I've plainly given very clear examples of PHYSICAL differences along with SLANG chord naming that accures. The following example is to support my point FROM A GUITARIST point of view for clarification of my previous posts. A composer/arranger using a *13th will consider the intervals of 1-3-5-7-9-11-13. I believe we all agree to that. The "rule" to naming a chord is "all intervals will be used up to the highest" - We'll this is the very start of the inconsistancies of chord construction that confuses a guitarist. He must leave out tones to create the *13th chord. That is when the questions start and it is because he will play a 13th chord and it will NOT be as the "rules" dictate. Understand this is just one example of the inconsistancies. There are many "rules" to help guitarist around the theoritical inconsistancies. I believe that is the real issue. And it does seem to hold true in my opinion that everytime in music that a rule is broken, another one takes it's place. Just as "rules" that the 5th will be dropped in many instances so a guitarist can play an extended chord. So we get into an area that is not so much "rules" for musicians but "methods" and/or "styles" for guitarist. Which I believe to be beyond the scope of this thread. I post this out of interest. I mean no offense to others for their views and ideas. Just my 2 that may be of worth. Regards,
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spacey
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Re:Guitar vs. Piano chord question
2010/01/27 19:06:50
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I didn't want to add/edit my post so in closing my views in this thread.. I'd like to point out to you Dave that along with the issues we guitarist have to figure out - it sure doesn't help when you're trying to make sense out of someone's writings that are horrible. The person that posted that material should not be doing it. If I recall what I saw correctly, earlier today...there were more mistakes than just the one you questioned...I'm pretty sure the diagram next to it was identical with a different chord name on it! Sad. But there's nothing to prevent incompetent people from doing that. (pertaining to-what to call the C)
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