bapu
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Re:Headphones
2013/02/06 12:14:11
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spacey I went here Dude....a long time ago....and got these. FWIW. Very comfortable too. Not one session have they ever been uncomfortable and they just don't tire my ears like other sets. Sound....well that's for one to decide - If/when they go bad I'll replace in-kind. Not the 2900s? They're 2150 more than the 750s ya know?
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spacey
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Re:Headphones
2013/02/06 12:19:37
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bapu spacey I went here Dude....a long time ago....and got these. FWIW. Very comfortable too. Not one session have they ever been uncomfortable and they just don't tire my ears like other sets. Sound....well that's for one to decide - If/when they go bad I'll replace in-kind. Not the 2900s? They're 2150 more than the 750s ya know? Well...if and when I want open back I'll go for these....since they're limeited...their replacement. :)
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gunboatdiplomacy
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Re:Headphones
2013/02/06 12:58:12
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I have a question and since i cant buy anything anymore without the help of this forum here it goes. I need some headphones for mixing/mastering. Before anyone dogs me about it i know this is not the way to mix but realisticly, its about the only way i can. Im sure im like most people in which i cant listen to my monitors that much cause ive got my wife watching tv ive got neighbors, i dont have kids but im sure alot of u do and im sure everyone mixes til all hours of the night like i do. Therefore, I need some really good headphones. So the people out there that does the majority of your mixing through headphones, what are u using? Ive read some reviews at guitar center on a few brands like the Sennheiser HD650. The reviews are pretty good but id like to hear from people that i know will be using headphones the same way im using them. Dude Ivey I love my VRM box. Once we had the baby i invested in it and i use all the "crappy" presets like computer speakers to check my mix. it's not really necessary to have great headphones to mix, as long as you know what your headphones sound like. My old old old sony monitors were a little bass-light. So i'd add bass. then when i put it in the car, it was too boomy. And my old Sennheisers (forgot the model, but they were open back and designed for symphonic music) always caused me to have too much low-mids and when i played it at home, it was too muddy. so it takes experience so you automatically know that your most commonly used cans are "bass heavy" or "bass light" and so you mix with that in mind. and any high-quality car system is going to be bass heavy or top heavy. Right now i use Grado sr225is which are open back so noise does leak out, but it's a better sound and doesn't give me as much ear fatigue as a closed headphone does. and since you're not supposed to track and mix at high volumes, the sound leak does not bother my wife. YMMV. i dont know your experience level so i dont want to 'talk down' to you, but also keep in mind the old methods of carving out using EQ to balance the instruments and be aware of stacking up too much in a single freq band. the VRM box is pretty good at revealing problems on different types of systems. i use the Japanese White Speaker setting mostly since they are less forgiving than the Genelec presets. and of course, comparing your mixes to commercial mixes is very handy and to me is a constant reminder that mastering is a SCIENCE and the outcome of mastering depends on how well you prepared everything before the mastering session.
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Bub
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Re:Headphones
2013/02/06 13:41:06
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You know what I never understood ... why is it that we aren't supposed to mix/master in an untreated room, but when we listen to a professionally recorded CD in an untreated room it sounds good? Whey can't we achieve that in the same room?
"I pulled the head off Elvis, filled Fred up to his pelvis, yaba daba do, the King is gone, and so are you."
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konradh
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Re:Headphones
2013/02/06 13:52:53
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Interesting comment, Bub. I find the absolute best tool for mixing is listening to a reference CD by a band I like in a similar genre through the studio monitors and comparing it to my mix. It cuts both ways, too. I was using "Making Promises" by Indigo Girls as a reference for a project I was mixing with similar instrumentation and vocals. When I put "Making Promises" in, I was shocked by how squashed (over-compressed) it seemed compared to my uncompressed mix. I had never noticed that until I was doing an A/B comparison. I was listening more for EQ and balance than for compression, but was really surrpised how much compression I heard on a folk-pop project with so much reliance on acoustic instruments. (Or you could listen to Justin Bieber and do the opposite.)
Konrad Current album and more: http://www.themightykonrad.com/ Sonar X1d Producer. V-Studio 700. PC: Intel i7 CPU 3.07GHz, 12 GB RAM. Win 7 64-bit. RealGuitar, RealStrat, RealLPC, Ivory II, Vienna Symphonic, Hollywood Strings, Electr6ity, Acoustic Legends, FabFour, Scarbee Rick/J-Bass/P-Bass, Kontakt 5. NI Session Guitar. Boldersounds, Noisefirm. EZ Drummer 2. EZ Mix. Melodyne Assist. Guitar Rig 4. Tyros 2, JV-1080, Kurzweil PC2R, TC Helicon VoiceWorks+. Rode NT2a, EV RE20. Presonus Eureka. Rokit 6s.
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sharke
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Re:Headphones
2013/02/06 13:57:54
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Bub You know what I never understood ... why is it that we aren't supposed to mix/master in an untreated room, but when we listen to a professionally recorded CD in an untreated room it sounds good? Whey can't we achieve that in the same room? Because the professional CD has been mixed and mastered to sound good in ANY room on ANY system. If you mix in that untreated room, you're likely to end up with a mix which works well in THAT room but sounds like crap elsewhere. I think the purpose of a treated room is so that you have an accurate perception of the entire frequency range, so that your not going to make mixing decisions which are influenced by the sonic peculiarities of the room you're in.
JamesWindows 10, Sonar SPlat (64-bit), Intel i7-4930K, 32GB RAM, RME Babyface, AKAI MPK Mini, Roland A-800 Pro, Focusrite VRM Box, Komplete 10 Ultimate, 2012 American Telecaster!
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Lemonboy
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Re:Headphones
2013/02/06 14:27:01
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ive got my wife watching tv Something to consider before you buy start writing up a list of possibles is whether you need open back or close back. I much prefer open back (better sound IMO and your ears don't get so hot!) BUT if the wife is too close, she might get annoyed at the leakage from open back phones and/or the TV may be audible for you! In-ear phones are another possibility Andy
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Paul G
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Re:Headphones
2013/02/06 14:28:25
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+1 on the ATH-M50's. I also use the HDPHX plugin on my master bus. I don't think it's available anymore though. Paul
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sharke
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Re:Headphones
2013/02/06 15:23:13
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There is also the Redline monitor plug.
JamesWindows 10, Sonar SPlat (64-bit), Intel i7-4930K, 32GB RAM, RME Babyface, AKAI MPK Mini, Roland A-800 Pro, Focusrite VRM Box, Komplete 10 Ultimate, 2012 American Telecaster!
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guitardood
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Re:Headphones
2013/02/06 15:45:42
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Just another nickel's worth of free advice: Get a good spectrum analyzer such as SPAN ( http://www.voxengo.com/product/span/) and do comparisons between your mix and a similar genre mix. Sometimes it helps in pinpointing those frequencies which you either have over or under emphasized. +1 on the AKG's Best, guitardood
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elijahlucian
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Re:Headphones
2013/02/06 15:51:02
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I have a pair of cheap fostex TH-5W they were $60 and I love them more than all my other ones. :)
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Danny Danzi
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Re:Headphones
2013/02/06 18:51:49
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Bub Danny Danzi If you can find them, AKG K-240 DF's are by far the best I have ever used and translate perfectly everywhere to me. Hi Danny, I searched for these headphones and found some replacement models since these are discontinued. There is an AKG K-240 (Without the DF) for $99 bucks, then out of the 4 suggested replacements, it goes up to the 701's for $349 bucks. Do you remember what price range the DF's were in and do you think the suggested replacements would be comparable (at any price range)? I'm in a situation now where I have no music room any more. I'm doing everything on the dining room table, so I'm forced to use headphones. My plans for a full blown recording room have been put on hold permanently. So I've been looking in to headphones and don't mind dropping several hundred on them, or more. I'm using a $20 pair of Sony headphones from Target ... and I have to say, I'm getting really good and mixing/mastering with the meters and compensating for what I know sounds wrong on these, but will sound good in the car or elsewhere. It would just be so much nicer to not have to compensate so much and just enjoy the sound if you know what I mean. Thanks, Bub Edit: Link to Sweetwater's recommended replacement list. Hi Bub, The replacements are K 240 MK II. I've never actually used them so I can't tell you if they are as good or not. Thankfully, I have 4 pair of the old faithful DF versions here and a set of the K 240 Studio cans which are usually my go to cans for quick monitoring these days. The only time I use cans to mix or master is when I'm on a plane or train and even there, I of course always check things out after on real monitors. I usually come so close with these cans though....I could definitely get away with allowing my decisions to stand. All other times I'm either using them for mic placements or quick references. These two http://www.sweetwater.com/store/search.php?s=akg+k240 are what I would recommend. The MKII's are supposed to be the equal to the DF's I mentioned, and the Studio model (if they haven't changed them) sounds just about the same as the DF's. The difference used to be a detachable cord and a bit better cup comfort. I haven't bought any AKG's in a long time though, so I can't really say what I'd do in this situation. I'd probably take a shot at the MK II's as they are closer in price to what I paid for my DF's. ($199) I know this probably won't be a tune you'll like much, but in 2010 when I first started working with Acme Bar Gig developing their "Shred" plugin for guitar, this was one of my first little demo's I did for them. It's nothing special, but the entire thing was mixed and mastered through those AKG's. This was just a little test file, but for what it was it turned out pretty fair. The real version smokes it pretty good..lol...but this is a general idea on what I've been able to get with the cans. https://dl.dropbox.com/u/4909348/Danny%20Danzi/Shred%20On.mp3 Hope some of this helps....but you may need to do a little compensating at first until you learn them but only with the low end. One thing I love is mids and highs are no problem. You just have to judge the bass on "if you can feel it, you're using too much". Hearing the bass is fine, it's when you start to feel it pump in the cans...that's when you'll notice you have to back it down. -Danny P.S. Ed: Yeah, those cans don't have lots of output...which is a good thing. The one thing we ALL have to remember with cans is, they are being sent directly to your ears and can damage hearing so fast, you're better off with lower output. The good thing about the AKG's is, after a certain volume (which is my opinion is way too loud) they start to clip/break up. With the others I have like the Sennheisers or Sony MDR's...man they just keep going up and up and up...and you can kill your hearing in one session if you're not careful. Guys mixing in cans for long periods of time....please PLEASE be careful. You'll lose your hearing faster with loud cans than you will loud music live or in speakers. Try to use a level that allows you to hear everything at a volume you could close your eyes and sleep with. Seriously. All my friends tell me "you have golden ears".....the only truth to that is, while they used loud cans and didn't wear hearing protection and answer with lots of "huh's and what's", I always was conscious of how loud my cans were as well as always wearing ear plugs from the time I was 12 years old. My "golden" part of my ears is only the fact that I can still hear at 45 years old....not because they are "golden". :)
My Site Fractal Audio Endorsed Artist & Beta Tester
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sharke
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Re:Headphones
2013/02/06 19:12:35
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Danny Danzi Guys mixing in cans for long periods of time....please PLEASE be careful. You'll lose your hearing faster with loud cans than you will loud music live or in speakers. Try to use a level that allows you to hear everything at a volume you could close your eyes and sleep with. Seriously. All my friends tell me "you have golden ears".....the only truth to that is, while they used loud cans and didn't wear hearing protection and answer with lots of "huh's and what's", I always was conscious of how loud my cans were as well as always wearing ear plugs from the time I was 12 years old. My "golden" part of my ears is only the fact that I can still hear at 45 years old....not because they are "golden". :) +1000 - It terrifies me to hear how loud some kids are listening to super-compressed music on their headphones on the subway every day. Sometimes it's so loud it's almost like they're playing it on a boom box, you can hear everything. They are truly screwing their ears. I'm careful these days because I've already damaged my hearing and given myself tinnitus from overly loud headphone use, playing in a thrash band with no ear protection when I was younger, countless 12-hour long raves with booming acid techno and Drum & Bass music, and of course traveling on the NYC subway every day with no ear protection. It's a wonder I can hear at all. One thing I've learned about headphones over the years is that you can always stand to turn the volume down a little. People tend to crank it up loud to begin with, in order to get that initial "hit" that comes with loud music. But if you turn it down 10%, it sounds lame at first, but after a minute or so it sounds plenty loud enough and you wonder how in the hell you stood it any louder. After a few minutes, turn it down another 10%. Same thing. Pretty soon you're listening at 50-60% of the volume you started with, and it sounds fine. Also, I've said this before and I don't know if anyone believed me, but taking a good quality magnesium supplement before exposing your ears to noise goes a long way toward minimizing noise damage. It's been proven by the military.
JamesWindows 10, Sonar SPlat (64-bit), Intel i7-4930K, 32GB RAM, RME Babyface, AKAI MPK Mini, Roland A-800 Pro, Focusrite VRM Box, Komplete 10 Ultimate, 2012 American Telecaster!
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soens
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Re:Headphones
2013/02/06 19:25:04
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CakeAlexS Cheap 30 quid sennheisers. Although mine was 20 pounds. ... 20 lbs.? Think o' the massive neck muscles one would aquire wearin' dem heavy dudes.
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Paul P
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Re:Headphones
2013/02/06 21:05:24
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It would be good to take the impedance of the phones into consideration. Older hifi and studio phones and some more modern studio stuff can require up to 600 ohms which won't sound too good on modern consumer equipment which seem to prefer phones around 16-32 ohms. Just about all modern phones are below 80. My newish Soundcraft mixer says not to use phones of less than 200 ohms, but try to find some ! Oddly enough, Soundcraft is now part of a big conglomerate of well-known audio companies and none of them make phones that high in impedance. The only company I know of that still makes high impedance phones are Beyer Dynamics that you can get at 250 ohms and 400 ohms.
post edited by Paul P - 2013/02/06 21:27:45
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Dude Ivey
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Re:Headphones
2013/02/06 22:39:48
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I have to admit, when i was younger i used to crank Kiss Alive through my headphones about as loud as it would go. Its a wonder i can still hear! At 42 yrs old i listen at much safer levels now!
X-3e/X-2a, Windows 7 64bit, Intel i7-2600, 16Gb ram, 4 Tb HDD, 32 inch monitor, RME FireFace UFX, Shure SRH1840 Headphones, KRK Rockit 5 monitors w/ KRK 10 inch sub and 3 Dachshunds.
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Bub
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Re:Headphones
2013/02/06 22:47:37
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Danny Danzi Bub Danny Danzi If you can find them, AKG K-240 DF's are by far the best I have ever used and translate perfectly everywhere to me. Hi Danny, I searched for these headphones and found some replacement models since these are discontinued. There is an AKG K-240 (Without the DF) for $99 bucks, then out of the 4 suggested replacements, it goes up to the 701's for $349 bucks. Do you remember what price range the DF's were in and do you think the suggested replacements would be comparable (at any price range)? I'm in a situation now where I have no music room any more. I'm doing everything on the dining room table, so I'm forced to use headphones. My plans for a full blown recording room have been put on hold permanently. So I've been looking in to headphones and don't mind dropping several hundred on them, or more. I'm using a $20 pair of Sony headphones from Target ... and I have to say, I'm getting really good and mixing/mastering with the meters and compensating for what I know sounds wrong on these, but will sound good in the car or elsewhere. It would just be so much nicer to not have to compensate so much and just enjoy the sound if you know what I mean. Thanks, Bub Edit: Link to Sweetwater's recommended replacement list. Hi Bub, The replacements are K 240 MK II. I've never actually used them so I can't tell you if they are as good or not. Thankfully, I have 4 pair of the old faithful DF versions here and a set of the K 240 Studio cans which are usually my go to cans for quick monitoring these days. The only time I use cans to mix or master is when I'm on a plane or train and even there, I of course always check things out after on real monitors. I usually come so close with these cans though....I could definitely get away with allowing my decisions to stand. All other times I'm either using them for mic placements or quick references. These two http://www.sweetwater.com/store/search.php?s=akg+k240 are what I would recommend. The MKII's are supposed to be the equal to the DF's I mentioned, and the Studio model (if they haven't changed them) sounds just about the same as the DF's. The difference used to be a detachable cord and a bit better cup comfort. I haven't bought any AKG's in a long time though, so I can't really say what I'd do in this situation. I'd probably take a shot at the MK II's as they are closer in price to what I paid for my DF's. ($199) I know this probably won't be a tune you'll like much, but in 2010 when I first started working with Acme Bar Gig developing their "Shred" plugin for guitar, this was one of my first little demo's I did for them. It's nothing special, but the entire thing was mixed and mastered through those AKG's. This was just a little test file, but for what it was it turned out pretty fair. The real version smokes it pretty good..lol...but this is a general idea on what I've been able to get with the cans. https://dl.dropbox.com/u/4909348/Danny%20Danzi/Shred%20On.mp3 Hope some of this helps....but you may need to do a little compensating at first until you learn them but only with the low end. One thing I love is mids and highs are no problem. You just have to judge the bass on "if you can feel it, you're using too much". Hearing the bass is fine, it's when you start to feel it pump in the cans...that's when you'll notice you have to back it down. -Danny P.S. Ed: Yeah, those cans don't have lots of output...which is a good thing. The one thing we ALL have to remember with cans is, they are being sent directly to your ears and can damage hearing so fast, you're better off with lower output. The good thing about the AKG's is, after a certain volume (which is my opinion is way too loud) they start to clip/break up. With the others I have like the Sennheisers or Sony MDR's...man they just keep going up and up and up...and you can kill your hearing in one session if you're not careful. Guys mixing in cans for long periods of time....please PLEASE be careful. You'll lose your hearing faster with loud cans than you will loud music live or in speakers. Try to use a level that allows you to hear everything at a volume you could close your eyes and sleep with. Seriously. All my friends tell me "you have golden ears".....the only truth to that is, while they used loud cans and didn't wear hearing protection and answer with lots of "huh's and what's", I always was conscious of how loud my cans were as well as always wearing ear plugs from the time I was 12 years old. My "golden" part of my ears is only the fact that I can still hear at 45 years old....not because they are "golden". :) Thanks Danny. My ears are already starting to ring louder because of using cans and I've only been using them regularly for a few weeks now. I do try to keep them low except when I'm recording. Sometimes you just have to have things cranked a little to get in to a vocal take though. And then that whole tired ear thing comes in to play. The longer you use them, the louder you have to have them, and it snowballs. I have two pair of crap headphones now. Thanks, Bub
"I pulled the head off Elvis, filled Fred up to his pelvis, yaba daba do, the King is gone, and so are you."
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Chappel
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Re:Headphones
2013/02/06 22:55:37
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I bought a pair of ATH-M50 headphones a few months ago. I'm very happy with them.
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TS
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Re:Headphones
2013/02/07 12:25:59
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I am using a Sennheiser HD600 for 5 or 6 years, and very happy with it. It is an "open" model, which is very comfortable, i think.
Laptop HP DV7 (i7 720 QM, Win 7/64, 4 Go Ram), UA-101 (2), Focal Solo6 Be, Sennh HD 600, set micros (MD441, M88, M160, MD431, Mk-012, K2, etc)
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qlne
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Re:Headphones
2013/02/07 16:33:55
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Ath m50s, then listen to your mix with cheap earbuds, car stereo, boom box, anything the general public might use. Also try mixing to mp3 and listen to the differences. Take notes of what works and what doesn't for each environment, then find common elements and season to taste. Then hire someone else to master your mix.
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shawn@trustmedia.tv
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Re:Headphones
2013/02/15 00:19:44
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I use these, $14.00 at walmart...I absolutely love them...durable, well balanced, great sounding...the nice price and I've had a few $200.00 pair of headphones in my day and these little sony's are the best pair I've ever had!
Studio SONAR X3. Axiom 25 midi controller, DUNE 2, Producer Content, Good Times, Bandlab Mojo
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Guitarhacker
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Re:Headphones
2013/02/15 08:31:07
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I have mixed a few thing in headphones and the project turned out fairly good. I checked it with my studio monitors the next morning and the mix was pretty spot on. So.... if you have no decent monitors here is how I would recommend you mix in the cans. Find a song that sounds good in the truck or car or home stereo system and rip it to a wave. Save it on your desktop. Now, as you work on the project you are recording and mixing, add a new track to the project and drag a copy of that wave into the project. Mute the track for now. and... ALSO..... be sure this track does NOT run through the master bus, route it directly to the interface/soundcard so that any FX in the master on your project does NOT skew the eq in the reference track as that would negate any advantage to having the reference there in the first place. Now simply record the tracks for your project as you normally would do. When you get to the mixing/sweetening stage..... unmute and solo the reference track from time to time to see how the EQ and feel of the reference compares to the one you are recording. Make adjustments to your tracks and busses as needed to attempt to get your project as close sounding as possible to the reference. It's not the ideal way to do this but one must do what one can, given the situation.
My website & music: www.herbhartley.com MC4/5/6/X1e.c, on a Custom DAW Focusrite Firewire Saffire Interface BMI/NSAI "Just as the blade chooses the warrior, so too, the song chooses the writer "
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