I use the settings displayed in your screenshot for all 3. To my knowledge, there's no point in setting the record bit depth higher than 24 at this point, because there aren't audio interfaces that record at higher than 24. I like to do 32 for rendering, as, if I'm applying effects that add dynamic range (reverb tails come to mind) or if I'm combining tracks that have a cumulative dynamic range that is greater than 24 bits can represent, it will more accurately reproduce them.