I used to quite enjoy SoS magazine (and Craig's column was very welcome, so the link above is great) but it got a bit tiring to see the way they'd always be positive in the gear reviews, only to basically admit in round-ups and special features later that most of the claims were false.
Example 1, portable vocal booths- the
review of the Reflexion Filter said
"the SE Reflexion Filter represents a serious step", the
review of the Kaotica Eyeball said
"the Eyeball actually works very well", but their feature
How Effective Are Portable Vocal Booths? said that these devices create as many reflections as they prevent and tend to colour the sound as well.
Similarly,
an article a few years back told readers that, providing you're skipping the cheapest and noisiest ones, or those which are deliberately strongly coloured, pre-amps have virtually no effect on what gets recorded or on what gets heard. In fact,
"many of us in the SOS office felt unable to confidently tell the anonymised files apart in any repeated or reliable fashion". Contrast that with review after review of pre-amps using weasel words like 'warm', 'clean', 'open', '3D', or my favourite, 'musical'.
It's almost as if they're careful not to upset their advertisers - i.e., gear manufacturers - when it's known they'll be watching closely, e.g. at reviews of their products, but will give you the truth the rest of the time. Which means the reviews aren't worth much.