John T
Anderton
But if it would be difficult to do, given that SONAR already has sophisticated grouping options, I think it's legitimate to question whether the benefits would justify the resources needed to re-structure SONAR's existing grouping paradigm.
That's the area I was batting towards with my example earlier. And I think (might be wrong here) that adding a function that makes grouped tracks follow a single automation line to the existing group system means we'd then have everything a VCA system could do. Because we already do have most of it.
Indeed, in terms of how VCA is typically implemented on a desk, this would only need to apply to volume fader automation.
So that might well be a trivial addition, where "give me the same VCA implementation as DAW X" probably isn't.
That's the part I really fell in love with regarding VCA's in Cubase and ProTools, watching youtube videos - ability to apply trim automation to a range of tracks in one go. You get one automation line for the sum of original automation on track and VCA and one line still for the original automation if it exist.
If no automation exist - VCA automation is copied as is into track.
Then when you feel you are done for now - you select combine and all automation curves are summed, and VCA master curve is a straight line again. In ProTools called coalesce.
Cubase has a similar thing for trim automation - you get two curves until you freeze what you did.
Offset mode in Sonar, as I recall, you did not really see what you did, and you don't feel in control.
Just to visually see what you did in the process is really cool.
So let's say you can create an empty track and add to grouped tracks, and just mark that as master - and do the automation on that one that other combine with. Audio stuff can be disabled for simplicity. The nesting part of VCA's are not there - but improvements are always improvements.