If you are recording ONE single from ONE mix or instrument input then all you need is ONE input channel.
So on my Focusrite if I want to plug straight in I plug into the physical input 1. In Sonar before I hit record I set up the track input to Focusrite 1 Left.
I don't have to set anything else up. This will record a mono clip from that input.
If I choose Focusrite 1 Right I won't get any sound (unless I switch my physical input to input 2 on the interface).
If I choose Focusrite 1 Stereo then it will record a stereo clip (so instead of one single wave it's a double wave) but only one side of that clip will have audio. This results in a strange, off kilter sounding track.
That last one is why I brought it up because that lopsidedness could be from a stereo signal when you intended to record a mono signal. You can just look at the clip and see. If it's one solid wave... it's mono. If the clip is split in two (one above the other) it's stereo. If it is stereo and you only recorded on input on of those will be a wave and the other a flat line. If you somehow recorded into BOTH sides at once then maybe they will both be populated but for guitar you don't wnat that on the track. You want mono and then send that to a stereo bus like the Master bus (which is default).
There is no need for manual conversion or the like. You record mono tracks, they go to stereo busses. You pan the track to put it where you want in the bus.
Really the only time recording stereo directly into a track is useful is when you are recording the output of a stereo device like a tape deck or maybe a stereo synth or something. Even if you record both sides as 2 mono tracks you get more options.
Whatever... if you don't see the "double" clip then you may just have something routed/panned weird. So check your output routing and any sends as well as pan settings or if you have any effects somewhere maybe they are making something go weird.