OK. In the meantime, I've been having a lot of fun with your two sound files.
First I reduced the volume of the LANDR one so both sound equally loud.
Then I flipped through the presets supplied with Ozone 5. Most are too heavy-handed, but I found one that is not too far off and started to investigate. The EQ is scooped at around 500Hz with curves that look similar to that of the BBE Sonic Maximizer. However, when the violin becomes dominant, it keeps it's mid-frequency character. Interesting.
One thing I'm finding when just applying presets is, liking one and taking it as a starting point is very much a matter of taste. Which one is "better"? Hard to say. Craig Anderton likes vocals, so he focuses on that. But unless there are flaws in the sense of Craig's "Public Service" video, whereby there are nasty resonances to find and eliminate, it's not really possible to find out how clever LANDR really is. Your recordings don't have such flaws (well - I have only done 3 albums, so what do I know?).
I have to work so I've left it for now, but will continue. It's keeping me fascinated.
But so far, a BBE-like effect centered at 500Hz.
Thanks!!! Educational stuff.