I almost bought one years ago from a studio friend. Good kit. I can't remember much about it except it sounded a lot like his SSL G, which is a good thing ;-)
A good preamp can make a difference once you reach a certain level of hardware and craft, and SSL ain't no slouch. The great thing about step-up hardware as opposed to built-in pres is running them hard. Sound that would break-up an interface pre gets captured when the singer decides to belt out during a ballad - and that works and you aren't left with a crisped mess. The SSL pre has the saturation button, I think, which makes it sound like an older pre, so you do have flexibility in the sound. There are lots of other reasons. However, a good pre ain't the answer to everything. In general, the closer to the source (mic, for example), the greater the influence of the hardware. A good pre will make your 57 sound better, but not like a condenser. However, the same sub $100 MXL ribbon that I use on electric guitar sounded just as incredible on a trombone solo I recorded this weekend. It was going through a RND portico II, a top-end pre. So there are no rules, only guidelines.
On the lower end, WARM audio and the Focusrite ISA One are both fine, professional preamps you can find for less than $500, while the RNP gets you two transformerless pres for the same cash.