The 214 is vastly superior to the C1000, despite the small difference in price. It's essentially a cardiod-only version of the venerable 414, which has been a studio standard for decades because it's extraordinarily clean and versatile. Don't let the C1000 sour you on AKG.
I have an NT1-A and for years thought its purchase had been a terrible mistake. It does my voice no favors at all. However, I kept trying it on other singers in hopes of finding redemption for the thing. To my surprise, it turned out to be the perfect match for one singer - also a baritone. For his voice, that annoying 3KHz peak that made me sound like Peewee Herman landed just where it needed to be for my friend's lower-pitched country-rock style.
So it often comes down to finding a match for your voice, which other peoples' advice cannot help you with. It may even be worth your time to book an hour at a well-equipped studio to try every mic in their cabinet. It might cost you 50 bucks but save you hundreds.
That caveat aside, I don't think you can go wrong with an SM-58 in your collection. It's cheap, you can hammer nails with it, and has been very (very!) popular with male rock vocalists for 60 years. And if the music thing doesn't work out for you, it's also the preferred microphone for standup comedians.