Re:I question of Buses
2012/11/15 10:36:18
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THE GREAT THING ABOUT BUSSES IS....
instead of having to use up all your plugins on, say, every track....
you can put one across, say, the GUITARS bus...
and one across the DRUMS bus....
and one across the VOCALS bus...
etc.
then, on final mixdown, if you want to program in dynamic changes in volume, for example...
instead of automating every track, you can simply automate the ONE BUS
get your 'faders up' mix happening, then on quiet sections, you can automate the DRUM bus from 0db (which should be the default level setting for all sub busses) down to , say, -2db..... then back up to 0db when the band comes back in...
that kind of thing.
i will often separate out my rhythm guitar tracks, and automate the RHYTHM GUITARS bus to allow vocals to pop up slightly in sections...
i usually have more than one bass guitar track, at least two, so if i send them both to a BASS bus, and then limit the bus, and automate the bus track instead of the 2 bass guitar tracks, it's easier to control the whole thing together.
etc......
ad naseum.
all of those sub busses are routed to MASTER
master, is routed to the output of your soundcard.
make sure your busses are LINKED......
and in stereo.....
and use busses to create FX sends, and route from individual tracks to the FX bus, whether it's delay or reverb or whatever.....
this is a much more transparent sound than putting an fx directly into a track...
tho, sometimes that's exactly what you need to do, of course...
i'm talking big picture stuff here....