Sure - I write a lot of prog tunes, many with multiple meter changes, such as 5/4, 7/4, 5/8, 7/8, 9/8, 15/16, and once even covered a Bruford song that was written mainly in 19/16. It would be one thing to have only an occasional meter change, but I tend to have places in many songs where there are cycles that combine multiple meters into evolving/revolving sections of alternating meters. (Steve Morse has a song with over 50 meter changes, as an example of others that do this kind of thing).
So, I create many of the tracks using the Step Sequencer, which currently ONLY allows for the use of a quarter note as the meter base, so it is a ROYAL pain to try to deal with any of the above meters that use an eighth-note as the meter base.
My workaround is to have to do a 9/8 measure as a measure of 9/4, which then would play back at half the desired tempo, so I have to also insert a tempo change to double the song's tempo at the point where the measure of 9/4 starts. Then, after finishing with however many of those measures there are in a row, I have to insert another tempo change to reduce the tempo by half, in addition to the meter change back to 4/4 or whatever I was in.
The above makes printed scores look like I am an idiot, because nobody in their right mind would create a score with such a goofy meter and tempo change, where a normal 9/8 would have worked fine.
In addition, I quite frequently have songs where I will routinely alternate between 1 measure of perhaps 9/8, followed by a measure of 4/4, and alternate between them, or in any case end up with many many meter changes where I also have to do that stupid tempo doubling and halving.
Lastly, it is annoying to have to make sure when constructing songs that any doubled tempo is an even value - because cutting a tempo of 119 in half doesn't work too well.
But, as I had indicated - not that many folks do as many meter changes as I do, so I get that, and I DO have a workaround, it's just a pain.
Bob Bone