Hello Noel,
Thank you for your kind words. The film is available in 4K fisheye format, so just about any planetarium with a modern digital projection system can present it. (Perhaps a word of interest to your local planetarium can make that happen.)
Jimmy was a pleasure to work with and I thought he did a great job of breaking down a complex story into an easily understood article.
I started with VEP before Sonar was VST3 compatible. I used VEP Event Input if I needed to route more than 16 channels into a single instance of VEP. I experimented with VST3 when Sonar first adopted the standard, but at that time the 'expanded midi channels' portion of VST3 wasn't implemented in Sonar. Perhaps I'll try again, now that Sonar supports that function.
I'm not working on any projects that require a large orchestral template right now, but here is an orchestral theme I did for a direct-to-video SciFi film a while back:
http://bentleyousley.com/MoonieTheme01cj.mp3 You can also hear some of this type of scoring in my composers demo:
http://bentleyousley.com/...yOusleyScoringDemo.mp3