I agree regards the -0.3 threshold, it just lessens the risk of it being replayed on an out of calibration environment.
I have just got the dp meter mentioned in the deals forum which is worthwhile. Can't add it to the master so create a pre-master bus and run everything through that first (with nothing other than a limiter and the meter*) either direct from all the tracks or through staging and effects busses before the pre-master bus.
*quad band eq and quad band compression before the limiter if you absolutely need it