Anderton
Paul P
gswitz
I must say, I've been enjoying the ease of Landr. It is a little habit forming.
Too easy maybe ? Aren't we running the risk of homogenizing everything ? It's a bit like sample libraries. If everyone uses the same samples, we all end up sounding the same.
I too have recognized the sound of Reason drum patterns in car commercials
. However I'm not sure mastering is the same thing, because samples are recognizable, whereas a particular approach to mastering probably isn't.
Then again, it's only because there has been a certain "standardization" of sound that something like LANDR is even possible. There are standards for dynamic range, so presumably, LANDR abides by those standards. As to EQ, the "smile" curve has been a fact of life for decades, and it probably isn't going to go away any time soon.
It's really interesting to play original CDs from the 80s, the 90s, and today. The "style" of mastering has changed a lot over the years. It's almost like Low = 80s, Medium = 90s, High = 2000s.
paul I hear what your saying. for many years ive had debates with other musicians about sample librarys and are they actual musicians or armchair producers <<<--that one seems to blow up a lot of smoke and get people going

truth is, yes they are musicians.
but I agree with Craig where a sample and a mixing application are really 2 different things.
ive saved my thoughts on Landr because I don't think its worth adding to the discussions here as it seems to be a very sensitive one at that.
all I can say is i think some are getting a little carried away. (i love the passion don't get me wrong)
but if i need a pro master, i will still pay an engineer to master it for me.
but with that also being said, i think Landr does a pretty good job for what it does.
heres the thing/ = its another option.
and we could all use more options in sonar, in life...in general.
some of us will make the choice to use it, some of us wont.
either way, its all good. we are still musicians