Or just solo the bounced-down track (making sure to unsolo any other tracks that were solo'd). And if you happen to use "Default Bus" setting, make sure to route your final mixdown to the mains instead of a bus.
Yes, I like to do this as well. Route the "Master Bounce" track direct to Main Outs so it's not re-effected by anything on the Master bus, and solo it.
Also, I like leave everything active, and invert the phase of the bounce to see if I get cancellation with the original tracks, just to make sure everything made it into the final bounce with effects, levels and automation as expected.
One caveat, though, if you haven't frozen all your soft synths before that final bounce, the "live" MIDI-driven synth tracks may not cancel with the "Master Bounce" because of synth patches that never play back the same way twice due to LFOs and other modulators that are not phase-locked to the start of the patch or other random elements. The same would go for hardware synth tracks that haven't been "pre-recorded", but that probably doesn't happen as often.