once you take all your tracks and mix them down to a 2 track 24 bit stereo file (leaving enough headroom for master/Look up Peak/RMS Mixdown levels) Import that file back in to sonar (I typically use a new project/cuts down on resources) Then it all depends on what you have for plug ins. if you are using all sonar plug ins then you'll have to round up the best ones you have. If you have other plug ins like Waves, exc then your options are a lot better. My typical mastering chain looks like this:
My Mastering Chain consists of:
1-The
SSL Bus compressor first.
1.5- then sometimes followed by the
CA-2A for Analog coloring= a 1 to 1.5 db push / very subtle.
2-
Linear EQ to drop off/filter APPROX 30HZ and under.
3- Then the
L3.
4- Followed by the
L2.
5- Some more light
Analog coloring.
6-The
Secret sauce.
I also (personal opinion) Insert my mastering chain in the Tracks FX.
This way I can use the Master bus for Metering tools. IMO, it just makes a cleaner area to work in.
your mix sounded like it may have been missing
Linear EQ. you need some sort of high pass filter to clean the low end. this will allow more boost with less distortion, dynamic loss, burn out. It also sounded like the Mixdown was too loud (RMS).