Anderton
loathe to duplicate sections within a song, even if the parts are the same. I prefer to play new versions because in live performance, you don't copy and paste, you play. I like music that feels more "live."
I loath having to listen repeatedly to a song that I'm writing or working on that is still somewhat linear w crap musical parts still left in it as "placeholders " …having to substitute in my head the parts I want to hear can be a real buzzkill and energy drain .
This is the biggest reason why the nonlinear approach seems to work pretty good for me ..
Whatever the sections of my song may have happened to be when they were first started , are only that , a starting off point that exists only to get the creative juices flowing .
Once the songs arrangements / sections are slid along the timeline to a safe place, I can go a lot deeper into experimenting as to what I'm looking to express in the song or music…
Nowadays my workflow is to play all the parts myself . This can be a pretty tedious process .
The fretted string family of instruments is my comfort zone . With all other instruments , my playing consistency is just not there yet …
I may drop in a loop that is "close but no cigar " as a " placeholder " .
Then I will exert the effort of playing and paying tribute to it with only one goal in mind …to come up with my own part that fits what i want to do much better.
This approach allows the freedom to no longer have to settle for a second rate musical performance on the instruments I'm playing or editing.
It also allows me the opportunity to add and remove different musical instruments texturally during the arrangement to keep things interesting as the song progresses .
My experience has been , putting the song back together is much easier when you have exciting dynamic parts that gel together to listen too…
Sure hope to get there some day w my mixing …
Kenny