twaddle
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How do they make this sound
The sound I'm talking about is what I think is a timpani that is being tuned upward in real time somehow. In real life there are two ways I can think of that might have worked, one would be to hit the skin and adjust the tuning pegs on the side of the drum at the same time. The other would be raise the pitch by hitting the skin and pressing down on the skin with another stick at the same time. Either way I would love to know how to create the effect in a drum vst but so far my attempts have failed. I tried using a tuning envelope in BFD2 but the tuning doesn't seem to effect the pitch once the skin has been been hit which I guess makes sense so I'm thinking it probably can't be done that way. I tried using the frequency shift effect in BFD2 but it changes the whole tone and resonance and sounds too artificial. Anyway, the sound I'm trying to recreate is in this classic Tiny Tim track at 0.52. Anyone who's seen old tom & jerry cartoons or carry on films or any bawdy slapstick comedies of the 60's and 70's should recognise it as soon as they hear it Here's the song Tiny Tim - Living In The Sunlight Steve
post edited by twaddle - 2013/06/01 05:05:35
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Jeff Evans
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Re:How do they make this sound
2013/06/01 05:10:26
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A tuned Timpani typically has a pedal underneath than can be operated in a continuous manner and the tuning changes in a smooth manner. Timps are pitched at concert notes and hence the pedal is used to change their fundamental notes. There is also some sort of indicator on the top of the timp to tell you what the notes actually are. A sampler could do it by applying a pitch bend right at the start of a tympani hit note and bend upwards. You must be able to do that with a VST as well.
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wizard71
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Re:How do they make this sound
2013/06/01 05:10:27
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I believe it's called a pedal glissando. Aside from the tuning pegs around the side, there is also a foot pedal which tunes on the fly. Bibs
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twaddle
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Re:How do they make this sound
2013/06/01 06:34:50
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That's interesting about the pedal, I think I have seen them a long time ago. I think it would be really hard to recreate and make it sound natural using a pitch bend but I might give it a try. I don't have any songs that are crying out for it but it was just something I wondered whether or not could be done easily that I could experiment with. Technically BFD2 is a sample player but I'm not sure if it can manipulate the audio in that way since it's triggered by midi. As I said, using pitch bend envelope in sonar doesn't alter the pitch of the note after it's been hit which makes sense. I might have to bounce the hit to a wav file and maybe try a pitch bend in sonar. Steve
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Bristol_Jonesey
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Re:How do they make this sound
2013/06/01 07:27:08
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Steve, you can approximate this using Dim Pro. Load up the Timpani from the Garritan Orchestra, set the bend up/down range how you want it in thr Dim Pro GUI and bend away!
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Beepster
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Re:How do they make this sound
2013/06/01 08:46:31
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Yeah, I'd definitely try another synth with a timpani sound over BFD. I don't think I've ever seen mention of being able to pitch bend drum samples in BFD. That said unless the timpani patch you are using was specifically programmed for such a pedal effect (it is a timpani pedal... I knew a guy who had one) then I don't think it will sound exactly like that. As the skin stretches the different vibrations across the skin give different overtones. You might be able some of those overtones by creating an intricate mod wheel program in the synth you end up using but that's far beyond my capacity. Also... hi, twaddle. ;-)
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Beepster
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Re:How do they make this sound
2013/06/01 08:47:58
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derp... didn't fully read Jonesey's post. If the GPO is programmed for it then that's pretty cool.
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twaddle
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Re:How do they make this sound
2013/06/01 09:00:27
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Good stuff Jonesy, beepster and everyone. I have managed to do it in DP as jonesy suggested. It does sound like a timpani but I would so much prefer to be able to use the BFD2 timpany as it's so much fatter and more resonant but hey ho, beggars can't be choosers. I'm submitting it as a feature request for the BFD3 That's what I want. http://www.youtube.com/watch?v=sC3WAh0dqB8 Steve
post edited by twaddle - 2013/06/01 09:07:36
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Beepster
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Re:How do they make this sound
2013/06/01 09:39:17
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hmm... Seeing as how BFD uses samples is there a way maybe you could try accessing the sample and loading it into Dim Pro or another sampler/synth? Not sure if those files are proprietary or if it would give the desired effect but could be an interesting experiment. Or maybe bouncing a couple hits of the BFD timpani to audio and turning it into a DimPro compatible sample (are they called REX files?). Probably too much work for possibly little to no reward but it got me thinking about it. Cheers.
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Beepster
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Re:How do they make this sound
2013/06/01 09:40:52
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Oh and if you can automate the tuning knob within BFD that might get you close. Not sure if that's possible though.
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twaddle
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Re:How do they make this sound
2013/06/01 10:34:45
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Beepster Oh and if you can automate the tuning knob within BFD that might get you close. Not sure if that's possible though. Yeah you can utomate the tuning knob and every other knob in BFD2 (as well as BFD Eco) but for some reason once the note has been hit it doesn't seem to be effected by the tuning. I can see the tuning dial moving in BFD2 but nothing happens. I posted on the BFD2 forum so maybe there is a way that someone knows of. I think BFD2 files are standard wave files but I don't now if dimension pro can do the kind of velocity laying that would be needed and yes, it's fart too much effort for me to find out since right now I don't have any songs that are crying out for a peddled timpani Steve
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Beepster
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Re:How do they make this sound
2013/06/01 10:40:01
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Huh... I wonder if they make completely different samples for different tunings and only use slight digital pitch increases in between those increments. I'd imagine that would serious bulk up the sample folder though. I'd be curious to hear the answer on that if you get one. Cheers.
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rabeach
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Re:How do they make this sound
2013/06/01 11:22:24
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timpani twaddle Beepster Oh and if you can automate the tuning knob within BFD that might get you close. Not sure if that's possible though. Yeah you can utomate the tuning knob and every other knob in BFD2 (as well as BFD Eco) but for some reason once the note has been hit it doesn't seem to be effected by the tuning. I can see the tuning dial moving in BFD2 but nothing happens. I posted on the BFD2 forum so maybe there is a way that someone knows of. I think BFD2 files are standard wave files but I don't now if dimension pro can do the kind of velocity laying that would be needed and yes, it's fart too much effort for me to find out since right now I don't have any songs that are crying out for a peddled timpani Steve If you open the timpani sfz file in dimension pro with notepad you will see there are actually 18 different pitched timpani flac samples. If bfd2 has only one sample I doubt that you will get a similar result.
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twaddle
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Re:How do they make this sound
2013/06/01 11:39:41
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If you open the timpani sfz file in dimension pro with notepad you will see there are actually 18 different pitched timpani flac samples. If bfd2 has only one sample I doubt that you will get a similar result. Assuming those 18 samples you're referring to are velocity layers (and I'm pretty sure they are) then BFD2 has 96 of them although with some of the expansion packs "platinum samples for instance" that can be as high as 256 samples/layers. That's why BFD2 sounds so much better to my ears Steve
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rabeach
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Re:How do they make this sound
2013/06/01 12:12:17
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no they are 18 different pitched samples not velocity layers. D2, D#2, E2, F2, F#2 etc.
post edited by rabeach - 2013/06/01 12:18:32
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rabeach
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Re:How do they make this sound
2013/06/01 12:28:11
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BFD2 has 96 of them although with some of the expansion packs "platinum samples for instance" that can be as high as 256 samples/layers. Some of those layers had to be processed to derive their volumes I find it hard to believe a drummer was able to hit a drum during a recording session with 96 differentiated forces. But if proven otherwise I'm on board. :-)
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Beepster
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Re:How do they make this sound
2013/06/01 12:33:29
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I'm thinking maybe they had one of their pros just sit there tapping away and they used some kind of analyzer to pick out which hits most accurately reflected the velocity they were going for. Then perhaps adjust them a bit if needed but from most of what I've read those guys are pretty hardcore about getting things perfect and pure. It's funny watching the credits on some of those sample packs. Reminiscent of game production credits.
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Guitarpima
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Re:How do they make this sound
2013/06/01 12:39:24
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One option is to bounce the whole track to audio, get rid of everything but what you want to manipulate and then use V-Vocal to make the tuning go up. It may work and you could use your preferred sound. You would just have to delete the midi notes so they don't work against each other. Also, Always clone your midi track so you can always go back if need be.
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rabeach
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Re:How do they make this sound
2013/06/01 12:49:08
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Beepster I'm thinking maybe they had one of their pros just sit there tapping away and they used some kind of analyzer to pick out which hits most accurately reflected the velocity they were going for. Then perhaps adjust them a bit if needed but from most of what I've read those guys are pretty hardcore about getting things perfect and pure. It's funny watching the credits on some of those sample packs. Reminiscent of game production credits. I have used Angus's products for many years and I have found them to be excellent I just don't own BFD
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twaddle
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Re:How do they make this sound
2013/06/01 12:51:46
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Ah I see, I don't know if any of the BFD2 samples are pitched differently. I might make enquiries on that one. BFD claim to have the least amount of processing in their sampling but on occasions I guess it has to be done. Beaper, you quite right, you must have seen the video The Making Of BFD2 I think they talk about how they did the layering. I'd like to see one on the making of the platinum sample kits since they're the ones who have up to 256 layers. I guess if the drums were recorded at different pitches then the pitch control might work they way I would want. Steve
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Beepster
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Re:How do they make this sound
2013/06/01 13:42:32
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I have not actually so thanks for the link (I'll definitely be taking a look at that). I was basing that assumption on general internet scouring. And yeah... the Platinum Samples guys are freaking pro. I had never even heard of them until I showed up here and they have astounded me with the quality of their stuff and the ultra interactive approach to customer service. Cripes, they stalk this very forum looking for people to help. Doesn't get much better than that. lol
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Beepster
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Re:How do they make this sound
2013/06/01 13:47:02
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And here's an example of the Platinum Samples quality. I could NOT use my padKontrol to get any kind of appropriate velocity reactions using the SD3 default kits. I thought the pK was defective. I installed the Andy John's kit (after they honored a sale that had already ended due to a thread I had posted) and all of a sudden the pK worked like a dream. Amazing stuff... and no I don't work for them (like they'd want me... lol) I just think they are that bloody good.
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