• SONAR
  • Knockin on Heaven's Door (Dylan)
2015/10/26 22:04:13
konradh
Bob Dylan's "Knockin on Heaven's Door" is in the soundtrack of a movie I just saw (Rock the Kasbah).  I had not heard that track in a while and the vocal sound really jumped out at me.
 
Has anyone ever read what the vocal chain was used on this?  It sounds like a ton of 1176 but I don't think it's that simple. The reverb sound is also interesting but not mysterious.  The other aspects of the sound are really different for Dylan.
 
Surely someone has written an article on this session, but I can't find it.
 
Thanks.
 
PS If you listen to "Like a Rolling Stone" you will immediately hear the difference (and I don't just mean the mic pops on Rolling Stone).
2015/10/26 22:11:28
mudgel
Who wrote Konckin on Heavens Door? Lol
2015/10/27 08:59:50
konradh
Haha!  Typo fixed.  Question stands.
2015/10/27 12:46:18
sharke
To be honest it sounds to me like the reverb is most of the character in that vocal. Maybe a bit of sidechain compression on the verb with a slow release? It sounds like there's a nice swell to it. 
2015/10/27 13:09:07
AT
Maybe because it is the only song he ever really sang.
 
I imagine the arrangement has a lot to do w/ the way the vocals fill up the space.  Slower song and less instrumentation from memory.
2015/10/27 13:25:47
Beepster
mudgel
Who wrote Konckin on Heavens Door? Lol



 

edit: in case anyone doesn't know wth this is it's a scene from Trailer Park Boys. The puppet is "Bubbles'" evil alter ego "Conky" whom is terrorizing the rather dim witted Ricky in this scene. Comedy gold.
2015/10/27 18:00:06
jimkleban
So, I think that Dylan recorded this song in a movie studio (NBC or Burbank). Hopefully, this tidbit can lead you to more of what equipment NBC had available for recording music back in 1973.
 
Jim
2015/10/27 21:05:17
bitflipper
Betcha it's a Neumann into an LA2A + Plate reverb. Just because that would have been the standard setup in any good studio in 1973, and it's clearly a plate.
2015/10/27 22:16:36
konradh
Good comments, thanks.  And the LA2A definitely makes sense.  Dylan's voice normally has way more dynamics (and that's an understatement).
 
And I do remember that for a while it was popular to use a lot of reverb but with a fast decay.  This might have been a little ahead of that trend.
 
I guess this is one of those magic combinations of mic, compressor, reverb, room, and singer.
2015/10/28 02:00:43
lingyai
Aw man, why'd you fix the typo?
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