I know you're after limiter advice, but to me it seems your drum mix technique needs work, which would help with yoir problem. Think of mixing like making a cake or even a painting...both are made of layers. If you put too much icing on the cake, which is just one layer...the cake tastes out of balance? Well it's the same with mixing. To me trying to fix the drum mix by using a limiter - unless that's the aesthetic you're after - is like the cake analogy.
If you want try this, use the tape sim in the Prochannel to squash the transients. Don't be frightened to push the VU meter into the red, but keep the average to -6ish. I use a tasty EQ...I tend to use Wave's and depending on the flavour I'm after (the cake analogy:)), but depending on the flavour for example if I'm after a metallic sound, I'd use the TG12345 or of I want the sound to be slighty warm but not too warm I'd go for the Neve EQ from Wave's. Now whilst the Quad EQ in the Prochannel won't add any flavor - it does have matching EQ curves to the SSL off the top of my head and would suffice. Use your ear to see whether you want the EQ before or after the tape sim. I tend to use two snares and kicks these days too. You would then either feed these instruments into either a snare and kick aux, a drum aux or buss. Then you add further processing onto those tracks, for example I use Wave's J37 or the tape machine made famous by The Beatles to level the drums, followed by further EQ and sometimes the EQ before the tape sim. Finally I will use a tasty compressor. I also use console emulation across my mixes. Console emulation acts like a transient shaper. Whilst again I use Wave's - the Prochannel console emulation should be suffice for most. Hopefully you can see how the cake anology is apt.
Ben