2016/07/08 11:30:13
Beagle
I realize that asking for microphone advice is even worse than asking for headphone purchase advice since 20 responses will likely yield 20 recommendations!
 
for MANY years my GOTO vocal mic has been a Shure KSM27, but it was stolen recently and actually they don't make them any more, the "new and improved" model is the SM27 and retails for ~$300.  Personally, I'm not convinced it's as good or better than the KSM27, but I'll take advice on that as well.  
 
I think I'd like to upgrade anyway but my max budget has to be $600 to $700. 
 
Primarily this will record my vocals which, if you have not heard my singing, I'm a baritone with a very strong set of lungs!  
 
However, as a "goto" vocal mic, I also record others including high soprano and low bass voices.  It might also need to record some acoustic guitar or mando, etc.  so I want a very versatile mic.
 
I've been looking at the AT-4047SV, Shure KSM32, AKG C314, and the Neuman TLM-102.
 
AT 4047SV is a transformer coupled dual diaphram mic modeled after the Nueman U47, one pattern, pad & roll off included
AKG C314 is a transformerLESS dual diaphram ELECTRET Condenser which is the little sister of the AKG 414, 4 different patterns for versatility, pad and roll off also included.
KSM32 is transformerless single SMALL diaphram (0.75") Electret Condenser which differs from the 27 and 44 - they are large diaphram 1" True Condenser - the 32 is described as "neutral" where 27 and 44 are "warm" - has pad and roll off - 1 pattern
TLM 102  well, first of all, it's a Nueman!  it's a small package designed specifically for vocals (it has a bump at 6k). Large single diaphram true condenser, only 1 pattern, no roll off, no pad 
 
they're all about the same street value (the KSM32 is actually a little cheaper than the others).  the Nueman does not come with a shock mount (some of the others do at that price) and the shock mount is $130!  so I'd either be without a shock mount or I'd have to up my budget.
 
so let's discuss these!  I might end up not spending this much money on a mic, but at this time I have the opportunity so I might.  thanks for your input!
2016/07/08 11:39:05
BlixYZ
You have already thought this through very well. All of the mics you are considering are good choices. I don't think you can go wrong. No one Mic is perfect for every voice and situation, but changing the pre and the source proximity can help a good Mic work in any situation. I'm a fan of AT, and Neumann, but the others are comparable.
2016/07/08 12:31:58
AT
Reese, hit up a Guitar Center and check out the models they do have with your voice.  That would be the best way to see what you need.  bring a small recorder and bang away, listen at home and then decide.  The sells person might let you take your choice home to try, which is even better.
 
My own fav at home is the Micro Geffel 930, which is a "what you hear is what you get" mic, pretty much.  I got a great deal on mine, but it is way over your budget.  But you can use it on anything and roll off the highs and lows for a better fit.  Something that is w/in your budget and used to be my fav was a Joly mod 319.  Great for rock and roll with plenty of midrange presence that cuts through guitars and anything else getting in the way.  Not much extension in highs and lows and not so good for more delicate work, but like a dynamic with a lot more detail.
 
My 1st choice would be Neumann, but check with your voice first.  That is a lot of dough unless you are sure.
 
@
2016/07/08 13:27:08
wst3
I love the KSM-32, and I use it for vocals often. My other choices include a TLM-193, a Baby Bottle, and an AKG C414, any of which might be the right choice depending on the vocalist and the track.

I have tried the C-314 and the TLM 102, and I wasn't moved to get my credit card, but that  is one person's preferences, worth less than you paid for them<G>!

Two nights ago I had a session with a singer who has a "broadway" kind of voice. She is extremely well trained, and I could probably put anything up, but I went with a Royer R101, and it was gorgeous. Silky smooth, blew everything else away. The KSM-32 was probably my favorite of the others, but I really liked the results from the  Royer. I'll ask her if I can post an example.
2016/07/08 21:41:12
JonD
If it's versatility you want (and who doesn't?) my vote is for the AKG C314.
 
The lower end Shures are almost always a good buy, but tend to be narrow in focus (meaning not exactly versatile).
 
Neumanns are overrated IMO.  I'd buy a Mojave or one of the other boutique brands before a Neumann.  I've never understood the love affair with the U87... Sounds like what a great mic should sound like - 50 years ago.
2016/07/09 11:05:40
Beagle
Thanks everyone for the input!
 
I think I've decided for now to go with the KSM44 - not as versatile as the C314, but I know the mic (the 27 is same diaphram, etc).  
 
 
2016/07/09 11:09:16
TheMaartian
Take a look at the CAD e100s mic ($399 at MF).
 


 
Great mic for the money.
2016/07/09 11:56:48
lawajava
TheMaartian
Take a look at the CAD e100s mic ($399 at MF).
 


 
Great mic for the money.


Yes - I really, fully agree! Price was about $300 new when I looked around. This mic is ideal.

Adding to your clips, this one has a really nice song demo with it:
https://www.youtube.com/watch?v=Fnq0JrOvfUo
2016/07/09 12:17:53
ampfixer
I've not seen the AKG 314 but I do have the C214 and it is great. Real good for voice and acoustic guitar.
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