∞

Apparently none.  Or maybe the reverb comes from the room and distant micing.
 
An apocryphal has Roy Clark or Acuff or one of those old dudes finishes a session and a gofer approaches and tells him "Your guitar sounds great!".  One of the Roys leans it against the wall and sez, "Yea, how does it sound now?"
 
;-)
 

∞

so, in the spirit of forward movement...
 
i have no knowledge of this recording,
but when i do my own acoustic recordings, 
the choice of the mic is first..
 
but then, how it is gain staged.... and whether it goes pure into a preamp and THEN into the  DAW,
or is run thru outboard gear, is key.
 
on this kind of recording, i would want:
1. preamp
2. EQ
3. compressor
 
all run before it hits the convertors.
 
then, at that moment, the sum is greater than the parts.
 
so, yea, the mic might be important,
but if you want that presence, and immediacy, it's more about the gain staging and setting of the eq and compressor.
 
etc, ad naseum

at 4 seconds
 

∞

Kamikaze
at 4 seconds
 

it's still showing the credits with no sound? and nobody mentioned the room yet?

dj squarewave
 
perhaps, that the microphone's placement had a significant impact on the sonic presentation...

this is a standard given.
mic placement is the art of engineering.

∞

dj squarewave

pwalpwal

Kamikaze
at 4 seconds

...nobody mentioned the room yet?

It looks like they swapped out rooms.