• SONAR
  • Does Anyone Else Want Craig's Chord Library? [Sorry, No More Download Link] (p.8)
2016/08/30 18:10:52
telecharge
Anderton
Okay everybody, here's the link. After zipping, it ended up as a svelte 93 MB so it won't be too bad a download. The link is good for 7 days or a certain number of downloads (not sure of the exact amount, but I'm sure it's more than the people who want to download it). FYI the chords are mono, 24-bit, 44.1 kHz.
 
I hope it helps you write cool songs!




Downloaded. Thanks, Craig.
 
I figured I'd say it here rather than clutter your inbox.
2016/08/30 21:47:35
noynekker
Just downloaded . . . thank you so much uncle Craig, especially for all the time you spent putting this together, and the willingness to share ! I hope to use this as a songwriting tool in Sonar somehow, just not sure how to yet, but there is a lot of great info in this thread to get started.
2016/08/30 22:22:19
Ripwolf
Thank you Craig! Putting up a pot O' Coffee and time to experiment! Very generous of you to share all the work you put into this. 
2016/08/30 23:09:06
Anderton
noynekker
I hope to use this as a songwriting tool in Sonar somehow, just not sure how to yet, but there is a lot of great info in this thread to get started.

 
There are three main ways I use it, although now that it's in the hands of creative people, you'll probably show me ways to use it I never considered...maybe that's my subconscious reason for sharing .
 
1. You're writing a song, and recorded part of it. You've been freed from thinking linearly because you attended my "Songwriting on the Fast Track" workshop, and it changed your life . You can't quite figure out what chord comes next in a certain part, so you set the Media Browser default as specified in the article. You play the song up the point where you don't know what to add, and start clicking on chords in the Chord Library. Aha! A C# minor is not only perfect, but unexpected!
 
2. You have a soundtrack that has to go to the Fed Ex dropoff by 5 PM. It's 2:30. You don't feel even remotely creative, and sweat is pouring down your brow. Desperate, you go to the Chord Library and drag chords willy-nilly into Take Lanes, as recommended in the article. You find there's one particular progression that works great! So you delete the other stuff, add to the progression, record your overdubs, and make it to the Fed Ex dropoff at 4:15, ahead of schedule and under budget.
 
3. This one was never intended, but sometimes I drag the chords in as one-shot samples to fill holes or add accents. It's like those drum libraries that have drum loops, but also have one-shots of individual hits so you can add a snare accent or whatever. (Sometimes I do the same thing with the samples in the Gibson Bass Expansion Pack, where I want to add a slide or a sustaining note either to a part I played on bass, or a bass loop from a sample library.)
 
2016/08/31 00:20:11
telecharge
For anyone who missed it, the article that Craig is referring to is in the latest eZine.
 
Anatomy of a SONAR Project: Creating a Chord Library By Craig Anderton (page 18)
http://static.cakewalk.com/cakewalk/products/sonar/release_notes/Welcome_to_the_SONAR_2016.08_Update.pdf
2016/08/31 00:45:20
Tané
With the risk of sounding boring Craig, I to would love to have your personal chord library. Thanks for everything.
Cheers
2016/08/31 01:32:32
Ripwolf
Aside from the drag and drop use, I was thinking of also creating a quick Kontact instrument and color mapping the different chords to the registers, so C1-B1 is Major, C2-B2 is Minor etc so you can quickly audition a chord or even perform a progression quickly to try different combonations. Thanks again Craig! Off the re-read the ezine!
2016/08/31 01:39:22
Ripwolf
Just re-read the ezine, you already mentioned creating virtual instruments.  Thought I had a original idea! Lol.
 
2016/08/31 02:57:41
M4Ever
Thank You!
2016/08/31 03:48:53
MacFurse
Anderton
 I thought telling people how to make their own would be sufficient, but I guess it is kind of daunting project.
 


Yep. Sure is. But once I got the gist of how you did this, I got really keen to give it a go, not only because of it's potential use (I get really (really) stuck on the same old chords and progressions if deliberately trying to write songs), but for the experience. It's not what I would usually do (it's outside my thought process!!), so I expect the process will offer up something to other areas of recording and DAW use, in terms of know how. So, while it's pretty awesome of you to offer it up, I'm going to give it a shot myself when I've get some spare time. But thanks for sharing the idea. Keep 'em coming....
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